Vuillard


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Dictionary of Artists


Book Description




A Sourcebook of Gauguin's Symbolist Followers


Book Description

Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.




Canadian Reference Sources


Book Description

In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR




Miscellaneous Texts


Book Description

Volume II of Lyotard's Miscellaneous Texts, "Contemporary Artists," gathers thirty-nine essays by Lyotard that deal with twenty-seven influential and innovative contemporary artists.




Fromanger


Book Description

L'œuvre de Gérard Fromanger a bien cette visée " révolutionnaire " de réenchanter la vie. C'est encore le message des séries récentes dans lesquelles s'enchaînent, en rhizomes, des images dont la séduction colorée nous délivre de la mélancolie d'un monde effondré.




Gerard Fromanger


Book Description

In the early 1960s, Gerard Fromanger began painting black and white figures in reaction to the dominance of abstract art in Paris at the time. In 1965, he became involved with Figuration Narrative, or Nouvelle Figuration, and was soon one of its leading figures. Each of his works is a lesson in painting, skilled and rich in reference as well as joyous and sensuous in form. Collectors and critics as diverse as Jacques Prevert, Gerard Depardieu, Gilles Deleuze and Michel Foucault speak of Fromanger's originality and capacity to inspire.




Art in America


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