A History of American Crime Fiction


Book Description

A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.




Classic American Crime Fiction of the 1920s


Book Description

Classic American Crime Writing of the 1920s—including House Without a Key, The Benson Murder Case, The Tower Treasure, The Roman Hat Mystery, The Tower Treasure, and Little Caesar—offers some of the very best of that decade’s writing. Earl Derr Biggers wrote about Charlie Chan, a Chinese-American detective, at a time when racism was rampant. S. S. Van Dine invented Philo Vance, an effete, rich amateur psychologist who flourished while America danced and the stock market rose. Edwin Stratemeyer, a man of mystery himself, singlehandedly created the juvenile mystery, with the beloved Hardy Boys series. The quintessential American detective Ellery Queen leapt onto the stage, to remain popular for fifty years. W. R. Burnett, created the indelible character of Rico, the first gangster antihero. Each of the five novels included is presented in its original published form, with extensive historical and cultural annotations and illustrations added by Edgar-winning editor Leslie S. Klinger, allowing the reader to experience the story to its fullest. Klinger's detailed foreword gives an overview of the history of American crime writing from its beginnings in the early years of America to the twentieth century.




Contemporary American Crime Fiction


Book Description

This highly accessible, lively and informative study gives a clear and comprehensive overview of recent trends in American crime fiction. Building on a discussion of the immediate predecessors, Bertens and D'haen focus on the work of popular and award-winning authors of the last fifteen years. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.




The Cambridge Companion to American Crime Fiction


Book Description

This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.




Detective Fiction


Book Description

'Detective Fiction' is a clear and compelling look at some of the best known, yet least-understood characters and texts of the modern day. Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading.




Neon Noir


Book Description

Neon Noir, the follow-up to Woody Haut's highly regarded Pulp Culture, brings the story of American crime fiction and film uptodate. From the Kennedy assassination to the Vietnam War and Watergate, through Reaganomics to Irangate and Whitewater, Neon Noir is a roller-coaster ride through the American nightmare. Haut investigates the dark side of America through the work of crime writers such as James Ellroy, Elmore Leonard, Walter Mosley, James Lee Burke, Lawrence Block, James Sallis, George Pelecanos, Charles Willeford, Jerome Charyn, Sara Paretsky, Vicki Hendricks, KC Constantine, George V Higgins and James Crumley. Mapping the fissures and scars of America's psychogeography, its morally ambiguous shadowlands, Neon Noir also considers the difference between past and present hardboilers, the impact of war and journalism on noirists, the portrayal of cities, the aesthetics of crime fiction, and the changing relationship between the books and the films. Like Pulp Culture, Neon Noir is set to become the reference book on its subject.




100 American Crime Writers


Book Description

100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime fiction for anyone who enjoys this fascinating genre.




Nice and Noir


Book Description

Owners of mystery bookshops will tell you that there are several sorts of buyers: those who purchase on impulse or whim; genre addicts who buy paperbacks by the week and by the armful; and those who have caught up on canonical texts and regularly buy new novels by select authors in hardcover. Richard B. Schwartz belongs in the last group, with his own list of approximately seventy favorite writers. Nice and Noir: Contemporary American Crime Fiction explores the work of these writers, building upon a reading of almost seven hundred novels from the 1980s and 1990s. By looking at recurring themes in these mysteries, Schwartz offers readers new ways to approach the works in relation to contemporary cultural concerns.




The Cambridge Companion to Crime Fiction


Book Description

The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception.




Latin American Detectives against Power


Book Description

This book examines how Latin American detective stories portray individualism and the state through the figures of the private eye and the police. Fabricio Tocco argues that these portrayals constitute a far more radical critique than the one developed by the Anglo-American canon, culminating in a transnational “poetics of failure” rooted in dissatisfaction with the neoliberal state.