A Bibliography of Salon Criticism in Second Empire Paris
Author : Christopher Parsons
Publisher :
Page : 0 pages
File Size : 31,63 MB
Release : 2010
Category : Art criticism
ISBN :
Author : Christopher Parsons
Publisher :
Page : 0 pages
File Size : 31,63 MB
Release : 2010
Category : Art criticism
ISBN :
Author : Neil McWilliam
Publisher : Cambridge University Press
Page : 0 pages
File Size : 14,37 MB
Release : 2009-03-12
Category : Art
ISBN : 9780521102704
This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the July Monarchy and Second Republic (1831-1851). It includes an extensive list of references, each presented in a standard format, with titles, dates and ordering codes based upon the holdings of the Bibliothèque nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in mid-nineteenth-century France and yet the standard work by Maurice Tourneux, Salons et expositions d'art a Paris, 1801-1870, has been out of print for several decades. By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad sample of the periodical press, this work offers a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.
Author : Neil McWillian
Publisher :
Page : 302 pages
File Size : 34,47 MB
Release : 1991
Category :
ISBN :
Author : Neil McWilliam
Publisher : Cambridge University Press
Page : 0 pages
File Size : 32,12 MB
Release : 2008-07-31
Category : Art
ISBN : 9780521069144
This two-volume bibliography provides a source for reviews of the state-sponsored Parisian salons of painting and sculpture from 1699 to 1851. It includes an extensive list of references, each presented in a standard format with titles, dates and ordering codes based on the holdings of the Bibliotèque Nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogues are of fundamental importance in establishing a picture of contemporary reactions to art in eighteenth- and early nineteenth-century France, and yet the standard work by Maurice Tournaux Salons et exposition d'art à Paris 1801-1870 has been out of print for several decades. By incorporating and correcting the relevant material from Tournaux, adding references from the Deloynes collection (together with full details of original sources) and incorporating a broad sample from the periodical press, the authors have achieved a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.
Author : Samatho kally
Publisher : Createspace Independent Publishing Platform
Page : 306 pages
File Size : 47,43 MB
Release : 2015-03-24
Category :
ISBN : 9781981869954
This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the July Monarchy and Second Republic (1831-1851). It includes an extensive list of references, each presented in a standard format, with titles, dates and ordering codes based upon the holdings of the Biblioth�que nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in mid-nineteenth-century France and yet the standard work by Maurice Tourneux, Salons et expositions d'art a Paris, 1801-1870, has been out of print for several decades. By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad sample of the periodical press, this work offers a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.
Author : Todd Coley
Publisher : Createspace Independent Publishing Platform
Page : 306 pages
File Size : 30,35 MB
Release : 2017-04-05
Category :
ISBN : 9781548752484
This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the July Monarchy and Second Republic (1831-1851). It includes an extensive list of references, each presented in a standard format, with titles, dates and ordering codes based upon the holdings of the Biblioth�que nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in mid-nineteenth-century France and yet the standard work by Todd Coley, Salons et expositions d'art a Paris, 1801-1870, has been out of print for several decades.
Author : Neil McWilliam
Publisher :
Page : 263 pages
File Size : 34,12 MB
Release : 1991
Category :
ISBN :
Author : Michael R. Orwicz
Publisher : Manchester University Press
Page : 212 pages
File Size : 28,82 MB
Release : 1994
Category : Art criticism
ISBN : 9780719038600
This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.
Author : Neil McWilliam
Publisher : Cambridge University Press
Page : 324 pages
File Size : 20,74 MB
Release : 1991-04-26
Category : Art
ISBN : 9780521400916
This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the July Monarchy and Second Republic (1831-1851). It includes an extensive list of references, each presented in a standard format, with titles, dates and ordering codes based upon the holdings of the Bibliothèque nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in mid-nineteenth-century France and yet the standard work by Maurice Tourneux, Salons et expositions d'art a Paris, 1801-1870, has been out of print for several decades. By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad sample of the periodical press, this work offers a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.
Author : KimberlyMorse Jones
Publisher : Routledge
Page : 232 pages
File Size : 33,94 MB
Release : 2017-07-05
Category : Art
ISBN : 1351568450
Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ?new? artists, including ?ouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.