A Complete Inventory of the Drawings of the Turner Bequest
Author : National Gallery (Great Britain)
Publisher :
Page : 658 pages
File Size : 40,70 MB
Release : 1909
Category : Drawing
ISBN :
Author : National Gallery (Great Britain)
Publisher :
Page : 658 pages
File Size : 40,70 MB
Release : 1909
Category : Drawing
ISBN :
Author : National Gallery (Great Britain)
Publisher :
Page : 694 pages
File Size : 38,89 MB
Release : 1909
Category : Drawing
ISBN :
Author : National Gallery (Great Britain)
Publisher :
Page : pages
File Size : 26,31 MB
Release : 1909
Category :
ISBN :
Author : Alexander Joseph Finberg
Publisher :
Page : 0 pages
File Size : 41,17 MB
Release : 1909
Category :
ISBN :
Author : National Gallery (Great Britain)
Publisher : Wentworth Press
Page : 660 pages
File Size : 24,82 MB
Release : 2016-08-25
Category : History
ISBN : 9781361022801
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Charles Lewis Hind
Publisher : London ; Edinburgh : T. C. & E. C. Jack
Page : 502 pages
File Size : 38,73 MB
Release : 1910
Category :
ISBN :
Author : Alexander Joseph Finberg
Publisher :
Page : 133 pages
File Size : 46,50 MB
Release :
Category :
ISBN :
Author : Alexander Joseph Finberg
Publisher :
Page : 0 pages
File Size : 40,27 MB
Release : 1909
Category :
ISBN :
Author : C. Lewis Hind
Publisher : Good Press
Page : 256 pages
File Size : 17,88 MB
Release : 2019-11-27
Category : Art
ISBN :
In 'Turner's Golden Visions' by C. Lewis Hind, readers are treated to a comprehensive examination of J.M.W. Turner's exceptional works of art. With eloquent prose and detailed analysis, Hind delves into the mystical and poetic qualities of Turner's landscapes and seascapes, exploring the artist's use of light, color, and composition. The book provides a valuable insight into Turner's influence on the Romantic movement in art, as well as his innovative techniques that paved the way for modernist painting. Hind's writing style is both informative and engaging, making this book a must-read for art enthusiasts and scholars alike. Drawing on his extensive knowledge of art history, Hind offers a nuanced understanding of Turner's masterpieces, allowing readers to fully appreciate the artist's genius and lasting impact on the art world. 'Turner's Golden Visions' showcases Hind's passion for art and his deep admiration for Turner's visionary approach to painting, making it a compelling read for anyone interested in the intersection of art and literature.
Author : Hélène Ibata
Publisher : Manchester University Press
Page : 382 pages
File Size : 47,43 MB
Release : 2018-02-05
Category : Art
ISBN : 1526117428
This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.