A Guide to Pre-Columbian Art


Book Description

This guide provides a closer view of the pre-Hispanic world, analysing the origins and decline of the greatest ancient American civilisations.







Pre-Columbian Art of the Caribbean


Book Description

Introduction -- Pre-Columbian peoples of the Caribbean -- Ceramics of the eastern Caribbean -- Ceramics of the Greater Antilles -- Rock art -- Sculpture -- Personal adornment -- Epilogue: Living legacies




Pre-Columbian America


Book Description

Presents a history of ancient American civilizations prior to the arrival of Columbus, discussing history, agriculture, religion, architecture, art, and politics.




A Guide to Mexican Art


Book Description

A Guide to Mexican Art, a survey of more than twenty centuries of art, has a double purpose. It provides an ample version of one of the great national arts by a leading art historian, and it serves simultaneously as a practical guide to the art's outstanding masterpieces. The Guide will thus be of value to specialists and students of Latin American art and to sightseers as an introduction and guide to the art and architecture of Mexico. To facilitate its use for the latter purpose, Professor Fernández has based his exposition on the sensitive analysis of works to be found almost exclusive in museums and public buildings accessible to the tourist. The book was originally published in Spanish in 1958 and revised in 1961. This English translation, from the second edition has been brought up to date by the author and translator.




Pre-Columbian Art and Archaeology


Book Description

Symposia presented at the Denver Art Museum in 2002 and 2007 focused, respectively, on pre-Columbian art in the museum collection and the art and archaeology of ancient Costa Rica. Edited by Denver Art Museum curator Margaret Young-Sánchez, this lavishly illustrated volume brings together newly revised and expanded symposium papers from pre-Columbian scholars, while paying tribute to the legacy of Denver philanthropist Frederick R. Mayer--a generous supporter of archaeological and art historical research, scientific analysis, and scholarly publication. Archaeology's elder statesman Michael Coe (Yale University) provides a lively description of twentieth-century pre-Columbian archaeology and the personalities who shaped its intellectual history. Using traditional and scientific analyses of archaeological ceramics, Frederick W. Lange (LSA Associates, Inc.) and Ronald L. Bishop (Smithsonian National Museum of Natural History) consider the transmission of technical and cultural knowledge in ancient Costa Rica and Nicaragua. The late Michael J. Snarskis of the Tayutic Foundation reports on his final archaeological excavation, at Loma Corral in Guanacaste, Costa Rica, where an undisturbed two-thousand-year-old cemetery contained high-status burials, local and imported ceramics, and jade ornaments. Warwick Bray (University College, London), examines pre-Columbian gold items from Panama, including their uses and meaning, as part of the "Parita Treasure" excavated in the early 1960s. Margaret Young-Sánchez (Denver Art Museum), presents the construction and iconography of early (ad 200-400) Tiwanaku-style folding pouches from the south-central Andes. And Carol Mackey (California State University, Northridge) and Joanne Pillsbury (Getty Research Institute) describe and analyze an important silver beaker decorated with detailed ritual and mythological scenes from the Lambayeque (Sicán) civilization of northern Peru (ad 800-1350).




The Codex Mexicanus


Book Description

Some sixty years after the Spanish conquest of Mexico, a group of Nahua intellectuals in Mexico City set about compiling an extensive book of miscellanea, which was recorded in pictorial form with alphabetic texts in Nahuatl clarifying some imagery or adding new information altogether. This manuscript, known as the Codex Mexicanus, includes records pertaining to the Aztec and Christian calendars, European medical astrology, a genealogy of the Tenochca royal house, and an annals history of pre-conquest Tenochtitlan and early colonial Mexico City, among other topics. Though filled with intriguing information, the Mexicanus has long defied a comprehensive scholarly analysis, surely due to its disparate contents. In this pathfinding volume, Lori Boornazian Diel presents the first thorough study of the entire Codex Mexicanus that considers its varied contents in a holistic manner. She provides an authoritative reading of the Mexicanus’s contents and explains what its creation and use reveal about native reactions to and negotiations of colonial rule in Mexico City. Diel makes sense of the codex by revealing how its miscellaneous contents find counterparts in Spanish books called Reportorios de los tiempos. Based on the medieval almanac tradition, Reportorios contain vast assortments of information related to the issue of time, as does the Mexicanus. Diel masterfully demonstrates that, just as Reportorios were used as guides to living in early modern Spain, likewise the Codex Mexicanus provided its Nahua audience a guide to living in colonial New Spain.




Pre-Columbian Jamaica


Book Description

Pre-Columbian Jamaica represents the first substantial attempt to summarize the prehistoric evidence from the island in a single published account since J. E. Duerden's invaluable 1897 article on the subject, which is also reprinted within this volume.




Josef Albers in Mexico


Book Description

Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers's abstract works on canvas and paper. 'Mexico is truly the promised land of abstract art', Josef Albers once wrote to Vassily Kandinsky. Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers's abstract works on canvas and paper. With his wife, the artist Anni Albers, he visited Mexico and other Latin American countries more than a dozen times from 1935 to 1968, where he toured pre-Columbian archeological sites and monuments. On each visit, Albers took blackand- white photographs of the pyramids, shrines, sanctuaries and landscapes in and around these ancient sites, often grouping multiple images printed at various scales onto 8 x 10 inch sheets. The result was nearly 200 photo-collages that illustrate formal characteristics of the pre-Columbian aesthetic. Albers in Mexico brings together rarely exhibited photographs, photo-collages, prints and significant paintings from the Homage to the Square and Variants/Adobe series from the Guggenheim Museum collection and the Anni and Josef Albers Foundation. This catalogue includes two scholarly essays, Albers's poetry from the period and an illustrated map, as well as rich colour reproductions of paintings and works on paper.