Wild Women Don't Wear No Blues


Book Description

"Can't live with them, can't live without them. From time immemorial, men and women have engaged in the eternal struggle. No one is immune from the lures of the mysterious and perplexing differences that create so much of the exhilarating, frustrating, and romantic textures of our lives." "In this provocative collection of nonfiction pieces, Marita Golden, the critically acclaimed novelist, and fourteen other African-American women writers talk - each in their own distinctive style - about love, men, and sex. These essays - nine of which were written expressly for this book - range in style and content from Audre Lorde's now classic polemic on eroticism to Miriam DeCosta-Willis's moving essay about her husband to Audrey B. Chapman's hopeful "Black Men Do Feel About Love." Some are saucy, some spicy, a few use words not usually heard in polite company, and a few of them will leave you gasping or stunned. All of the essays are explorations into the contemporary black female psyche." "Golden has contributed an introduction and prefatory commentary for each piece, which adds luster to the whole. Unique in its concept, exemplary in its execution, Wild Women Don't Wear No Blues should quickly achieve an important place in the growing canon of African-American literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Don't Play in the Sun


Book Description

“Don’t play in the sun. You’re going to have to get a light-skinned husband for the sake of your children as it is.” In these words from her mother, novelist and memoirist Marita Golden learned as a girl that she was the wrong color. Her mother had absorbed “colorism” without thinking about it. But, as Golden shows in this provocative book, biases based on skin color persist–and so do their long-lasting repercussions. Golden recalls deciding against a distinguished black university because she didn’t want to worry about whether she was light enough to be homecoming queen. A male friend bitterly remembers that he was teased about his girlfriend because she was too dark for him. Even now, when she attends a party full of accomplished black men and their wives, Golden wonders why those wives are all nearly white. From Halle Berry to Michael Jackson, from Nigeria to Cuba, from what she sees in the mirror to what she notices about the Grammys, Golden exposes the many facets of "colorism" and their effect on American culture. Part memoir, part cultural history, and part analysis, Don't Play in the Sun also dramatizes one accomplished black woman's inner journey from self-loathing to self-acceptance and pride.




Black Sexual Politics


Book Description

In Black Sexual Politics, one of America's most influential writers on race and gender explores how images of Black sexuality have been used to maintain the color line and how they threaten to spread a new brand of racism around the world today.




Loving the Body


Book Description

In this book, contributors argue that the Black Church must begin to address the significance of sexuality if it is to actually present liberation as a mode of existence that fully appreciates the body. The contributors argue that we not only have to look at the Black Church in this discussion, but also explore black Christianity in general.




The Complete Fiction of Nella Larsen


Book Description

A remarkable volume that brings together the complete fiction of the author of Passing and Quicksand, one of the most gifted writers of the Harlem Renaissance. • "An original and hugely insightful writer." —The New York Times Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen’s best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white bigot. Just as disquieting is the portrait in Quicksand of Helga Crane, half black and half white, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a sense of place that brings Harlem vibrantly to life.




African American Pride


Book Description

-There are nearly 35 million African Americans in the U.S. today. This volume gives 101 reasons to be proud of being African American.




Flat-Footed Truths


Book Description

A new and exciting collection from Patricia Bell-Scott, the editor of the enormously successful Life Notes and the award-winning Double Stitch. With a foreword by Marcia Ann Gillespie. To tell the flat-footed truth is a southern saying that means to tell the naked truth. This revealing and inspiring anthology brings together twenty-seven creative spirits who through essays, interviews, poetry, and photographic images tell black women's lives. In the opening section that discusses the risks involved in sharing your life with others, Sapphire tells us about the challenges in recording her experiences when there has never been any validation that her life was important. The next section chronicles the adventure in claiming the lives of those who have been lost or neglected, such as Alice Walker's search for the real story of Zora Neale Hurston. The third part, which affirms lives of resistance, includes Audre Lorde's acclaimed essay "Poetry Is Not a Luxury." The final chapter, focusing on transformed lives, presents an insightful interview with Sonia Sanchez. This wonderful collection, featuring such writers as bell hooks, Barbara Smith, Marcia Ann Gillespie, and Pearl Cleage, is testimony to a flourishing literary tradition, filled with daring women, that will inspire others to tell their own stories.




Wild Women Don't Wear No Blues


Book Description

14 African American women explore the Black female psyche in uncompromising terms.




Literary Washington, D.C.


Book Description

The public face of Washington-the gridiron of L'Enfant's avenues, the buttoned-down demeanor Sloan Wilson's archetypal "Man in the Grey Flannel Suit," the monumental buildings of the Triangle-rarely gives up the secrets of this city's rich life. But, beneath the surface there are countless stories to be told. From the early swamp days to the Civil War, the "gilded age" to the New Deal and McCarthy eras, as the center of world power to its underlying multicultural social fabric, Washington is a writer's town. While this is surprising to some, it is not news to the close observer. Alan Cheuse, in his foreword to Literary Washington, D.C. comments: "Part of this peculiar city's sense of place is that it serves as a capital for people who have no permanent sense of place. . . . War has brought us here, peace has brought us here, love has kept us here, and love or loss of love will give some of us reason to leave again. Which makes Washington, D.C. exactly like most other places in the rest of the country and the rest of the world-only more so." In fact, D.C. has been a magnet for great writers for centuries. Including novelists, poets, journalists, essayists, and politicians and patriots, finally, in Literary Washington D.C., the story of the capital of world power is finally told.




Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone


Book Description

This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic "Nzuri theory/model;" and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster. Following concordant procedures and principles of Afrocentricity, the study focuses on Smith, Holiday and Simone's performances as part of a whole African artistic and cultural value system. The goal of the Afrocentric methodological structure is to locate relevant African dynamics in songs and to promote knowledge for cultural transformation and continuity. Its use in this study provides meta-criteria for analyzing African American music, which the author has used to uniquely argue connections between African cultural memory and African-derived cultural expression.