60 Indian Poets


Book Description

60 Indian Poets spans fifty-five years of Indian poetry in English, bridging continents and generations, and seeks to expand the definition of 'Indianness'. Beginning in 1952 with selections from Nissim Ezekiel's first volume of poetry which was published in London, it honours the canonical writers who have come to define modern Indian poetry—influential craftsmen such as Nissim Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004—and reinstates neglected or forgotten figures such as Lawrence Bantleman, Gopal Honnalgere, Srinivas Rayaprol and G.S. Sharat Chandra. The collection also introduces an astonishing range of contemporary poets who live and work in various parts of the world and in India. There are writers from Bombay and Berkeley, from New Delhi and New York, from Melbourne, Montana, Aarhus, Allahabad, Hong Kong, Sheffield, Connecticut and Itanagar, among other places—writers who have never shared a stage together but have more in common than their far-flung locations would suggest. Also included in the volume is Bruce King's elegiac essay, '2004: Ezekiel, Moraes, Kolatkar', and Arvind Krishna Mehrotra's meditation on 'What Is an Indian Poem?' An essential feature of 60 Indian Poets is a set of rare and remarkable portraits by Madhu Kapparath. This definitive anthology aims for 'verticality' rather than chronology. Exhaustive, and stunning in its scale and vitality, it represents a community 'separated by the sea' and connected too—in familial ways—by the unlikely histories of a shared English language.




These My Words


Book Description

The ultimate anthology of Indian poetry from the Vedas to the present in all the major Indian languages These My Words is an anthology of magnificent breadth, ranging from Valmiki to Agha Shahid Ali, Aurobindo to Vikram Seth, Andal to Tagore, spanning Indian poetry in its myriad forms, styles and languages. The poems speak for themselves and to each other, as folk songs and tribal epics sit alongside classical Sanskrit and formal Tamil verse is a companion to contemporary Bengali or Dogri. There is Ghalib in praise of love, Tukaram on religious bigotry, Ksetrayya on divine love through the erotic, Gieve Patel on identity. In Eunice de Souza and Melanie Silgardo’s carefully curated selection, each poem illumines exquisitely the tradition of Indian poetry.




The Penguin Book Of Indian Poets


Book Description

Jeet Thayil has compiled the definitive anthology of Indian poetry in English. This monumental undertaking, two decades in the making, brings together writers from across the world, a wealth of voices--in dialogue, in soliloquy, in rhetoric, and in play--to present an expansive, encompassing idea of what makes an 'Indian' poet. Included are lost, uncollected, or out of print poems by major poets, essays that place entire bodies of work into their precise cultural contexts, and a collection of classic black and white portraits by Madhu Kapparath. These images, taken over a period of thirty years, form an archive of breathtaking historical scope. They offer the viewer unparalleled intimacy and access to the lives of some of India's greatest poets.




Contemporary Indian Poetry


Book Description




Signatures


Book Description

Anthology of about 400 poems by one hundred modern poets writing in twenty Indian languages including English.




These Errors Are Correct


Book Description

A meditation on grief, These Errors are Correct is Jeet Thayil's most intimate work to date. In poems of tenderness and rage, time blurs into a continuous present visited by Billy the Kid, the Buddha, Lata Mangeshkar, Jesus and Beethoven, by unnamed protagonists for whom faith and addiction are interchangeable, and by a remote god-like figure who will 'lick / your wound with his infected tongue'. A range of fixed and invented forms--rhymed syllabics, terza rima, ghazals, sonnets, the sestina, the canzone, stealth rhymes--make for a virtuosic, haunting collection. Originally published in 2008, the book has been out of print since 2010. With illustrations by the author, this new edition returns to the reader an essential and timeless book of poems. These Errors are Correct won the 2013 Sahitya Akademi Award.




Bird of the Indian Subcontinent


Book Description

Poetry. Asian & Asian American Studies. Art. The poems in this debut collection chart the passage of a metamorphosing self through euphoria, desire, despair, defiance, equanimity, grief, and loneliness. Appropriating freely from diverse poetic sources, the writer gives voice to a polyglot emotional range. Sanskrit poetics, Jazz lyrics, ekphrasis, the locutions of India's poet-saints, and the Anglo-American writing tradition all find place here. The book's chorus of figures--from Christ to Krishna to Caravaggio--move the reader between present and past, myth and history, bird and human, and across cities and continents.




Routledge Readings on Security and Governance in Northeastern India


Book Description

Routledge Readings on Security and Governance in Northeastern India: Resource Conflicts, Militarisation and Development Challenges presents some of the finest essays on a region that stretches across the Northeastern Himalaya, eight Indian States and many tribal and non-tribal peoples. With a lucid Introduction, this and its companion volume, Routledge Readings on Colonial to Contemporary Northeastern India offer a compelling look into the society, polity, contemporary security and developmental issues in northeast India. It covers several critical themes and unravels complexities fraught by the unique biogeography and socio-political history of the region. The fifteen chapters in this multidisciplinary volume, divided into three sections, examine land laws, conflict and resource management and local governance. It discusses the political interplay of ethnicities and resource appropriation in a modernizing, globalizing economy as well as instances of conflicts and violence in highly militarized spaces in the region. It offers an engaged and insightful look into the rural and urban human development contexts in the region from authors who have contributed significantly to the academic and/or policy discourse on the subject. This book will serve as essential reading for students, scholars, policymakers, practitioners of South Asian studies, Northeast India studies, history, development studies, labour studies, sociology, public administration, environmental studies, law and human rights, regional literature, cultural studies, geography, and economics.




Five Indian English Poets


Book Description

In This Comparative Study Of Five Indian English Poets The Main Thrust Is On Content Analysis Of Their Poems With A View To Identifying The Degree Of The Indian Experience And Sensibility As Expressed In Them. The Choice Of English As The Medium Of Creative Expression Especially Poetry Makes The Indian English Poet'S Credentials Suspect Because The Question Of The Indian Sensibility Does Not Become An Issue In The Case Of The Regional Writers In India. As Vrinda Nabar Appropriately Observes, One Does Not Lose One'S Indianness Automatically Only Because One Writes In English Which Is An Acquired Language For The Indian Writer. What Needs To Be Emphasised Is Whether The Total Nalive/Deshi Heritage Is Rejected In Favour Of Some Alien Sensibility. The Present Study Tries To Define The Indian Sensibility And Also Briefly Traces Its Development In The History Of Indian English Poetry. In Doing So It Does Not Attempt A Value Judgement On The Poets Under Consideration, Namely, Nissim Ezekiel, A.K. Ramanujan, Arun Kolatkar, Dilip Chitre And R. Parthasarathy, Who Have Now Been Accepted As The Doyens Of Indian English Poetry. The Book Offers Practically A Poem-By-Poem Discussion Of The Works Of These Five Poets In A Fresh Perspective.




The English Language Poetry of South Asians


Book Description

In this study, ten independent critical essays and a coda explore the English-language poetry of South Asians in terms of time, place, themes and poetic methodologies. The transnational perspective taken establishes connections between colonial and postcolonial South Asian poetry in English as well as the poetry of the old and new diaspora and the Subcontinent. The poetry analysis covers the relevance of historical allusions as well as underlying concerns of gender, ethnicity and class. Comparisons are offered between poets of different places and time periods, yielding numerous sociopolitical paradigms that surface in the poetry.




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