Willimantic City Plan 1981


Book Description







Willimantic Comprehensive Plan


Book Description




Willimantic Comprehensive Plan


Book Description







All Eyes are Upon Us


Book Description

The Northeastern United States -- home to abolitionism and a refuge for blacks fleeing the Jim Crow South -- has had a long and celebrated history of racial equality and political liberalism. After World War II, the region appeared poised to continue this legacy, electing black politicians and rallying behind black athletes and cultural leaders. However, as historian Jason Sokol reveals in All Eyes Are Upon Us, these achievements obscured the harsh reality of a region riven by segregation and deep-seated racism. White fans from across Brooklyn -- Irish, Jewish, and Italian -- came out to support Jackie Robinson when he broke baseball's color barrier with the Dodgers in 1947, even as the city's blacks were shunted into segregated neighborhoods. The African-American politician Ed Brooke won a senate seat in Massachusetts in 1966, when the state was 97% white, yet his political career was undone by the resistance to busing in Boston. Across the Northeast over the last half-century, blacks have encountered housing and employment discrimination as well as racial violence. But the gap between the northern ideal and the region's segregated reality left small but meaningful room for racial progress. Forced to reckon with the disparity between their racial practices and their racial preaching, blacks and whites forged interracial coalitions and demanded that the region live up to its promise of equal opportunity. A revelatory account of the tumultuous modern history of race and politics in the Northeast, All Eyes Are Upon Us presents the Northeast as a microcosm of America as a whole: outwardly democratic, inwardly conflicted, but always striving to live up to its highest ideals.




Hate Groups and Acts of Bigotry


Book Description










The Making and Unmaking of Colonial Cities


Book Description

The Making and Unmaking of Colonial Cities is a comparative study of architectural space in four (post-)colonial capitals: Belfast, Northern Ireland; Windhoek, Namibia; Bridgetown, Barbados; and Hanoi, Vietnam. Each chapter takes up one of these cities, outlining its history of building and urban planning under colonial rule and linking that history to its contemporary shape and scope. This genealogical information is drawn from primary source documents and archival materials. The chapters then look to local literary texts to better understand the lingering impact of colonial building practices on individuals living in (post-)colonial cities today. These texts often foreground the difficulty of moving through a city that can never feel comfortably one's own; legacies of racial segregation, buildings that disregard indigenous resources, and street names that serve as constant reminders of a history of oppression, for example, can produce feelings of anxiety, even of unbelonging, for native subjects. However, the literature also highlights ways in which the subversive wanderings of particular pedestrians--taking shortcuts, trespassing in forbidden places, diverting spaces from their intended uses--can contest 'official' topography. Bodies can therefore move against the power of a repressive regime, at least to some degree, even when that power is literally set in stone. Obert argues for the significance of these small gestures of reclamation, suggesting that we must counterpose the potential flexibility of lived space to the prohibitions of the map in order to more fully understand (post-)colonial power relations.