Biennial Exhibition


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Whitney Biennial 2022


Book Description

Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.




Black Male


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1995 Biennial Exhibition


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Come as You Are


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"Come as You Are: Art of the 1990s is the largest and most ambitious contemporary art exhibition ever to be mounted by the Montclair Art Museum. The exhibition and book spotlight a pivotal moment in the recent history of art. Chronicling the "long" 1990s between 1989 and 2001-from the fall of the Berlin Wall to 9/11-"Come As You Are" examines how the art of this period both reflected and helped shape the dramatic societal events of the era, when the combined forces of new technologies and globalization gave rise to the accelerated international art world that we know today"--




Whitney Biennial 2019


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Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.




Sightlines


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Sightlines is an architectural term meaning what you can see from where you stand - it's a question of perspective. This collection of images and words, gathered in conjunction with the international Sightlines symposium in Edmonton, Canada, in 1997, reveals the printmaker and the print from many angles. Including more than 250 color images representing more than 120 artists and a text by more than a dozen contributors, Sightlines opens up a rare view of contemporary printmaking around the world.




Gabriel Orozco


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From the developer of




John O'Reilly


Book Description

Meditations on space, art, war, death and religion merge with the homocrotic in John O'Reilly's intensely personal photo transformations. For this artist, montage has proved the richest medium for personal allegory, and the formal and symbolic evolution of O'Reilly's work corresponds to his own awakening self discovery. His working methods of cutting and pasting mirror the energy inherent in de-constructing and reconstructing the psyche. Alternately, the physical merging of iconic Others enables their psychic incorporation into the Self. Over twenty-five years of part-time employment as an art therapist have rendered O'Reilly equally interested in art and psychology, and willing to use his deepest obsessions, fetishes, and fears as source material for his tiny assemblies of magic. Francine Koslow Miller