The Life of Edward Bulwer
Author : Victor Alexander George Robert Bulwer-Lytton Earl of Lytton
Publisher :
Page : 672 pages
File Size : 16,23 MB
Release : 1913
Category :
ISBN :
Author : Victor Alexander George Robert Bulwer-Lytton Earl of Lytton
Publisher :
Page : 672 pages
File Size : 16,23 MB
Release : 1913
Category :
ISBN :
Author : Charles Dickens
Publisher :
Page : 408 pages
File Size : 18,5 MB
Release : 1882
Category :
ISBN :
Author : Charles Dickens
Publisher :
Page : 328 pages
File Size : 46,66 MB
Release : 1882
Category :
ISBN :
Author : Charles Dickens
Publisher :
Page : 318 pages
File Size : 48,2 MB
Release : 1881
Category : Authors, English
ISBN :
Author : Edward Bulwer Lytton Baron Lytton
Publisher :
Page : 718 pages
File Size : 48,78 MB
Release : 1862
Category :
ISBN :
Author : Malcolm Andrews
Publisher : OUP Oxford
Page : 208 pages
File Size : 42,43 MB
Release : 2013-09-19
Category : Literary Criticism
ISBN : 0191008737
How does Dickens make his readers laugh? What is the distinctive character of Dickensian humour? These are the questions explored in this book on a topic that has been strangely neglected in critical studies over the last half century. Dickens's friend and biographer John Forster declared that: 'His leading quality was Humour.' At the end of Dickens's career he was acclaimed as 'the greatest English Humourist since Shakespeare's time.' In 1971 the critic Philip Collins surveyed recent decades of Dickens criticism and asked 'from how many discussions of Dickens in the learned journals would one ever guess that (as Dickens himself thought) humour was his leading quality, his highest faculty?' Forty years later, that rhetorical question has lost none of its force. Why? Perhaps Dickens's genius as a humourist is simply taken for granted, and critics prefer to turn to his other achievements; or perhaps humour is too hard to analyse without spoiling the fun? Whatever the reason, there has been very little by way of sustained critical investigation into what for most people has constituted Dickens's special claim to greatness. This book is framed as a series of essays examining and reflecting on Dickens's techniques for making us laugh. How is it that some written incident, or speech, or narrative 'aside' can fire off the page into the reader's conciousness and jolt him or her into a smile, a giggle, or a hearty laugh? That is the core question here. His first novel, Pickwick Papers, was acclaimed at the time as having 'opened a fresh vein of humour' in English literature: what was the social nature of the humour that established this trademark 'Dickensian' method of making people laugh? And how many kinds of laughter are there in Dickens? What made Dickens himself laugh? Victorian and contemporary theories of laughter can provide useful insights into these processes - incongruity theory or the 'relief' theory of laughter, laughter's contagiousness (laughter as a 'social glue'), the art of comic timing, the neuroscience of laughter. These and other ideas are brought into play in this short book, which considers not only Dickens's novels but also his letters and journalism. And to that end there are copious quotations. The aim of the book is to make readers laugh and also to prompt them to reflect their laughter. It should have an interest not only for Dickensians but for anyone curious about the nature of laughter and how it is triggered.
Author : Marie Mulvey-Roberts
Publisher : Taylor & Francis
Page : 377 pages
File Size : 17,95 MB
Release : 2024-08-01
Category : Literary Criticism
ISBN : 104024811X
In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.
Author : Johns Hopkins University. Peabody Institute. Library
Publisher :
Page : 856 pages
File Size : 20,39 MB
Release : 1887
Category : Dictionary catalogs
ISBN :
Author : David C. Sutton
Publisher :
Page : 544 pages
File Size : 22,72 MB
Release : 1995
Category : Language Arts & Disciplines
ISBN :
Author : Tatiana Kontou
Publisher : Routledge
Page : 202 pages
File Size : 16,71 MB
Release : 2013-10-31
Category : Literary Criticism
ISBN : 1317982517
Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to sensation novels, ghost stories, autobiographies, séances and fashionable magazines to access the visible and invisible worlds of Victorian life. The variety of texts analysed by the authors in this collection demonstrates the many interpretations of the occult in nineteenth-century culture and the ways that women used supernatural imagery and language to draw attention to issues that bore immediate implications on their own lives. Either by catering for the fad of ghost stories or by giving public trance speeches women harnessed the metaphorical and financial forces of the supernatural. As the articles in this book demonstrate the occult was after all a female affair. This book was published as a special issue of Women's Writing.