What's What in a Wat


Book Description

As you walk through a Thai temple, a host of unfamiliar objects, shapes, and patterns tug at you from every direction. This handy and lucid guidebook will help you distinguish what is what. It takes you through a representative Thai Buddhist temple, guiding you from structure to structure and element to element, explaining the function and purpose of each, and the symbolism behind the forms. A Thai wat can be a place of bewildering beauty, but this illustrated companion will help you focus your eye and identify what you see. Tourists and residents, novices and scholars will all gain a clearer sense of what a wat is and the role it plays today in the lives of Thai people. Highlights - Detailed guide to Thai temple compounds - Definitions and explanations of architectural elements and structures - Richly illustrated with examples - Presents the temple in the context of Thai society - Author is an art historian specializing in Thai Buddhist art




The Buddha in Lanna


Book Description

For centuries, wherever Thai Buddhists have made their homes, statues of the Buddha have provided striking testament to the role of Buddhism in the lives of the people. The Buddha in Lanna offers the first in-depth historical study of the Thai tradition of donation of Buddha statues. Drawing on palm-leaf manuscripts and inscriptions, many never previously translated into English, the book reveals the key roles that Thai Buddha images have played in the social and economic worlds of their makers and devotees from the fifteenth to twentieth centuries. Author Angela Chiu introduces stories from chronicles, histories, and legends written by monks in Lanna, a region centered in today’s northern Thailand. By examining the stories’ themes, structures, and motifs, she illuminates the complex conceptual and material aspects of Buddha images that influenced their functions in Lanna society. Buddha images were depicted as social agents and mediators, the focal points of pan-regional political-religious lineages and rivalries, indeed, as the very generators of history itself. In the chronicles, Buddha images also unified the Buddha with the northern Thai landscape, thereby integrating Buddhist and local conceptions of place. By comparing Thai Buddha statues with other representations of the Buddha, the author underscores the contribution of the Thai evidence to a broader understanding of how different types of Buddha representations were understood to mediate the “presence” of the Buddha. The Buddha in Lanna focuses on the Thai Buddha image as a part of the wider society and history of its creators and worshippers beyond monastery walls, shedding much needed light on the Buddha image in history. With its impressive range of primary sources, this book will appeal to students and scholars of Buddhism and Buddhist art history, Thai studies, and Southeast Asian religious studies.




Monastery, Monument, Museum


Book Description

Ranging across the longue durée of Thailand’s history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom’s art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective. Part I, “Sacred Geographies,” focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, “Antiquities, Museums, and National History,” covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites’ worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, “Discordant Mnemoscapes,” deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country’s embattled political present. Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture.




Buddhist Temples of Thailand


Book Description




Bangkok Utopia


Book Description

“Utopia” is a word not often associated with the city of Bangkok, which is better known for its disorderly sprawl, overburdened roads, and stifling levels of pollution. Yet as early as 1782, when the city was officially founded on the banks of the Chao Phraya river as the home of the Chakri dynasty, its orientation was based on material and rhetorical considerations that alluded to ideal times and spaces. The construction of palaces, monastic complexes, walls, forts, and canals created a defensive network while symbolically locating the terrestrial realm of the king within the Theravada Buddhist cosmos. Into the twentieth century, pictorial, narrative, and built representations of utopia were critical to Bangkok’s transformation into a national capital and commercial entrepôt. But as older representations of the universe encountered modern architecture, building technologies, and urban planning, new images of an ideal society attempted to reconcile urban-based understandings of Buddhist liberation and felicitous states like nirvana with worldly models of political community like the nation-state. Bangkok Utopia outlines an alternative genealogy of both utopia and modernism in a part of the world that has often been overlooked by researchers of both. It examines representations of utopia that developed in the city—as expressed in built forms as well as architectural drawings, building manuals, novels, poetry, and ecclesiastical murals—from its first general strike of migrant laborers in 1910 to the overthrow of the military dictatorship in 1973. Using Thai- and Chinese-language archival sources, the book demonstrates how the new spaces of the city became arenas for modern subject formation, utopian desires, political hegemony, and social unrest, arguing that the modern city was a space of antinomy—one able not only to sustain heterogeneous temporalities, but also to support conflicting world views within the urban landscape. By underscoring the paradoxical character of utopias and their formal narrative expressions of both hope and hegemony, Bangkok Utopia provides an innovative way to conceptualize the uneven economic development and fractured political conditions of contemporary global cities.




Buddhist Monuments and Temples of Myanmar and Thailand


Book Description

This is a mainly pictorial work, featuring recent color photographs taken by the author of the many different styles and features of Buddhist images, stupas, or pagodas found in two of the most prominent Buddhist countries in Asia. Accompanying the photographs is the text describing the magnificent architectural heritage of Buddhism and also explaining the origin and development of the images and stupas. The photographs attempt to exhibit the physical expression of one of the worlds major religions, which now has many adherents in the West as well as in the East. These Buddhist sites now attract many thousands of visitors, both pilgrims and tourists, all year round. This book showcases the most prominent sites for both the visitor and the armchair traveler. This is the second in the authors series of books on Buddhist architecture and iconography. He is, at present, working on a third volume, Buddhist Monuments and Temples of Cambodia and Laos.




A History of Ayutthaya


Book Description

The first full history of a great commercial and political center that rose in Asia over almost five centuries.




Temples of Gold


Book Description

"Santi Leksukhum's text traces the complex history of these paintings. It examines the development of their distinctive style, from the arrival of Buddhism, to the overwhelming influence of the royal workshops of Bangkok to the incorporation of Western techniques as Thailand opened to the West in the mid-nineteenth century." "The renowned French photographer Gilles Mermet made several expeditions to Thailand to photograph these magnificent murals especially for this volume.".




Historical Dictionary of Thailand


Book Description

Throughout its history, Thailand has shown remarkable resiliency, adaptability, and creativity in responding to serious threats and crises, and this since much earlier times when it was known as Siam. This book, while focusing on the modern period, does reach back to ancient kingdoms but also shows the impressive rise to a modern democracy, although still endowed with a king, and even more impressively, an economic “tiger.” Moreover, it has become a prime tourist destination and is thus known to vast numbers of foreigners as a sort of “instant Asia.” The Historical Dictionary of Thailand, now in its third edition, covers this amazing story in various ways. First, the chronology traces the most significant events from year to year. The introduction then provides a good overview of the land and people, the history and traditions, and where it now seems to be heading. The dictionary, which by now has hundreds of detailed and cross-referenced entries, looks more closely at important persons, places, institutions and events as well as more generally its politics, economy, society, culture and religion. So this is an excellent reference work not only for scholars but many others who have visited the country and were fascinated by it.