A Father's Journey, a Daughter's Voyage


Book Description

This is a fascinating and instructive look at a father and daughter's relationship and the emotional strategies the family used while confronting a double mastectomy, chemotherapy and radiation treatments. The story is told through edited entries from a journal maintained by the father, poetry written by the daughter, and discussions of how to manage a family while confronting the uncertainty created by breast cancer.




Daughter of the Sea


Book Description

An unforgettable Voyage... Memoir of an 8-year old "boat person" who fl ees post-war communist Vietnam in search of a father and brother rumoured to have escaped to the West. Braving sea storms and pirates in a overloaded fi shing boat, Hiep and her younger sister are rescued by British sailors and interned in a series of horrifi c Hong Kong refugee camps. Surviving by their wits, these displaced children of the sea create their own primitive society amid the dispirited and desperate adults awaiting sponsors in the U.S. At the age of eight in 1979, the Vietnam-born actress and her seven-years-old sister were separated from their parents and left their village in central Vietnam as boat people. Their mother and older brother stayed behind with her other children. The sisters lived in refugee camps in Hong Kong for three months, where they were reunited with their father. They then immigrated to California before reuniting with their fi ve other siblings. Her mother fi nally reunited with the family four years later. Hiep was a premed student at UC-Davis, majoring in physiology, when she came to the open casting call with one of her sisters for the Oliver Stone fi lm Heaven & Earth (1993) that was being held at San Jose State University because several of her friends were doing it for fun. She was one of the sixteen thousand Vietnamese Americans seen by casting scouts for the fi lm and was the one, out of the thousands, who got the starring role of Le Ly Hayslip. Despite having no acting experience, she had half-dozen callbacks before she was fi nally chosen to play the role of Le Ly Hayslip between the ages of thirteen to thirty-eight. Since that time, She acted in several fi lms and television shows. She has graduated from college. She was the owner and operator of the China Beach Vietnamese Bistro in Venice, California. She is now owner and Chef of Le Cellier Restaurant Wine Bar in Marina Del Rey, California. complications from stomach cancer on Dec. 19, 2017 in Los Angeles Hiep passed away. She was 46. Above all, Hiep is the proud mother of two. Author Hiep Thi Le Co-founder Jill Powell "Since I've know her from, Hiep always turned something negative into a positive. As a child, she faced her dangers, adversities and self doubts with an innocence and sense of adventure which refl ects the true resilience of refugee children separated from their families and left to fend for themselves." -Le Ly Hayslip (Heaven and Earth ) "Most of us 'come-of-age' not just once, but many times as we navigate life's passages. Hiep's harrowing, true-life journey from innocent village girl to street-wise refugee--told with charm, humor, and precocious wisdom--turns a boat-person's Lord of the Flies into a true Vietnamese Exodus: the portrait of a blossoming young American painted with a bamboo brush. Like a river fl owing to the sea, Hiep's story sweeps us past many amazing people, places, and events that most of us can scarcely imagine. It's a voyage you won't want to miss." - Jay Wurts, coauthor of When Heaven and Earth Changed Places




Best Seat in the House: A Father, a Daughter, a Journey Through Sports


Book Description

From the best-known and most widely read woman sports columnist in the United States comes a remarkable memoir of a father and a daughter, the story of a girl who would turn her love for sports into a trailblazing career. Christine Brennan grew up in Toledo, Ohio, spending her summers playing with the boys on her block, memorizing baseball statistics, accompanying her dad to countless baseball and football games, and falling in love with everything about sports. While other girls were playing with Barbie dolls, Chris was collecting baseball cards and listening to the radio for the play-by-play accounts of her favorite teams. The eldest of four children, Chris was her father's daughter from the beginning. For a girl growing up in the 1960s and '70s, in the days before Title IX changed the playing fields of America, there were few opportunities to play organized sports. But Jim Brennan encouraged his daughter to believe she could play anything she wanted to, and when she couldn't be on the field, he was by her side in the stands -- she always thought the seat next to her father was the best seat in the house -- usually cheering for the underdog, and making sure Chris knew there was a place for her in the world of sports. In her warm and inspiring memoir, the first of its kind by a female sports journalist, Brennan takes readers from her neighborhood ball fields to the press boxes and locker rooms of stadiums around the world. Guided by her father's unfailing sense of loyalty, honor, and fairness, at the age of twenty-two she became the first female sportswriter for The Miami Herald, and in 1985 was the first woman to cover the Washington Redskins as a staff writer for The Washington Post. Over the past quarter century, Brennan has reported on many of the biggest stories in sports, and led the coverage of both the 1994 Tonya Harding-Nancy Kerrigan saga and the pairs figure-skating scandal at the 2002 Salt Lake Olympics. Her USA Today column on Augusta National Golf Club, home of the Masters, triggered a nationwide debate about the club's lack of female members. Told in the spirited, friendly voice that readers of her column have come to love, Best Seat in the House is the heartwarming chronicle of a girl who came of age as women's sports were coming of age, encouraged every step of the way by her beloved father.




Maiden Voyages


Book Description

Emphasizes how travel situates Eastern Indonesian women at the intersection of ethnicity/place, class and gender politics. Investigates theoretical issues of travel within feminist geography frameworks. Field research focuses on contemporary rural women and was conducted mainly in parts of East Nusa Tenggara and while travelling on boats in the region.




August Gale


Book Description

An award-winning journalist’s voyage into her family history and her quest to face the storms she encounters there. In August Gale, Pulitzer Prize–winning journalist Barbara Walsh—who has interviewed killers, bad cops, and crooked politicians in the course of her career—faces the most challenging story of her lifetime: asking her father about his childhood pain. In the process, she takes us on two heartrending odysseys: one into a deadly Newfoundland hurricane and the lives of schooner fishermen who relied on God and the wind to carry them home; the other, into a squall stirred by a man with many secrets: a grandfather who remained a mystery until long after his death. Sixty-eight years after the hurricane that claimed several of her ancestors, Walsh searches for memories of the August gale and the grandfather who abandoned her dad as a young boy. Together, she and her father journey to Newfoundland to learn about the 1935 storm, and along the way her dad begins to talk about the man he cannot forgive. As she recreates the scenes of the violent hurricane and a small boy's tender past, she holds onto a hidden desire: to heal her father and redeem the grandfather she has never met.







The Intersecting Realities and Fictions of Virginia Woolf and Colette


Book Description

What might the author of Mrs. Dalloway and A Room of One's Own have in common with the author of the Claudine series and The Pure and the Impure? Resisting long-held interpretations that Colette and Virginia Woolf had little in common, Southworth shows here the links between the two famous writers, both real and imagined. Often cast in their diametrically opposed roles of elitist bluestocking and risque music hall performer, critics have overlooked the many ways in which the lives and works of Woolf and Colette intersect. This study provides a broad-ranging introduction to the biographical, stylistic, and thematic ties that link the lives and works of Britain's and France's first ladies of letters of the early twentieth century. Situating the two writers within an international network of artists and literati, including Jacques-Emile Blanche, Radclyffe Hall and Una Troubridge. Winnie de Polignac, Gisele Freund, Sylvia Beach and Adrienne Monnier, Vita Sackville-West and Violet Trefusis, this study complicates conceptions of the differences--national, sexual, cultural, and intellectual--which have kept these two women apart by placing these same differences at its center. Southworth develops work already undertaken on Woolf's contacts with France and adds to the body of comparative work on Woolf and her contemporaries. This study also highlights as yet unexplored connections between Colette and her British and American peers. Southworth's book makes a significant contribution to gay and lesbian studies and the study of modernist culture. It also demonstrates the potential of social network theory for literary studies.




The Road Movie


Book Description

Though often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.