Zen and the Art of Haiku Journal


Book Description

Document life's aha's in this gorgeous Japanese Haiku journal. Learn how to write simple, graceful, three-line poems, and awaken your understanding of life's essential Truths. Allow all that's extraneous to recede, leaving room for wisdom, clarity, and compassion to blossom. Beautiful and resonant Haiku accent lined journal pages. Magnificently illustrated. Stitched coptic binding is beautiful and practical. Lies flat for easy use.




The Little Book of Zen


Book Description

A taste of Zen for the seeker and the curious alike. This small but wise book collects Eastern and Western sayings, haiku, poetry, and inspiring quotations from ancient and modern thinkers. Its aim is not to define Zen or answer its famous koan—What is the sound of one hand clapping?—but rather to point to a fresh way of looking at the world: with mindfulness, clarity, and joy. “Do not seek to follow in the footsteps of the wise. Seek what they sought” —Bashō New material is taken from contemporary spiritual leaders, writers, meditation teachers, and others with an emphasis on the practice of mindfulness—on the heart, rather than the head. Pen and ink illustrations from the author bring an additional layer of feeling and beauty.




The Art of Twentieth-century Zen


Book Description

This book is devoted to Zen art as a living tradition. It explores the heart of Zen experience through contemporary Zen art, demonstrating how this time-honored visual form continues to flourish today.




Zen Ties (A Stillwater and Friends Book)


Book Description

Stillwater, the beloved Zen panda, now in his own Apple TV+ original series! Stillwater the Panda returns in a delightful companion to his Caldecott Honor Book, Zen Shorts. Summer has arrived -- and so has Koo, Stillwater's haiku-speaking young nephew. And when Stillwater encourages Koo, and his friends Addy, Michael, and Karl to help a grouchy old neighbor in need, their efforts are rewarded in unexpected ways.Zen Ties is a charming story of compassion and friendship that reaffirms the importance of our ties to one another.




Ensō


Book Description

The enso, or "Zen circle", is one of the most prevalent images of Zen art, and has become a symbol of the clean and strong Zen aesthetic. This books containts examples of traditional enso art from the seventeenth century to the present.




American Haiku


Book Description

American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).




Zen and the Art of Housekeeping


Book Description

Learn to be at peace and attain enlightenment while doing all the “little” things around the house in this guide to becoming one with your home and gaining an elevated sense of being. Wash the dishes, do the laundry, mop the floors, scrub the toilets, make the beds, vacuum the rugs…the list goes on and on, with little time to stop, breathe, and take in your beautiful surroundings. Now you can. Zen and the Art of Housekeeping challenges you to put more than elbow grease into your daily routine. You’ll learn how to spirit yourself away during mundane chores as you muse over thought-provoking Zen koans like: If the kitchen is the heart of the home, what is the heart of the kitchen? What is the color of clean? If the purpose of cleaning is to remove dirt, what is the purpose of dirt? What fills empty spaces? Whose footprints are on your floor? With Zen and the Art of Housekeeping, you’ll scrub your way to enlightenment—and a spotless sink.




The Life and Zen Haiku Poetry of Santoka Taneda


Book Description

The fascinating and quirky biography of a disheveled poet, skillfully interwoven with his original works. Zen monk Santoka Taneda (1882-1940) is one of Japan's most beloved modern poets, famous for his "free-verse" haiku, the dominant style today. This book tells the fascinating story of his life, liberally sprinkled with more than 300 of his poems and extracts from his essays and journals--compiled by his best friend and biographer Sumita Oyama and elegantly translated by William Scott Wilson. Santoka was a literary prodigy, but a notoriously disorganized human being. By his own admission, he was incapable of doing anything other than wandering the countryside and writing verses. Although Santoka married and had a son, he devoted his life to poetry, studying Zen, drinking sake and wandering the length and breadth of the Japanese islands on foot, as a mendicant monk. The poet's life alternated between long periods of solitary retreat and restless travel, influenced by his tragic childhood. When not on the road, he lived in simple grass huts supported by friends and family. Santoka was a lively conversationalist who was often found so drunk he could only make it home with the help of a friendly neighbor or passerby. But above all, throughout his life, he wrote constantly; poetry and essays flowed from him effortlessly. Santoka's eccentric style of haiku is highly regarded in Japan today for being truly modern and free from formal constraints. His journals and essays are equally thought-provoking--the musings of an unkempt but supremely self-conscious mind on everything from writing to cooking rice and his failure to live a more orderly life. This translation and its introduction are by best-selling author William Scott Wilson, whose other works include The Book of Five Rings and The Lone Samurai. Wilson provides sensitive renditions of the haiku illustrating Santoka's life as well as an extensive introduction to the influences on Santoka's work, from contemporary haiku poets and his Buddhist teachers. Alongside the book, readers have access to a two-hour online audio recording of 331 of Santoka Taneda's haiku, read in Japanese by a native speaker, and in English.







The Art of Haiku


Book Description

In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon—with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.