A Guide to the History of Education


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Excerpt from A Guide to the History of Education Writers on the history of education have taken at least three very different standpoints from which to view the nature, scope, and purpose of their subject. Some have seen its chief purpose in the edification of schoolmasters and schoolmistresses, and have regarded the study as one of exclusively professional interest. The main concern of others is the evolution of educational theory; for some of this second group the range of their survey is as wide as human culture itself, with small reference to time or place. A third group, probably the smallest of the three in number, understands by the term "history of education" the history of certain concrete institutions (in the main, schools and universities) which have been charged with specific duties at particular times in particular places. These last writers are more concerned about whatever has been done with an educational purpose than about what individual thinkers believed should have been done. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







A Guide to the History of Education (Classic Reprint)


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Excerpt from A Guide to the History of Education But England compares poorly in this respect with some of the neighbouring lands. Our school and college histories are numerous enough; but they too easily drop to the level of anecdote, personal or architectural, and too often remain silent on matters which would indicate advance, or the reverse, in educational theory or practice. In fact, much spade-work must be done before we can hope to possess a conspectus of what English schools have attempted or accomplished between the early medieval period and the present day. When that work is surveyed in the light of con temporary life, social, political, and economic, we shall be in a position to generalize about the English theory of education. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




GT THE HIST OF EDUCATION


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A Guide to Sources for the History of Irish Education, 1780-1922


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This guide lists the major records available for research in the history of Irish education in the 19th and early 20th centuries. It surveys the archives in both public and private repositories, as well as official reports and parliamentary papers.




The History of American Education


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Introduction and Practical Guide to Music Education


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Introduction and Practical Guide to Music Education provides students with comprehensive yet foundational knowledge of the music education profession. The book contains researched best practices for teaching music and guides readers through practical exercises to help them discover their own unique teaching style and approach. The text begins with a chapter that asks readers why they are considering a career in music education and also reveals the qualities of an effective music teacher. Later chapters provide students with a brief history of music education in the United States, introductions to educational psychology, sociology, and child development, practical advice for developing sound and successful lesson plans, strategies for teaching different types of students, tips for job interviews, and more. Each chapter includes references and discussion questions, and select chapters also feature a list of recommended readings for further exploration and independent learning. With emphasis on research and practical application, Introduction and Practical Guide to Music Education is a supportive and valuable guide for any student interested in a career in music education. Accessible and complete, the text is ideal for music seminars, music profession survey courses, and introductory music education courses. Laura M. Dornberger serves on the music education faculty at the State University of New York at Fredonia where she teaches graduate and undergraduate courses in elementary general music, child development, and music education philosophy and assessment. She has taught PK-12th grade general/vocal music, directed children's choirs, performed professionally as a soprano, and taught private voice and piano lessons. She has led professional development workshops for teachers in Cork, Ireland. She serves as a scorer for the New York State Teacher Certification Examinations, and she is a guest speaker and clinician on effective interviewing techniques. Katherine M. Levy, Ph.D. , is head of the music education area at the State University of New York at Fredonia. She earned her master's and doctorate degrees in music education from the University of Iowa. She has experience teaching beginning, middle, and high school instrumental music in Illinois, Iowa, and Wisconsin and early childhood music in Iowa and Maryland. Dr. Levy is the founding music director of two New Horizons Band programs in which university students and music teachers work with amateur musicians aged 50 and older in music lessons, ensembles, and concert bands.