250 Songs by Stompin' Tom


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Stompin' Tom Connors


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Stompin' Tom Connors is a Canadian legend. There are very few Canadians who don't know the foot-stompin' patriot in the cowboy hat who sang almost exclusively about the country he loved and called home. But there is much more to Tom Connors than "Bud the Spud" and "The Hockey Song." This biography paints the picture of an intelligent, stubborn, creative, cantankerous and thoughtful man who created a character that would be embraced by Canadians from coast to coast. This is the story of the man behind Stompin' Tom.




Stompin' Tom


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Stompin' Tom : Story and Song


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Big Red Songbook


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In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang. Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from over three dozen editions, plus additional songs, rare artwork, personal recollections, discographies, and more into one big all-embracing book. IWW poets/composers strove to nurture revolutionary consciousness. Each piece, whether topical, hortatory, elegiac, or comic served to educate, agitate, and emancipate workers. A handful of Wobbly numbers have become classics, still sung by labor groups and folk singers. They include Joe Hill’s sardonic “The Preacher and the Slave” (sometimes known by its famous phrase “Pie in the Sky”) and Ralph Chaplin’s “Solidarity Forever.” Songs lost or found, sacred or irreverent, touted or neglected, serious or zany, singable or not, are here. The Wobblies and their friends have been singing for a century. May this comprehensive gathering simultaneously celebrate past battles and chart future goals. In addition to the 250+ songs, writings are included from Archie Green, Franklin Rosemont, David Roediger, Salvatore Salerno, Judy Branfman, Richard Brazier, James Connell, Carlos Cortez, Bill Friedland, Virginia Martin, Harry McClintock, Fred Thompson, Adam Machado, and many more.




The Hockey Song


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As Stompin’ Tom Connors sings, “It’s the good old hockey game, the best game you can name.” And in this charmingly illustrated book for all ages, the classic song played at hockey games around the world is imagined as a shinny game on an outdoor rink in the middle of the city that starts with two players and soon grows to include the whole community. “The puck is in! The hometown wins! The good ol’ hockey game.”







Stompin Tom Connors


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Charles Thomas "Stompin' Tom" Connors was a Canadian country and folk singer-songwriter. Focusing his career exclusively on his native Canada, he is credited with writing more than 300 songs and has released four dozen albums, with total sales of nearly four million copies. This is a sentimental journey the author enjoyed through the later career of Canada's iconoclastic balladeer. As a sometimes Stompin' Tom band leader, the author had a front-seat window to lots of crazy and hardly believable events. Stompin' on the photo of a local reporter to the delight of thousands of fans; smoking cigarettes drinking copious amounts of beer in the Confederation Room on Parliament Hill; singing The Hockey Song for millions of Canadians on the CBC; what exactly is snurge?







Slippery Pastimes


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Sixteen essays, written by specialists from many fields, grapple with the problem of a popular culture that is not very popular — but is seen by most as vital to the body politic, whether endangered by globalization or capable of politically progressive messages for its audiences. Slippery Pastimes covers a variety of topics: Canadian popular music from rock ’n’ roll to country, hip-hop to pop-Celtic; television; advertising; tourism; sport and even postage stamps! As co-editors, Nicks and Sloniowski have taken an open view of the Canadian Popular, and contributors have approached their topics from a variety of perspectives, including cultural studies, women’s studies, film studies, sociology and communication studies. The essays are accessibly written for undergraduate students and interested general readers.