The Terrorist Album


Book Description

An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; sometimes the goal was elimination. All of the albums were ordered destroyed when apartheid’s violent collapse began. But three copies survived the memory purge. With full access to one of these surviving albums, award-winning South African historian and journalist Jacob Dlamini investigates the story behind these images: their origins, how they were used, and the lives they changed. Extensive interviews with former targets and their family members testify to the brutal and often careless work of the police. Although the police certainly hunted down resisters, the terrorist album also contains mug shots of bystanders and even regime supporters. Their inclusion is a stark reminder that apartheid’s guardians were not the efficient, if morally compromised, law enforcers of legend but rather blundering agents of racial panic. With particular attentiveness to the afterlife of apartheid, Dlamini uncovers the stories of former insurgents disenchanted with today’s South Africa, former collaborators seeking forgiveness, and former security police reinventing themselves as South Africa’s newest export: “security consultants” serving as mercenaries for Western nations and multinational corporations. The Terrorist Album is a brilliant evocation of apartheid’s tragic caprice, ultimate failure, and grim legacy.




A Johannesburg Album


Book Description




Johannesburg


Book Description

Until now there has been no single text that brings together the material that reveals the unfolding geography of Johannesburg, South Africa. This books describes the history of the city from its days as a mining camp to its position of premier metropolis in Africa. The present geography of Johannesburg, and the problems and dysfunctions that is hat exhibited at various stages in its history since 1886, cannot be understood without a firm grasp of what has evolved of the past 120 years.




Johannesburg Then and Now


Book Description

In less than a century, the jumble of shabby tents and lean-tos that constituted Johannesburg’s first settlement has grown into a modern metropolis of towering office buildings, high-rise apartments and sprawling suburbs. Its rapid development has been in no small measure the result of the fabulous wealth that lay in the goldrich deposits of the now-famous Witwatersrand basin. The story of gold is also the story of Johannesburg, and in a fascinating series of photographic juxtapositions, Johannesburg Then and Now chronicles the city’s expansion from dusty mining camp to economic powerhouse. Rare archival photographs, dating from the 1880s to the 1940s, are contrasted with vivid scenes of the modern city, providing a hitherto untold portrait of the Place of Gold. Where possible, the modern-day photographs have been shot from the same locations as the originals. Detailed captions provide fascinating comparisons between the old and the new, while also illuminating features that have remained the same. Johannesburg Then and Now is a superb collection of images and text that will delight both local residents and visitors. Sales points: Fascinating portrait of early and modern Johannesburg; Rare archival photographs (1880–1950), many never published before; Informative and well-researched text; Beautiful and elegantly designed coffee-table book; Excellent gift and keepsake; Companion volume to the successful Cape Town Then and Now.




The Black Photo Album


Book Description

"...with the so-called civilised workers, almost without exception their civilisation was only skin deep." O. Pirow, quoting South African Prime Minister J. B. M. Hertzog For this book Santu Mofokeng collected private photographs which urban black working and middle-class families in South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards those designated as "natives". Painterly in style, the images evoke the artifices of Victorian photography. Some of them are fiction, a creation of the artist in terms of setting, props, clothing and pose - yet there is no evidence of coercion. We believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social recognition in times of colonial rule and suppression. The Black Photo Album / Look at Me: 1890-1950 is drawn from an ongoing research project of the University of Witwatersrand in Johannesburg.




Diverse Voices in Photographic Albums


Book Description

Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities. The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible. The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.




Sound of Africa!


Book Description

DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div




The Reb and the Rebel


Book Description

There is a vast and varied literature on the formation of 19th-century Jewish diasporic communities worldwide. Now, added to this are the previously unpublished autobiographical works of two members of the Schrire family, which form the core of The Reb and the Rebel, mainly covering the period 1892-1913. They comprise a diary, a poem and a memoir. The first two, written by Reb Yehuda Leib Schrire (1851-1912), and translated from pre-Ben Yehuda Hebrew into English, chart his journey through a number of countries, including Lithuania, Holland, England and South Africa. The third is by his son, Harry Nathan (1895-1980). The social history within these documents paints a lively picture of South African Jewish communities at the turn of the 20th century. They reveal tiny details of shipboard life below deck; major issues of religious belief and practice in Lithuanian shtetls, Johannesburg goldfields and District Six homes; and global issues of mass migration, pandemics and war. They show how community formation in Cape Town replicates the orthodoxy of der alte heym, even as the new generation is integrated into a life undreamed of in the Old Country. Analyses of the contexts and authors, together with Appendices which include a genealogy, glossary and catalogued artworks, combine here to make the South African Jewish past come alive.




Jazz Transatlantic, Volume II


Book Description

A CHOICE 2018 Outstanding Academic Title In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context. The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.




The Marcus Garvey and Universal Negro Improvement Association Papers, Vol. X


Book Description

"Africa for the Africans" was the name given to the extraordinary movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism into an African social movement. The most extensive collection of documents ever gathered on the early African nationalism of the interwar period, Volume X provides a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa.