Indian Epigraphy


Book Description

This book provides a general survey of all the inscriptional material in the Sanskrit, Prakrit, and modern Indo-Aryan languages, including donative, dedicatory, panegyric, ritual, and literary texts carved on stone, metal, and other materials. This material comprises many thousands of documents dating from a range of more than two millennia, found in India and the neighboring nations of South Asia, as well as in many parts of Southeast, central, and East Asia. The inscriptions are written, for the most part, in the Brahmi and Kharosthi scripts and their many varieties and derivatives. Inscriptional materials are of particular importance for the study of the Indian world, constituting the most detailed and accurate historical and chronological data for nearly all aspects of traditional Indian culture in ancient and medieval times. Richard Salomon surveys the entire corpus of Indo-Aryan inscriptions in terms of their contents, languages, scripts, and historical and cultural significance. He presents this material in such a way as to make it useful not only to Indologists but also non-specialists, including persons working in other aspects of Indian or South Asian studies, as well as scholars of epigraphy and ancient history and culture in other regions of the world.




Historical Dictionary of Ancient India


Book Description

India's history and culture is ancient and dynamic, spanning back to the beginning of human civilization. Beginning with a mysterious culture along the Indus River and in farming communities in the southern lands of India, the history of India is punctuated by constant integration with migrating peoples and with the diverse cultures that surround the country. Placed in the center of Asia, history in India is a crossroads of cultures from China to Europe, as well as the most significant Asian connection with the cultures of Africa. The Historical Dictionary of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 CE. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.




Studies in Kannada Inscriptions in Telangana


Book Description

Focuses on Kannada inscriptions as sources of history of Telengana Region of the present states of Andhra Pradesh and Karnataka.




The Art of Ancient India


Book Description

To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.




Garden and Landscape Practices in Pre-colonial India


Book Description

This book presents a set of new and innovative essays on landscape and garden culture in precolonial India, with a special focus on the Deccan. Most research to date has concentrated on the comparatively well preserved gardens and built landscapes of the celebrated Mughal empire, giving the impression that they have been lacking in other times and regions. Not only does this volume provide a corrective to such assumptions, it also moves away from traditional art-historical approaches by posing new questions and exploring hitherto neglected source materials. The contributors understand gardens in two related ways: first as real or imagined spaces and manipulated landscapes that are often invested with pronounced semiotic density; and second as congeries of institutions and practices with far-reaching social ramifications for the constitution of elite societies. The essays here present a multi-disciplinary approach to the study of garden culture in precolonial India, and together suggest several new and exciting directions of enquiry for those working in the Deccan, Mughal India, and beyond.