Zombology


Book Description

In films, television, books, games, pornography, and now even in firearms and ammunition being sold to the American public, zombies are one of the mainstays of the popular culture of our time. Far from being only a passing curiosity, Brian Patrick dissects the zombie, showing it as the articulation of deep-seated fears within the Western psyche, a symbol in fact for the growing dehumanization that many of us observe, or perhaps sense without fully realizing it, in modern civilization. Patrick connects the zombie phenomenon to previous historical occurrences, drawing on both religion and psychology to show how such symbolic tropes that lodge in the collective unconscious of a culture are reflective of the psychological needs of large numbers of people in times of crisis. Patrick likewise shows how zombiedom has manifested particularly in American gun culture, and how this relates to the growth of a large-scale citizens' activist movement in favor of gun rights. Also included are practical tips on how to stay out of the clutches of zombiedom. Zombology is more than just a book about zombies, however. The zombie, for Patrick, is a peculiarly Western phenomenon, and as such, he examines how it can be seen as a manifestation of not-so-abstract forces battling for the future of our civilization: will collectivization or the individual, dream or reality win out? Patrick offers his own diagnosis. "At the very least the zombie adds some much-needed psychic contrast to the cold, to the grey and to the unending. It also provides a face, albeit necrotic, to the seemingly impersonal sociological forces that undermine the West; for in a near-perfect correspondence with the zombie, the West itself appears to be necrotic in a galloping way. Both need brains to ease the pain."-p. 48




Best Tales of the Apocalypse


Book Description

Fourteen of the best horrifying tales of the end of the world, collected in one anthology. Best Tales of the Apocalypse is full of the best short stories and novellas of the sub-genre. There are gods and monsters, Lovecraftian creatures and viruses that wipe out life as we know it. Read about colliding continents, nuclear war, and technology gone awry with darker, more insidious things you haven’t yet imagined. Edited by D. L. Snell and Bram Stoker Award–winner Joe McKinney, this collection contains 14 shattering tales by some of the genre’s first and final scribes. Here, the world doesn’t just end once. These are the horsemen, the trumpeting angels. Their words are the bowls of wrath, dumped again and again. This is the book that’s been centuries in the making. The Final Book. And the choir’s singing one last Psalm. The End is the best part. Featuring works from: Joe McKinney, Tim Curran, J.F. Gonzalez, Michael Oliveri, David Conyers, Lee Moan, Rebecca Day, Derek J. Goodman, Lyn C.A. Gardner, Ian Randal Strock, Michael Sellars, Dario Ciriello Daniel R. Robichaud, Ian Rogers, and Patrice Sarath.




Zombie Theory


Book Description

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.




The Transatlantic Zombie


Book Description

Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat.




A Zombie's History of the United States


Book Description

In a Howard Zinn-like parody of American history, zombies help create America but are later victimized and eventually demonized by the "land of the free."




Back from the Dead


Book Description

Since 1968, the name of motion picture director George Romero has been synonymous with the living dead. His landmark film Night of the Living Dead formed the paradigm of modern zombie cinema; often cited as a metaphor for America during the Vietnam War and the Civil Rights movement, the film used the tenets of the drive-in horror movie genre to engage the sociophobics of late-1960s culture. Subsequently Romero has created five more zombie films, and other directors, including Tom Savini and Zack Snyder, have remade Romero's movies. This survey of those remakes examines ways in which the sociocultural contexts of different time periods are reflected by changes to the narrative (and the zombies) of Romero's original versions.




The Do-It-Yourself Guide to Surviving the Zombie Apocalypse


Book Description

"This satirical self-help guide is a humorous look at the apocalyptic rise of the un-living, flesh eating hordes. With tongue firmly in cheek the guide takes a logical approach to defining zombies and laying out just what needs to be done to survive."--Amazon website.




Books of the Dead


Book Description

The zombie has cropped up in many forms—in film, in television, and as a cultural phenomenon in zombie walks and zombie awareness months—but few books have looked at what the zombie means in fiction. Tim Lanzendörfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature. Lanzendörfer brings together the most recent critical discussion of zombies and applies it to a selection of key texts including Max Brooks’s World War Z, Colson Whitehead’s Zone One, Junot Díaz’s short story “Monstro,” Robert Kirkman’s comic series The Walking Dead, and Seth Grahame-Smith’s Pride and Prejudice and Zombies. Within the context of broader literary culture, Lanzendörfer makes the case for reading these texts with care and openness in their own right. Lanzendörfer contends that what zombies do is less important than what becomes possible when they are around. Indeed, they seem less interesting as metaphors for the various ways the world could end than they do as vehicles for how the world might exist in a different and often better form.




Fun with Algorithms


Book Description

This book constitutes the refereed proceedings of the 7th International Conference, FUN 2014, held in July 2014 in Lipari Island, Sicily, Italy. The 29 revised full papers were carefully reviewed and selected from 49 submissions. They feature a large variety of topics in the field of the use, design and analysis of algorithms and data structures, focusing on results that provide amusing, witty but nonetheless original and scientifically profound contributions to the area. In particular, algorithmic questions rooted in biology, cryptography, game theory, graphs, the internet, robotics and mobility, combinatorics, geometry, stringology, as well as space-conscious, randomized, parallel, distributed algorithms and their visualization are addressed.




Dr Dale's Zombie Dictionary


Book Description

Worried about what to do in the event of the dead rising from their graves and trying to destroy humanity? Worry no more! With the help of numerous films and Wikipedia, Dr Dale has compiled this rigorously researched A-Z list of everything you need to know about zombies: how to recognise them, how to fight them and even how to classify them. He can answer all of your burning questions including: How can a sheep help defend me against the undead? What will the response of the Women's Institute be to an attack? What's the most useful style of dance to know in the event of the apocalypse? From the best kind of clothing to wear to the most appropriate soundtrack for a zombie apocalypse, this is the ultimate guide to preparing for and surviving the return of the undead. Full money back guarantee offered should you die in a zombie apocalypse within 30 days of purchase