A Biographical Dictionary of British and Irish Engravers, 1714-1820


Book Description

The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields.







The Biographical Dictionary of Literary Failure


Book Description

A darkly comic, satirical reference book about writers who never made it into the literary canon A signal event of literary scholarship, The Biographical Dictionary of Literary Failure compiles the biographies of history’s most notable cases of a complete lack of literary success. As such, it is the world’s leading authority on the subject. Compiled in one volume by C. D. Rose, a well-educated person universally acknowledged in parts of England as the world’s pre-eminent expert on inexpert writers, the book culls its information from lost or otherwise ignored archives scattered around the globe, as well as the occasional dustbin. The dictionary amounts to a monumental accomplishment: the definitive appreciation of history’s least accomplished writers. Thus immortalized beyond deserving and rescued from hard-earned obscurity, the authors presented in this historic volume comprise a who’s who of the talentless and deluded, their stories timeless litanies of abject psychosis, misapplication, and delinquency. It is, in short, a treasure.







Irish Writing


Book Description

'Can we not build up a national tradition, a national literature, which shall be none the less Irish in spirit from being English in language?' W. B. YeatsThis anthology traces the history of modern Irish literature from the revolutionary era of the late eighteenth century to the early years of political independence. From Charlotte Brooke and Edmund Burke to Elizabeth Bowen and Louis MacNeice, the anthology shows how, in forging a tradition of theirown, Irish writers have continually challenged and renewed the ways in which Ireland is imagined and defined. The anthology includes a wide-ranging and generous selection of fiction, poetry, and drama. Three plays by W. B. Yeats, Augusta Gregory, and J. M. Synge are printed in their entirety, along with the opening episode of James Joyce's Ulysses. The volume also includes letters, speeches, songs,memoirs, essays, and travel writings, many of which are difficult to obtain elsewhere.'Stephen Regan's anthology vividly and valiantly presents a nation, and a national literature, coming into being.' Paul Muldoon




A Dictionary of Irish Saints


Book Description

Scarcely a parish in Ireland is without one or more dedications to saints, in the form of churches in ruins, holy wells or other ecclesiastical monuments. Professor Pádraig Ó Riain's Dictionary of Irish Saints is intended to serve as a guide to the (mainly documentary) sources of information on the saints named in these dedications, for those who have an interest in them, scholarly or otherwise. The need for a summary biographical dictionary of Irish saints, containing information on such matters as feastdays, localisations, chronology, and genealogies, although stressed over sixty years ago by the eminent Jesuit and Bollandist scholar, Paul Grosjean, has never before been satisfied. Professor Ó Riain has been working in the field of Irish hagiography for upwards of forty years, and the material for the over 1,000 entries in his Dictionary has come from a variety of sources, including Lives of the saints, martyrologies, genealogies of the saints, shorter tracts on the saints (some of them accessible only in manuscripts), annals, annates, collections of folklore, Ordnance Survey letters, and other documents. Running to almost 700 pages, the body of the Dictionary is preceded by a Preface, List of Sources and Introduction, and is followed by comprehensive Indices of Parishes, Other Places (mainly townlands), Alternate (mainly Anglicised) Names, Subjects, and Feastdays. Professor Ó Riain's Dictionary has been described as 'an astonishingly comprehensive, intelligent and well-organized work'; it is unlikely to be superseded for many decades to come.




Irish Literature Since 1800


Book Description

This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.