Writings on War


Book Description

Writings on War collects three of Carl Schmitt's most important and controversial texts, here appearing in English for the first time: The Turn to the Discriminating Concept of War, The Großraum Order of International Law, and The International Crime of the War of Aggression and the Principle "Nullum crimen, nulla poena sine lege". Written between 1937 and 1945, these works articulate Schmitt's concerns throughout this period of war and crisis, addressing the major failings of the League of Nations, and presenting Schmitt's own conceptual history of these years of disaster for international jurisprudence. For Schmitt, the jurisprudence of Versailles and Nuremberg both fail to provide for a stable international system, insofar as they attempt to impose universal standards of 'humanity' on a heterogeneous world, and treat efforts to revise the status quo as 'criminal' acts of war. In place of these flawed systems, Schmitt argues for a new planetary order in which neither collective security organizations nor 19th century empires, but Schmittian 'Reichs' will be the leading subject of international law. Writings on War will be essential reading for those seeking to understand the work of Carl Schmitt, the history of international law and the international system, and interwar European history. Not only do these writings offer an erudite point of entry into the dynamic and charged world of interwar European jurisprudence; they also speak with prescience to a 21st century world struggling with similar issues of global governance and international law.




The Historiography of World War I from 1918 to the Present


Book Description

From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.




War Books


Book Description




Writing War


Book Description

Writing War is the curriculum for seminars and workshops provided by the Veterans Writing Project. Written by a veteran for veterans, active and reserve service members, and military family members, Writing War details the elements of craft involved in fiction and non-fiction writing. Beginning with the basic questions "Why do we write?" and "What's different about writing the military experience?", the book includes chapters on scene, setting, dialogue, narrative structure, character motivation and development, beginnings and endings, point of view, revision, writing about trauma, and making time in a busy life for writing. Writing War includes detailed examples demonstrating each element of craft. All examples used in the book were written by writers who are also veterans. It is written to be accessible to beginning and more experienced writers.




War


Book Description

From the author of The Perfect Storm, a gripping book about Sebastian Junger's almost-fatal year with the 2nd battalion of the American Army.




Writing War


Book Description

Historians have made widespread use of diaries to tell the story of the Second World War in Europe but have paid little attention to personal accounts from the Asia-Pacific Theater. Writing War seeks to remedy this imbalance by examining over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen from 1937 to 1945, the period of total war in Asia and the Pacific. As he describes conflicts that have often been overlooked in the history of World War II, Aaron William Moore reflects on diaries as tools in the construction of modern identity, which is important to our understanding of history. Any discussion of war responsibility, Moore contends, requires us first to establish individuals as reasonably responsible for their actions. Diaries, in which men develop and assert their identities, prove immensely useful for this task. Tracing the evolution of diarists’ personal identities in conjunction with their battlefield experience, Moore explores how the language of the state, mass media, and military affected attitudes toward war, without determining them entirely. He looks at how propaganda worked to mobilize soldiers, and where it failed. And his comparison of the diaries of Japanese and American servicemen allows him to challenge the assumption that East Asian societies of this era were especially prone to totalitarianism. Moore follows the experience of soldiering into the postwar period as well, and considers how the continuing use of wartime language among veterans made their reintegration into society more difficult.




The Norton Book of Modern War


Book Description

Selections from poetry and fiction describe the 20th century's major conflicts.




Moltke on the Art of War


Book Description

Field Marshal Helmuth Graf von Moltke is best known for his direction of the German/Prussian campaigns against Austria in 1866 and France in 1870-71, yet it was during his service as chief of the General Staff that he laid the foundation for the German way of war which would continue through 1945. Professor Daniel Hughes of the Air War College, in addition to editing and assisting with the translation of this selection of Moltke’s thoughts and theories on the art of war, has written an insightful commentary on “Moltke the Elder” that places him in the broader context of Prussian military theorist Carl von Clausewitz’s sometimes abstract philosophical ideas. The book also contains an extensive bibliographic and historiographic commentary that includes references to Moltke and his theories in the current literature in Germany, England, and the United States—a valuable aid to anyone doing research on the subject. This volume, in addition to its appeal to scholars, serves as an introduction to the theory of the German army, as well as a summary of Moltke’s enduring theoretical legacy. Praise for Moltke on the Art of War “Moltke molded the Prussian and ultimately the German army at a time of technological and economic change. For that reason . . . this book deserves a much wider audience than those interested in nineteenth-century military history. Readers will be particularly grateful for the editor’s careful explanation of terms that are easily mistranslated in English, and for concise and useful footnotes and bibliography. A model of fine editing.”—Foreign Affairs Magazine “This valuable work ably compiles the selected writings on the art of war of one of military history’s greatest geniuses. [Moltke’s] impact on American military thinking persists, especially in various military staff college curricula. Strongly recommended.”—Armed Forces Journal “A thoughtfully edited, well-translated anthology that merits a place in any serious collection on the craft of war in the modern Western world."—Journal of Military History




Illusions of Victory


Book Description

In the immediate aftermath of the 2007 "Surge" of American troops in Iraq, the defeat of al-Qaeda in Iraq (AQI) in Anbar Province was widely hailed as one of America's signature victories. US Marines and soldiers fought for years there, in grinding battles such as Fallujah and Ramadi that define the experience of Iraq. Eventually, the fractious tribal sheiks in that province, with the help of American troops, united in an "Awakening" that dealt AQI a stunning defeat. The Awakening's success argued that the United States could intervene in a war-torn country and, with the right strategy, bring stability and peace. It seemed to exemplify snatching victory from the jaws of defeat. A decade later, the situation in Anbar Province is dramatically different. In 2014, much of Anbar fell to the AQI's successor organization, the Islamic State, which swept through the region with shocking ease. In Illusions of Victory, Carter Malkasian looks at the wreckage to explain why the Awakening's initial promise proved misleading and why victory was unsustainable. Malkasian begins by tracing the origins of the Awakening, then turns his attention to what happened in its wake. After the United States left, Iraq's Shi'a government sidelined Sunni leaders throughout the country. AQI, brought back to life as the Islamic State, expanded in northern and western Iraq and quickly found a receptive audience among marginalized Sunnis. In short order, the progress that had resulted from the Awakening fell apart. Malkasian draws many lessons from Anbar. Chief among them, the most stunning of victories may not last. The fact that the leading model of success fell apart severely damages the idea that the United States can send the military to a country for a few years and create lasting peace. Even the most successful example was bound to deeper social, sectarian, and religious forces insensitive to temporary boots on the ground. From today's perspective, rather than decisive success, Anbar exemplifies how intervention itself is a costly, long-term project. The most brilliant victory could not escape this wisdom.




The War of 1812: Writings from America's Second War of Independence


Book Description

On June 18, 1812, the United States formally declared war for the first time. President James Madison’s call to arms against Great Britain provoked outpourings of patriotic fervor and vigorous—some said treasonous—domestic opposition. Over the next three years the War of 1812 would prove as divisive as it was rich in nationalist myth-making: We have met the enemy, and he is ours . . . Don’t give up the ship! . . . Oh, say can you see . . . . Now, on the bicentennial of a conflict that shaped the future of a continent, here is the first comprehensive collection of eyewitness accounts in over a century. Reflecting several generations of scholarly discoveries, it covers all the theaters of war, from frontier battles in Canada, Michigan, and New York to naval confrontations on the high seas and Great Lakes, from the burning of Washington to the defense of New Orleans. Here are 140 letters, memoirs, poems, songs, editorials, journal entries, and proclamations by more than 100 participants, both famous—Thomas Jefferson, Andrew Jackson, Tecumseh, Dolley Madison, and the Duke of Wellington, among others—and less well known, such as Laura Secord, the Canadian Paul Revere, and William B. Northcutt, whose remarkable diary provides a common soldier’s view. Features helpful notes, a chronology of the war, and full color endpaper maps.