Movie-star Portraits of the Forties


Book Description

One hundred six famous actresses and actors are portrayed in full-page pictures by twenty-four leading Hollywood photographers




The Hollywood Book Club


Book Description

Audrey Hepburn, Humphrey Bogart, Gregory Peck, Rita Hayworth, Marilyn Monroe—the brightest stars of the silver screen couldn't resist curling up with a good book. This unique collection of rare photographs celebrates the joy of reading in classic film style. The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more. Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, here's a real page-turner for booklovers and cinephiles.




Hollywood Glamor Portraits


Book Description

145 photos capture the stars from 1926 to 1949 -- Clark Gable, Jean Harlow, Humphrey Bogart, Lauren Bacall, Hedy Lamarr, Marlene Dietrich, Robert Montgomery, Marlon Brando, Veronica Lake -- 94 stars in all.




Hollywood Album


Book Description




Holz Hollywood


Book Description

George Holz's photographic career has spanned over three decades. A graduate of the Art Center College of Design, his fashion editorials have appeared in Harper's Bazaar, Vogue Italia and Vanity Fair. He has shot countless advertising campaigns, movie posters and album covers. His nudes have been shown in gallery and museum exhibitions around the world.Holz Hollywood is the true Hollywood story of George Holz, protégé of Helmut Newton and one of the famous 'Three Boys from Pasadena'. Holz Hollywood is a rich narrative of celebrity portraiture spanning over three decades. Renate Gruber describes his images as having an 'unexplainable elegance in a very European style...,' full of 'allure' and 'elite imagery' that is 'above reality'. Holz Hollywood conveys his 'intense admiration of and respect for' his subjects, revealing portraits of the world's elite film stars, athletes, and musicians. Holz's portraits are a virtual Who's Who of Hollywood, including Angelina Jolie, Jack Nicholson, Cameron Diaz, Madonna, Brad Pitt, Antonio Banderas, and countless others. In Holz Hollywood, Grammy Award winner George Holz presents an intimate glimpse into a glamorous world.Limited to just 100 copies, this stunning deluxe edition comes in a box, with three prints - one of the charasmatic Jack Nicholson, one of pop music queen Madonna and another of Hollywood goddess Cameron Diaz.




Hollywood Portraits


Book Description




Hollywood Movie Stills


Book Description

Marlene Dietrich, Greta Garbo, Clark Gable, Marilyn Monroe . . . it is through the eye of the stills camera that we experience and recall some of the cinema's most memorable events and faces. Still images are so powerful that they can easily pass for actual scenes from the movies they represent—rather than separately posed, lighted, and photographed shots that may not even find their way into the finished film. This classic study traces the origin of stills photography during the silent era and the early development of the star system, to the rise of the giant studios in the 1930s and their eventual decline. Finler focuses on the photographers, on the stars they photographed, and on many key films and filmmakers. Hollywood Movie Stills is illustrated by hundreds of rare and unusual stills from the author's own collection, including not only portraits and scene stills but production shots, behind-the-scenes photos, poster art, calendar art, leg shots, photo collages, and trick shots. There are also photos showing the stars' private lives and special events in Hollywood, all produced in vast numbers by the great studios in their heyday.




George Hurrell's Hollywood


Book Description

Collects more than four hundred photographs of Hollywood stars captured by George Hurrell, creator of the glamour shot, and looks at the photographer's up and down career.




Still


Book Description

The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.




"It's the Pictures That Got Small"


Book Description

“Brackett’s diaries read like a funnier, better-paced version of Barton Fink.” —Newsweek Screenwriter Charles Brackett is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as “the happiest couple in Hollywood,” collaborating on such classics as The Lost Weekend and Sunset Boulevard. He was also a perceptive chronicler of the entertainment industry, and in this annotated collection of writings from dozens of Brackett’s unpublished diaries, film historian Anthony Slide clarifies Brackett's critical contribution to Wilder’s films and enriches our knowledge of Wilder’s achievements in writing, direction, and style. Brackett’s diaries re-create the initial meetings of the talent responsible for Ninotchka, Hold Back the Dawn, Ball of Fire, The Major and the Minor, Five Graves to Cairo, The Lost Weekend, and Sunset Boulevard, recounting the breakthroughs and the breakdowns that ultimately forced these collaborators to part ways. In addition to a portrait of Wilder, this is rare view of a producer who was a president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, a New Yorker drama critic, and a member of the Algonquin Round Table. With insight into the dealings of Paramount, Universal, MGM, and RKO, and legendary figures such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker, this book reveals the political and creative intrigue at the heart of Hollywood’s most significant films. “A fascinating look at Hollywood in its classic period, and a unique and indispensable must-have for any movie buff.” —Chicago Tribune “This feels as close as we can get to being in the presence of Wilder’s genius, and he emerges as the cruelest as well as the wittiest of men.” —The Guardian “Not only rare insight into their often-stormy partnership but also an insider’s view of Hollywood during that era.” —Los Angeles Times “Very entertaining.” —Library Journal