Dirty Who?


Book Description

Rough and tumble SFPD Inspector Johnny O’Rorke, the department’s Executive Protection Officer, has a new partner, Cosmo the Wonder Dog, a Lakeland terrier his sister has left in his care. O’Rorke is called to San Francisco City Hall to meet with Film Commissioner Audrey Pebble. Warner Brothers is preparing to film a major motion picture, Dirty Harry, in San Francisco, with Frank Sinatra set for the starring role as Inspector Harry Callahan. Pebble knows that O’Rorke has worked as a bodyguard for Sinatra. She hired Harly Walker, a local young artist and musician, to scout the city for locations that would appeal to Warner Brothers. Walker has disappeared and Pebble is desperate for O’Rorke to find him. The hunt takes O’Rorke and Cosmo to the famed Haight Ashbury Medical Clinic and to some of the darkest, most dangerous areas of the city, including porno movie studios, drug dens, bathhouses and hardcore leather bars. While searching for Walker, O’Rorke learns that several of Harly’s friends have been murdered in such a painful manner that even the medical examiner is shocked. O’Rorke races to find the killer—and then comes the hard part: Telling Frank Sinatra that he is not right for the role of Dirty Harry.




Dangerous Boys


Book Description

“A searing crime novel…Gifune shows his versatility in this coming-of-age tale.” —Publishers Weekly All they had was each other…and nothing to lose… Summer, 1984. For Richie Lionetti and his gang of friends, their years as teenagers are coming to an end. At a crossroad in their lives as petty criminals and thugs on the mean streets of New Bedford, Massachusetts, they’ve got one final summer, one last chance to fall in love, brawl for their turf, rob and pillage, and one last chance to make a move and pull a job that could change their lives forever. As a series of brutal heatwaves hit southeastern Massachusetts, the city boils, and everyone is on edge. In the hopes of finding something better, Richie desperately searches for meaning in all the violence, sex and degradation that is his daily life. But at what price? Part coming-of-age tale, part dark crime thriller, Dangerous Boys is the story of a group of young punks with nothing left to lose, fighting to find themselves, their futures, and a way out of the madness and darkness before it’s too late. Praise for DANGEROUS BOYS: “Extremely well written and quite compelling, Dangerous Boys hits all the right marks. It’s a novel you’ll enjoy reading and regret when the last page is turned. Reminded me a bit of Dennis Lehane, a bit of Martin Scorsese, and a bit of S.E. Hinton. What I’m saying is: Greg F. Gifune has written a crime novel that’s character-driven, jarringly violent, and somehow tender.” —Grant Jerkins, author of Abnormal Man “Dangerous Boys may well be the best thing Greg F. Gifune has written, and that’s a tall order given his deep and accomplished oeuvre. Stunning, breathtaking, and a bloody nightmare of a ride, this crime novel will reverberate through every inch of your heart and soul, and will cement Greg’s already top-shelf reputation with readers of real literature.” —Trey R. Barker, author of the Jace Salome novels “Dangerous Boys is Vision Quest meets The Outsiders with a dash of Less Than Zero thrown in. If none of those references make any sense to you, then you have some reading to do...AFTER you devour Dangerous Boys! Whether you want nostalgia, pain, darkness, sex, violence, or struggle, you’ll find it here.” —Frank Zafiro, author of Blood on Blood “This is it—a gritty, street-wise, cigarette-behind-the-ear coming-of-age novel that evokes Hinton’s The Outsiders, the best of Dennis Lehane, and a dash of Mean Streets. Gifune continues to astound, able to perfectly balance the darkest parts of humanity with its most tender moments. Dangerous Boys is Gifune at his best.” —Ronald Malfi, author of Bone White “Dangerous Boys is a testosterone-fueled, taut moral tale in the tradition of Nelson Algren’s lonely street hustlers and Richard Price’s The Wanderers. Greg F. Gifune drops you into the backseat of an IROC cruising the hot mean streets with cigarette smoke in your eyes and last night’s booze on everyone’s breath. He makes your palms sweat and your heart break for these small-time hoods. Fast, brutal, vivid action—and dialogue as sharp as a broken pool stick. These boys are gonna kick your ass!” —Steven Sidor, author of Fury From the Tomb




Once A Warrior


Book Description

It's been three years since Mustafa Bahdoon, one-time leader of the Southside Killaz, saved his fugitive son Adem from the clutches of pirates in Somalia. But when Mustafa is asked to rescue a young girl from the gang's sex trafficking empire, he returns from retirement to seize control once again. But his coup ignites a vicious gang war on the streets of Minneapolis.Meanwhile, still haunted by guilt over the girl he left behind in Somalia, Adem reprises the role of Mr Mohammed, legendary pirate negotiator. But the CIA is on his tail and he soon finds himself unwillingly enmeshed in a deadly campaign against organised crime.Half a world apart, survival for both father and son depends upon telling friend from enemy, truth from lie, and their own true selves from the roles they must play.Once A Warrior is the highly anticipated follow-up to the award-winning All The Young Warriors. Praise for All The Young Warriors"a brilliant book, possibly the best novel of the year." - Les Edgerton"written with a sureness of hand and a depth of character that are impressive. A highly accomplished crime novel exposing an often unseen world." - The Big Issue"All The Young Warriors will grip readers who enjoy the chance to slip into a foreign culture and also those who want a page-turning thriller" - Spinetingler Magazine"a powerful story that is both riveting and meaningful" - Crime Fiction Lover"this book is a classic in the making" - I Meant To Read That"All The Young Warriors is a pretty rare beast, a clever page-turner. It deserves to be a bestseller and has film adaptation stamped all over it." - Loitering With Intent"a courageous novel that raises a lot of pertinent questions" - Dead End Follies"Smith writes with force and clarity" - The Chicago Tribune"Smith's version of Minnesota is no Lake Wobegon; the inhabitants are refreshingly made up entirely of the deranged, the damaged, and the doomed. If you can picture the intellectual and physical mayhem that might have resulted from a Jim Thompson and Harry Crews collaboration, you'd be on the right track. But Anthony Neil Smith is his own writer — and a very fine one, indeed." - Booklist




Go Go Gato


Book Description

When Almario “Go Go” Gato, a handsome young Cuban baseball player, goes missing mid-season, his agent Veronica Craven hires a private investigator to track down her best client. No police. No press. Enter Eli Sharpe, an Asheville, North Carolina-based ex-ballplayer turned private detective who specializes in investigating professional athletes. Eli begins by questioning Maria Gato, Almario’s roommate and fraternal twin. Maria watched while both her parents drowned on the boat ride from Cuba to America, so she is naturally desperate to get her only brother back. She tells Eli a secret: Almario may have a problem with drugs and alcohol. Eli tracks down Almario’s supposed girlfriend, a rich sorority girl, but is soon led to another woman in his life, Sheri Stuckey, his cocaine supplier and fiancée who works in tandem with a gay bartender named Dantonio Rushing. Stuckey, a drug abuser and single mother, claims Almario split because she wanted the two of them to check into rehab. But Rushing, dazzled by Almario’s boyish good looks, tells a different tale: Almario has taken out a $500,000 life insurance policy on himself and named Stuckey as the primary beneficiary. With the help of his mentor—a former homicide detective—and five ex fiancées who still care about him, Eli follows Go Go’s trail, determined to locate the elusive ballplayer before one of the nasty people in his life—or his own bad habits—do him in. Praise for GO GO GATO: “From its hero to its milieu to its eccentric, three-dimensional characters, Max Everhart’s Go Go Gato is a terrific read. The North Carolina minor-league baseball scene feels authentic and beloved, and I was always rooting for protagonist Eli Sharpe. The best news is that this excellent mystery is first in a series. Fans of Harlan Coben will want to check out Max Everhart, a major new talent!” —Steve Ulfelder, Edgar Award-finalist author of Wolverine Bros. Freight & Storage “Go Go Gato is the debut entry in a promising new series by Max Everhart, and it’s a fast-paced, entertaining tale. Eli Sharpe is a very appealing character who combines just the right amounts of wit, humor, intelligence and courage, and it will be fun to watch him in action as the series continues to grow and develop.” —James L. Thane, author of Until Death and No Place To Die “Max Everhart scores a homerun with this first novel in his new Eli Sharpe mystery series. Eli finds much more than he bargained for in his search for a missing baseball player in this fast read, best enjoyed with a glass of George Dickel in hand since that’s Eli’s favorite “poison”. Like a good curveball you won’t see the twist ending coming at you.” —Paul D. Marks, author of the Shamus Award-winning novel White Heat “This is an excellent read and the author’s characters are very real; in particular, Eli Sharpe and his friend Ernest Carpenter. Readers will enjoy the plot, and root for Eli to discover the criminal before a more serious crime occurs.” —Suspense Magazine




Monday's Meal


Book Description

The stories in this collection represent a range in topics and styles and feature a wide assortment of individuals who, although diverse, all have in common a singular element—trouble in their lives. That’s what fiction is about—trouble—and short stories have a particular mandate to be about the frailty of the human condition as well as its strength. The author has an affinity for the disenfranchised among us and it is those often heroic people that interest him the most. In these stories he treats them with the sensitivity and dignity they deserve. Praise for MONDAY’S MEAL: “The sad wives, passive or violent husbands, parolees, alcoholics and other failures in Les Edgerton's short-story collection are pretty miserable people. And yet misery does have its uses. Raymond Carver elevated the mournful complaints of the disenfranchised in his work, and Edgerton makes an admirable attempt to do the same.” —The New York Times Book Review “Reading Les Edgerton’s stories is like listening to those old World War II broadcasts from the London blitz, with the reporter crouching under a restaurant table, microphone in hand, while the bombs drop on the city and the ceiling caves in. Edgerton reports on the world and the news is not good. There’s a kind of wacky wisdom in these bulletins from the underside of life; the stories are full of people you hope never move in next door, for whom ordinary life is an impossible dream. This is good fiction; Edgerton writes lean and nasty prose.” —Dr. Francois Camoin, Director, Graduate School of English, University of Utah “Edgerton’s best stories are uncompromising in their casual amorality. They stare you down over the barrel of a gun, rip you up whether or not the trigger gets squeezed.” —Diane Lefer, Creative Writing Instructor in the MFA in Writing Program at Vermont College of Fine Arts “When it comes to short stories, Americans rule the roost. Flannery O’ Connor, Raymond Carver, Stephen King, Dorothy Parker, Charles Bukowski, Richard Ford, Kyle Minor. And you can add Les Edgerton to that list. Monday’s Meal contains twenty-one tales of dirt realism, sharp slices of American life. Edgerton has a strong and sure grasp of the lives of people who are standing on the edge of a precipice.” —Paul Brazill, author of Too Many Crooks and The Last Laugh “Filled to bursting with writing you can taste. Whether dining on bisque and blackened redfish at an upscale cafe, or eating rank mule meat in a pine board cabin, the characters in Edgerton’s world bite down hard and grind up one another with their back teeth. Monday’s Meal is a most satisfyingly vivid and visceral feast.” —Melody Henion Stevenson, author of The Life Stone of Singing Bird “This collection of 21 unsettling stories will appeal to readers looking for nontraditional contemporary plots with characters living on the fringes of society. Several selections will haunt readers for some time as events often take a morbid twist; others will leave them wondering about the endings.”—School Library Journal




Tushhog


Book Description

It’s 1981 in Fort Myers, Florida. Scotland Ross hasn’t given up drinking, but he has sworn off of trouble. At a waterside tavern the day the Pope got shot, Scotland drank to cloud the memories of his dead infant son on an anniversary such as this. Distraction comes when the bar owner needs his help. Despite his vow of living within the law, Scotland soon finds himself tangling with a redneck clan, a Cuban gang, a connected crew from New York, and the very friend he set out to help. Crimes of violence, drugs, and theft pale in comparison to the failure of self-restraint in this humid town on the Gulf coast. When Scotland’s activities involve his girlfriend, he kicks himself into a higher gear. He didn’t know until it was too late that she’d been involved long before they even met. He’s not fully prepared for the ramifications of that, but there is no time to waste. Can Scotland save his girlfriend, clear his name, get justice for being screwed over, and stay out of jail? Tushhog is dark noir set in the state of sunshine. A story of crime and compulsion and the depths to which people rise or sink. Praise for TUSHHOG: “In Tushhog, Jeffery Hess has created a wicked lean follow-up to Beachhead. The remarkable Scotland Ross is back for another go-round, sadder maybe but no wiser, which means that he gets himself into all sorts of entertaining trouble. An excellent sophomore entry in what promises to be a long-running series of bruising, bare-knuckle crime novels.” —Pinckney Benedict, author of Miracle Boy, The Wrecking Yard and Town Smokes “Anti-hero Scotland Ross is back and Jeffery Hess’s prose is better than ever in this Sunshine Noir follow-up to last year’s unputdownable Beachhead. With tight pacing, snappy dialogue, a grungy edge and a whole lot of attitude, Tushhog brings us another classic crime caper complete with our hard-nosed protagonist, still trying to walk the razor’s edge between right and wrong, and a colorful cast of troublemakers and rabble-rousers, each intent on stretching Scotland Ross to his limits. In the tradition of Elmore Leonard, Tushhog is a no-holds-barred noir you won’t soon forget.” —Steph Post, author of Walk in the Fire “Brace for impact! Hard to imagine that a sequel to Jeffery Hess’s debut novel, Beachhead, could possibly outrun its predecessor in relentless pacing and passion for the noir of life, but Beachhead fans are in for a double-dose helping of both. In Tushhog, Scotland Ross returns, and though he’s determined at the outset to re-envision his life according to his rules, it’s his personal code that ultimately lands him at the center of a masterfully spun cycle of mayhem. Hess’s Scotland Ross is an unmistakable rising star within the genre of noir, and reminiscently comparable to the early rise of the complex detective, Patrick Kenzie, within the long-running series by NYT’s best-selling author, Dennis Lehane.” —Tracy Crow, author of Cooper’s Hawk and Eyes Right: Confessions from a Woman Marine. “Tushhog is Jeffery Hess’ follow-up to Beachhead and the return of Scotland Ross. The action starts on page one and does not let up, offering the reader a one-two punch of quick, rapid-fire wit punctuated by grisly, can’t-look-away action. Hess’ prose is all Florida, all the time. Look out, Carl Hiassen…Jeff Hess is coming for your crown. You’ll trust no one in this story, but that won’t keep you from turning each and every page because Hess gives this story his all.” —Eryk Pruitt, author of Dirtbags, Hashtag, and What We Reckon “Tushhog is spellbinding, driven, reckless and authentic. Constantly cinematic, this novel catches you in its violent, slyly funny, hair-raising grip and never lets you go. Jeff Hess has written a terrific novel that captures crime and all its gruesome and subtle consequences.” —Fred Leebron, Professor of English, Gettysburg College




The Blade This Time


Book Description

A man wakes to find himself below ground in the abandoned subway stations of New York City. He has no idea how he got there, no idea who he is. In his pocket he finds only a wad of blood-stained cash and a deck of playing cards. Once above ground, he rents out a cheap apartment, previously occupied by an enigmatic artist named Max Leider who’d left most everything behind—books, clothes, personal letters. But most peculiar are a series of paintings, each one of a mysterious woman hidden behind a curtain. Without an identity of his own, the man becomes fascinated with Leider. He begins wearing his clothes. He begins painting on his canvases. He begins taking on his obsessions. But as his persona fully transforms into Max Leider, he will find some horrifying truths about the artist…and himself. Praise for THE BLADE THIS TIME: “Jon Bassoff’s The Blade This Time is a nightmarish descent into the underbelly of New York City and the darkest corners of the psyche. A gritty, disorienting ride.” —Paul Tremblay, author of A Head Full of Ghosts “The Blade This Time a dark masterpiece of classic horror. Bassoff blends art, insanity, violence, and obsession into a haunting nightmare that you don’t want to stop. Truly, Bassoff at his best.” —C.J. Howell, author of The Last of the Smoking Bartenders “Jon Bassoff’s latest full-length piece of noir, The Blade This Time, transports you into the bowels of urban, subterranean, humankind. Literally. A riveting, tightly woven masterpiece of hard-boiled loneliness, I was held mesmerized by it. Part Charlie Huston, part Henry Miller with a sprinkling of Bukowski, this is a novel you will not want to miss.” —Vincent Zandri, New York Times and USA Today bestselling author of The Remains and Orchard Grove “Dark and disturbing, a guided tour through one man’s private hell. You can feel the pain, touch the grime, and smell the decay. I burned right through it, tripping on the feverish story arc, and came out the other side more than a little uneasy.” —Tim Curran, author of Doll Face “The Blade This Time is the book David Goodis would have written if he’d taken WAY too much mescaline one weekend and holed himself up in an abandoned Port Richmond movie theater and hallucinated straight into his typewriter. Brilliantly demented. —Scott Phillips, author of The Ice Harvest “Creepy, intriguing, compelling and well-crafted, Bassoff’s novel is the kind of thing you didn’t realize you were looking for until you’re already up to your neck in it. And by then you’re hooked.” —Victor Gischler, author of The Deputy




Welcome Back, Jack


Book Description

When Jack was six years old, his parents were brutally slain by a serial killer. The police later found drifter Clyde Colsen driving a stolen car, his clothes soaked in blood. He was tried, convicted and executed. Jack grew up knowing the police got their man. Now a decorated homicide detective in New Rhodes, Jack arrives at the third crime scene of the “South End Killer” murders and finds his name. He will soon find out something else: thirty years ago, they got the wrong guy. And now the right guy’s come back to pay Jack and New Rhodes his bloody respects. As Jack struggles to stay on the case, his cat-and-mouse game with the killer makes him wonder if he’s the cat or the mouse. His family and everyone in his life is fair game. As the killer escalates and threatens the entire city, Jack has a question he must answer in his desperation: can he stop the monster without becoming one? Praise for WELCOME BACK, JACK: “I’ve been following Liam Sweeny’s writing career for several years. He started out pretty good and now—with Welcome Back, Jack —he’s become smokin’ good! I predict this novel will propel him to the highest ranks of novelists writing police procedurals. That may look like I’m climbing out on a limb and if so, it’s an extremely stout and solid limb. This ranks with the best of the genre and Sweeny is poised to become a writer of the highest rank. Remember his name—you’re going to be seeing it a lot.” —Les Edgerton, author of The Genuine, Imitation, Plastic Kidnapping, The Rapist, The Bitch and others “A new dark, very dark star has appeared in the noir spectrum and what a star it is. Welcome Back, Jack is the real deal, as down and deliciously dirty as it gets but with a wonderful fresh style and artistry that is as compelling as it is addictive. This is one hell of a start to what promises to be a unique series.” —Ken Bruen, author of the Jack Taylor series “When a triple homicide in New Rhodes bears worrisome similarities to one from police officer, Jack LeClere’s, childhood, nothing can stop him from following the sinewy clues to their horrific conclusion. As long as writers like Liam Sweeny can work the police procedural to such great affect, readers will follow Jack back to the gritty streets of New Rhodes gladly. Sweeny’s writes beautifully and Welcome Back, Jack is full of memorable characters. Claustrophobics beware!” —Patricia Abbot, author of Concrete Angel “Equal parts police procedural and psycho-thriller, Liam Sweeny reinvents a genre with Welcome Back, Jack. When serial killing gets personal, Jack LeClere is dragged underground into the past. Literally. With crisp, taut dialogue, fast-paced action, and more plot twists than the subterranean tunnels Jack must navigate to earn redemption, Sweeny taps into modern-day, urban paranoia, mining the best of Ellroy, Cain, and Westlake. Sweeny pays homage while tearing up some serious new ground.” —Joe Clifford, author of Lamentation and December Boys “Do yourself a favor: Before you start reading Welcome Back, Jack, clear your schedule. You’re not going to be able to stop until you’ve seen it through to the explosive finale.” —Rob Hart, author of New Yorked




Once a Killer


Book Description

You can never really escape your past… Michael Hoffman has come a long way from his deprived childhood in Chicago’s South Side. Now he’s a young, successful partner in a major New York law firm, handling some of its clients’ most prestigious M&A deals. With a beautiful wife, and two young daughters who look up to him, he has built the perfect life. But Michael has a secret: one that goes back to his childhood; a secret so dark it would destroy his family and brilliant career. Discovered by the wrong people, it would certainly get him killed. There is only one person who knows about his past, and he is a career criminal who manages a low profile hedge fund, bankrolled by Eastern European mafia money. Michael is safe, but only for as long as he agrees to feed details of his firm’s deals to the fund so it can make millions from insider trading.




Love You to a Pulp


Book Description

A strange trip through the Kentucky countryside with a glue-sniffing, skull-cracking, squirrel-hunting private detective by the name of Neil Chambers… When Chambers is approached by a father who wants to get back his (adult) daughter, he takes the skeptic’s view of the case. But he has no idea the chaotic fever dream that he’s about to stumble into. Vicious rednecks, more vicious rich people, crooked sheriffs—Neil will fight them all. F*** solving the case; this is about survival. Praise for LOVE YOU TO A PULP: “DeWildt stands alone as a wicked wizard of crime fiction. Love You to a Pulp serves up heart and depravity in equal portions. Bold, brash, and completely original.” —Tom Pitts, author of Hustle “Chris DeWildt is the first honest-to-God heir apparent I’ve read to the rural noir master Jim Thompson.” —Joe Clifford, author of Lamentation “DeWildt has a tendency to drag his characters, as well as his avid readers, through the most despicable of circumstances, yet with Love You to a Pulp, that tradition lets a little redemption seep in through the cracks. A balance DeWildt handles like a pro. This book is full of masterful imagery from a provocative author at the top of his game, piled high on a bullet train of violence that demands that once you start watching, you don’t look away.” —Brian Panowich, author of Bull Mountain