A History of Russian Ballet, From Its Origins to the Present Day


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The great history of Russian ballet


Book Description

Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.




Ballet's Magic Kingdom


Book Description

Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.







A Century of Russian Ballet


Book Description

Ballet.




Behind the Scenes at the Ballets Russes


Book Description

The Ballets Russes was perhaps the most iconic, yet at the same time mysterious, ballet company of the twentieth century. Inspired by the unique vision of their founder Sergei Diaghilev, the company gained a large international following. In the mid-twentieth century - during the tumultuous years of World War II and the Cold War - the Ballets Russes companies kept the spirit and traditions of Russian ballet alive in the West, touring extensively in America, Europe and Australia. This important new book uncovers previously-unseen interviews and provides insights into the lives of the great figures of the age - from the dancers Anna Pavlova and Alicia Markova to the choreographers Leonide Massine, George Balanchine and Anton Dolin. The dancers' own words reveal what life was really like for the stars of the Ballets Russes and provide fascinating new insights into one of the most vibrant and creative groups of artists of the modern age.




Diaghilev's Empire


Book Description

A Best Book of the Year at The New Yorker and The Telegraph “Amusing and assertive . . . [Christiansen’s] delight is infectious.” —Alexandra Jacobs, The New York Times Book Review Rupert Christiansen, a renowned dance critic and arts correspondent, presents a sweeping history of the Ballets Russes and of Serge Diaghilev’s dream of bringing Russian art and culture to the West. Serge Diaghilev, the Russian impresario and founder of the Ballets Russes, is often said to have invented modern ballet. An art critic and connoisseur, Diaghilev had no training in dance or choreography, but he had a dream of bringing Russian art, music, design, and expression to the West and a mission to drive a cultural and artistic revolution. Bringing together such legendary talents as Vaslav Nijinsky, Anna Pavlova, Igor Stravinsky, Pablo Picasso, and Henri Matisse, this complex and visionary genius created a new form of ballet defined by artistic integrity, creative freedom, and an all-encompassing experience of art, movement, and music. The explosive color combinations, sensual and androgynous choreography, and experimental sounds of the Ballets Russes were called “barbaric” by the Parisian press, but its radical style usurped the entrenched mores of traditional ballet and transformed the European cultural sphere at large. Diaghilev’s Empire, the publication of which marks the one hundred fiftieth anniversary of Diaghilev’s birth, is a daring, impeccably researched reassessment of the phenomenon of the Ballets Russes and the Russian Revolution in twentieth-century art and culture. Rupert Christiansen, a leading dance critic, explores the fiery conflicts, outsize personalities, and extraordinary artistic innovations that make up this enduring story of triumph and disaster.




The Birth of the Ballets-Russes


Book Description

Every so often there occurs a revolution in one or more of the arts that proves to be not only an exciting occurrence at the time but also makes a lasting contribution to the future of art in general. The Italian Renaissance and the rise of Romanticism are prime examples of this; for ballet the birth of Ballets Russes was also such a time. Never before have so many talented people seemed to get together in one place to produce such a monumental achievement in the history of ballet. This book, which chronicles the birth of Ballets Russes, abounds with the names of Nijinsky, Stravinsky, Karsavina, Bakst, Diaghilev, Pavlova, Benois, and many others immortal for their contribution to this movement. Prince Peter Lieven, who knew these people at first hand and witnessed many of the events he relates, instills in the reader the excitement and fervor that all those involved must have felt in conceiving and creating this new and dramatic school of dance. It began in 1909 when a rather humble Russian ballet company travelled to Paris under the direction of Serge Diaghileff. Their performances of "Les Sylphides," "Cleopatre," and "Le Pavilion d'Armide" marked radical departures from the old Imperial Ballet, and soon they were the rage of Paris. Each following season brought the company increased success with such performances as Stravinsky's "Firebird," "Petrushka," and in 1913 the revo lutionary "Rite of Spring" with the now famous Nijinsky, who seemed to defy the law of gravity when he leaped into the air. Prince Lieven shows how Ballets Russes rose from the Imperial Ballet and chronicles its demise after 1914. Short biographies of major personalities as well as accounts of various historic performances are included. Everyone from the ardent follower of ballet to those with only a casual interest in the art will find this book thoroughly engrossing. Prince Lieven takes the reader behind the scenes to become part of the scandals, the quarrels, the reconciliations, and the exciting successes that were part of this movement that changed the entire course of ballet history.