Yeah No


Book Description

Poetry. Jane Gregory's mystifying second collection, YEAH NO, begins with a "Knock knock," inviting the reader into a realmwhere "Everything is a pattern / of yesses and no." Within these pages we find Gregory constructing a multivalent world--ripe with struggle, prophecy, and, by the end, a resemblance of hope. Using her highly-tuned sensibility throughout, Gregory guides us through the anxieties of this journey by inventing new and enigmatic forms filled with sonic experimentation and polyphony. YEAH NO builds upon the singular vision found within her previous collection, MY ENEMIES, and continues her elegant and challenging address to poetry. "At the beginning it feels almost awkward (as well as anguished). Written in poems that are accretions containing both language that's constantly questioned and a more subtle, subterranean lyricism: 'the bower made of agitation' seems to be the form, and the book seems to be about being agitated by different impulses. Suddenly, more than mid-way, everything comes together into a new tone, and what was hesitance. is a method. 'I am against achievement,' Jane Gregory says in obvious and thrilling mastery of poetic form. She really takes over then. and the reader's pleasure is acute. This is a terrific book to go through."--Alice Notley "To take the relentless work of sensing/making/relating/judging/desiring/suffering/trying ('What? // Yes. and little else') and wrest it via language into bombs of awful hope and gorgeous despair just is poetry's job, and in YEAH NO Jane Gregory makes it fully and spectacularly hers. 'Thank what is clear / for the grimness,' she writes, 'what the future's retrojection bore a hole right through.' Gregory's taut and particular rigor is a contagion (read: corrective) that I dearly want to spread across the present tense. Take note of what happens to your heart--I mean the organ, 'tenderer. tenderer now'--as you read this mighty book."--Anna Moschovakis




No No Yes Yes


Book Description

YES! This must-have toddler title sheds light on some concepts with a comical flair. Yanking cat by tail: no NO. Gentle pat on back: yes YES. And it’s funny how dumping a bowl of food gets a very different reaction from mastering the use of a spoon. An expressive baby demonstrates familiar behaviors — and their predictable responses — in an amusing book that merits a giant YES!




Yeah, No


Book Description




Sorry About That


Book Description

People do bad things. They misspeak, mislead, and misbehave. They lie, cheat, steal, and kill. Often, afterward, they apologize. But what makes a successful apology? Why does Joe Biden's 2007 apology for referring to Barack Obama as "articulate and bright" succeed, whereas Mel Gibson's 2006 apology for his anti-Semitic tirade fails? Naturally, the effectiveness of an apology depends on the language used, as well as the conditions under which we offer our regrets. In Sorry About That, linguist Edwin Battistella analyzes the public apologies of presidents, politicians, entertainers, and businessmen, situating the apology within American popular culture. Battistella offers the fascinating stories behind these apologies alongside his own analysis of the language used in each. He uses these examples to demonstrate the ways in which language creates sincere or insincere apologies, why we choose to apologize or don't, and how our efforts to say we are sorry succeed or fail. Each chapter expands on a central concept or distinction that explains part of the apology process. Battistella covers over fifty memorable apologies from McDonald's, Martha Stewart, Oprah Winfrey, Jane Fonda, Bill Clinton, and many more. Moving back and forth between examples and concepts, Battistella connects actual apologies with the broader social, ethical, and linguistic principles behind them. Readers will come away from the book better consumers of apologies - and better apologizers as well.




He Loves You Yeah Yeah Yeah . . NO!


Book Description

He Loves You Yeah Yeah Yeah … NO! is the sequel to Anne Maree Spengler's first book, Lies, Deceit, Adultery, and My Husband's Boyfriend ... A Wife's Tale. It follows her journey from a vulnerable, scared, and divorced woman who wonders what her future holds, to a dynamic, confident, free woman, who feels she can tackle any problem the world throws her way. Anne Maree's journey over the past five years has given her strength, motivation, and confidence as she embarks on new adventures and rediscovers who she is. She credits her successful journey to family and friends who provided her greatest support. There's no stopping her now in her quest to shine! "I wanted to help other women who find themselves in the same situation that I found myself in. I wanted to let them know that there is life after divorce! They must seek the solutions they need to let themselves shine, because they don't have to do it alone. There are so many wonderful resources for help, if only they look in the right places, and ask for help."




Yes! No!: A First Conversation About Consent


Book Description

A picture book edition of the bestselling board book about consent, offering adults the opportunity to begin important conversations with young children in an informed, safe, and supported way. A board book bestseller – now in picture book! Developed by experts in the fields of early childhood development and activism against injustice, this topic-driven book offers clear, concrete language and imagery to introduce the concept of consent. This book serves to normalize and celebrate the experience of asking for and being asked for permission to do something involving one's body. It centers on respect for bodily autonomy, and reviews the many ways that one can say or indicate "No." While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it's hard to know where to begin. Research shows that talking about issues like race, gender, and our bodies from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice. These books offer a supportive approach that considers both the child and the adult. Illustrative art accompanies the simple and interactive text, and the backmatter offers additional resources and ideas for extending this discussion.




The Last Lecture


Book Description

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.




The First 20 Hours


Book Description

Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.




Yeah. No. Totally


Book Description

A searing portrait of a generation on the brink, yeah. no. totally. delivers the bad news. With a voice at once angry, soulful, fearless, and anarchistic, Lisa Wells pulls no punches. From the self-conscious nights at the bar to the shores of a river that no longer exists, from the internet message boards to the motel rooms after the show, Wells has seen herself, and she has seen us. This is what we look like.




Bad Language


Book Description

Is today's language at an all-time low? Are pronunciations like cawfee and chawklit bad English? Is slang like my bad or hook up improper? Is it incorrect to mix English and Spanish, as in Yo quiero Taco Bell? Can you write Who do you trust? rather than Whom do you trust? Linguist Edwin Battistella takes a hard look at traditional notions of bad language, arguing that they are often based in sterile conventionality. Examining grammar and style, cursing, slang, and political correctness, regional and ethnic dialects, and foreign accents and language mixing, Battistella discusses the strong feelings evoked by language variation, from objections to the pronunciation NU-cu-lar to complaints about bilingual education. He explains the natural desire for uniformity in writing and speaking and traces the association of mainstream norms to ideas about refinement, intelligence, education, character, national unity and political values. Battistella argues that none of these qualities is inherently connected to language. It is tempting but wrong, Battistella argues, to think of slang, dialects and nonstandard grammar as simply breaking the rules of good English. Instead, we should view language as made up of alternative forms of orderliness adopted by speakers depending on their purpose. Thus we can study the structure and context of nonstandard language in order to illuminate and enrich traditional forms of language, and make policy decisions based on an informed engagement. Re-examining longstanding and heated debates, Bad Language will appeal to a wide spectrum of readers engaged and interested in the debate over what constitutes proper language.