A Gangsta'z Tale Hip-Hop in Da '70S


Book Description

THANK YOU FOR READING MY LIFE STORY. THERE ARENT MANY OF US LEFT TO TELL THE TALE OF THE INVISIBLE LEGENDS OF HIP-HOP A BRONX B-BOY/M. C. LEGEND GANGSTALLY YOURS, M. C. EL BEE PERCEPTION OF LOVE Poem written by M. C. EL BEE They say that love isnt supposed to hurt, but passive love never corrected anybody from the ghetto. The sign of true loves face comes to a world who has gone astray from its moral self. She rides high on the planes of open-mindedness; it makes excuses for its way wood ways, resisting anyone who offers true love, for true love in the eyes of way woodiness often appears harsh, cruel, painful, sorrowful. Only the immoral sees love as passive to its corrupt self.




A Gangsta'z Tale Hip-Hop in Da '70s


Book Description

THANK YOU FOR READING MY LIFE STORY. THERE AREN'T MANY OF US LEFT TO TELL THE TALE OF THE "INVISIBLE LEGENDS OF HIP-HOP" A BRONX B-BOY/M. C. LEGEND GANGSTALLY YOURS, M. C. EL BEE PERCEPTION OF LOVE Poem written by M. C. EL BEE They say that love isn't supposed to hurt, but passive love never corrected anybody from the ghetto. The sign of true love's face comes to a world who has gone astray from its moral self. She rides high on the planes of open-mindedness; it makes excuses for its way wood ways, resisting anyone who offers true love, for true love in the eyes of way woodiness often appears harsh, cruel, painful, sorrowful. Only the immoral sees love as passive to its corrupt self.




Hip Hop around the World


Book Description

This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.




Hip-Hop Revolution


Book Description

In the world of hip-hop, "keeping it real" has always been a primary goal-and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?" In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character-that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. Hip-Hop Revolution is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society. A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes. Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous-to black youths in particular-by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga." Hip-Hop Revolution deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before.




The Complete Idiot's Guide Music Dictionary


Book Description

A musician's vocabulary needs more than Do, Re, Mi... Written in clear, concise, easy-to-understand language, The Complete Idiot's Guide® Music Dictionary covers a multitude of musical aspects indispensable to any musician. Author and music professor Stanford Felix has compiled the most commonly found terms and explains them in a way that even the most novice musician can comprehend. • The only dictionary geared toward the beginner musician • Gives clear, concise definitions of terms, theories, and instruments, as well as important works, musicians, and composers







All Music Guide


Book Description

Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.




Best Music Writing 2008


Book Description

The ninth entry in the acclaimed series celebrating the best writing on every style of music, from rock to hip-hop, R&B to jazz, pop to blues, and more. Best music writing is the definitive guide to the year in music writing, an annual feast of essays, missives, and musings on every musical style by critics, novelists, and musicians themselves. Culled from publications ranging from blogs to the New Yorker, the 2008 edition captures a year in music writing as diverse and riveting as the music it illuminates.




To Live and Defy in LA


Book Description

How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.




In Defense Of...


Book Description

What could Demi Moore, the 1990s Atlanta Braves, Eminem's 'Relapse, ' and Michael Jordan's time with the Washington Wizards possibly have in common? They've all been unfairly criticized or misunderstood in the collective conscience. Until now. Within these pages, individuals and events from across hip-hop, sports, television, and film - from Kanye West to Barry Bonds to Tom Cruise - are not just defended, but championed. By the end of this book, you may just look at these albums, films, and individuals in a completely new light.