The Big House after Slavery


Book Description

The Big House after Slavery examines the economic, social, and political challenges that Virginia planter families faced following Confederate defeat and emancipation. Amy Feely Morsman addresses how men and women of the planter class responded to postwar problems and how their adaptations to life without slavery altered their marital relationships and their conceptions of gender roles. Unable to afford many servants in the new free labor economy, many of Virginia’s former masters put themselves to work on their plantations, and their wives had to expand their responsibilities as well, taking on the tasks of cooking and cleaning in addition to working in the garden, the henhouse, and the dairy. Laboring in these ways and struggling to maintain their standing as elites contributed to an identity crisis among Virginia planters. It also led them to practice mutuality within their own marriages and to reconsider what proper Southern womanhood and manhood meant in the new postwar order. Using newspapers, periodicals, organization records, and numerous letters from Virginia plantation families, Morsman captures how these frustrated elites made sense of embarrassing postwar changes, in the private but also in the public spheres they inhabited. Morsman suggests that the planters’ adaptations may have been carried forward by their adult children away from the crumbling plantations and into the urban households of the New South.




Why I Write


Book Description

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times




Bookfellow


Book Description