Zelaldinus


Book Description

On a camel's back hill beyond Agra stands a Redstone citadel altogether different from the white marble Taj Mahal. Fatehpur Sikri is the capital Akbar built to honour the saint who foretold the birth of his first son. In the inner court of the king's palace is a broad stone terrace with a chequered pattern that resembles a game board. Here, accounts say, Akbar played a kind of chess using human pieces from his harem of three hundred. Costumed in various guises, his women would have presented lively masques upon this stage.Zelaldinus mounts such a pageant, glittering and fantastical, where past and present, nobles and commoners, history and fiction rub shoulders. Its variety of verse and prose forms evoke the carnival spirit of a masque. Underlying the depiction of a rich and varied court life at Sikri are reflections on kingship, a meditation on fathers and sons and a plot within a plot that tells a crackling story of love across the Pakistan border-while through it all strides the nimble ghost of Akbar himself. Jalaluddin (Zelaldinus) Akbar




The Commentary of Father Monserrate


Book Description

Translated From The Original Latin By J.S. Hoyland.




Postcolonial Satire


Book Description

Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.







ASOCA


Book Description

Asoca-often spelled Ashoka-was hailed as Ashoka the Great, the emperor who ruled most of the Indian Subcontinent and was pivotal in the spread of Buddhism from India to other parts of Asia in the third century BC. But his life as emperor was not always led by non-violence. History has it that he masterminded one of the biggest and deadliest wars ever fought, and it was the insurmountable grief he experienced at the sight of the people dying and dead on the battleground that made him turn to Buddhism and take a vow of ahimsa. Who was the man, and who was the king? What were his demons, and what gave him strength? This historical novel, drawn from research and portrayed with energy and complexity, transports the reader to the era of the Mauryan dynasty with atmospheric vividness and insight. Epic in scope and Shakespearean in drama, Asoca: A Sutra leaves the reader breathless with the full-bodied richness of Sealy's prose, his trademark whimsy and his imaginative modern reconstruction of that enigmatic and brilliant ruler of the Indian subcontinent.




Swimmer Among the Stars


Book Description

Named a Best Book of the Year by The Guardian and NPR “A writer who is gifted not just with extraordinary talent but also with a subtle, original, and probing mind.” —Amitav Ghosh In one of the singularly imaginative stories from Kanishk Tharoor’s Swimmer Among the Stars, despondent diplomats entertain themselves by playing table tennis in zero gravity—for after rising seas destroy Manhattan, the United Nations moves to an orbiting space hotel. In other tales, a team of anthropologists treks to a remote village to record a language’s last surviving speaker intoning her native tongue; an elephant and his driver cross the ocean to meet the whims of a Moroccan princess; and Genghis Khan’s marauding army steadily approaches an unnamed city’s walls. With exuberant originality and startling vision, Tharoor cuts against the grain of literary convention, drawing equally from ancient history and current events. His world-spanning stories speak to contemporary challenges of environmental collapse and cultural appropriation, but also to the workings of legend and their timeless human truths. Whether refashioning the romances of Alexander the Great or confronting the plight of today’s refugees, Tharoor writes with distinctive insight and remarkable assurance. Swimmer Among the Stars announces the arrival of a vital, enchanting talent.




The Trotter-nama


Book Description

In the eighteenth century, Justin Aloysius Trotter, or the Great Trotter, tumbles earthward to his death while surveying his vast lands and admiring his wealth from a hot air balloon. Two centuries later, the Seventh Trotter, Eugene Aloysius, narrates the epic story of a family at the fraying ends of its past glory. Laced with verses, advertisements, journal entries, elegies, quotations and learned interpolations, The Trotternama is the chronicle of seven generations of Trotters as they struggle to hold on to their shifting identities. They are Indian at lunch and British at dinner; eat curry with a dessert spoon and dessert with a teaspoon. Over the years, the expanding clan of Trotters produces soldiers, artists, poets, politicians-even a dhoti-wearing nationalist. As their excesses slowly turn to improvidence and the family chateaux is turned into a hotel, their increasing numbers and declining fortunes strain against a rapidly changing country. Allan Sealy's epic comedy of manners about Britain and India's motley offspring is as much a treat today as it was thirty years ago.










Akbar the Great Mogul, 1542-1605


Book Description

Akbar the Great Mogul, 1542-1605 is a biography of Akbar I (reigned, 1556-1605), the third and greatest of the Mughal emperors of India. The author, Vincent Arthur Smith, was an Irish-born historian and antiquary who served in the Indian Civil Service before turning to full-time research and scholarship. After assuming the throne while still a youth, Akbar succeeded in consolidating and enlarging the Mughal Empire. He instituted reforms of the tax structure, the organization and control of the military, and the religious establishment and its relationship to the state. He was also a patron of culture and the arts, and he had a keen interest in religion and the possible sources of religious knowledge. The book traces Akbar's ancestry and early years; his accession to the throne and his regency under Bayram Khan; his many conquests, including Bihar, the Afghan kingdom of Bengal, Malwa, Gujarat, Kashmir, Sind, parts of Orissa, and parts of the Deccan Plateau; and his annexation of other territories through diplomacy, including Baluchistan and Kandahar. The book devotes considerable attention to Akbar's religious beliefs and interests. On several occasions Akbar requested that the Portuguese authorities in Goa send priests to his court to teach him about Christianity, and the book recounts the stories of the three Jesuit missions organized in response to these requests. By origin a Sunni Muslim, Akbar also sought to learn from Shiʻite scholars, Sufi mystics, and Hindus, Jains, and Parsis. The last four chapters of the book are not chronological but deal with the Akbar's personal characteristics, civil and military institutions in the empire, the social and economic conditions of the people, and literature and art. The book contains a detailed chronology of the life and reign of Akbar and an annotated bibliography. Also included are maps and illustrations. Maps of India in 1561 and India in 1605 show the extent of Akbar's conquests, and sketch maps illustrate his main military campaigns.