Book Description
Reprint of the original, first published in 1881.
Author : George Cruikshank
Publisher : BoD – Books on Demand
Page : 501 pages
File Size : 48,27 MB
Release : 2024-05-17
Category : Fiction
ISBN : 3385471060
Reprint of the original, first published in 1881.
Author :
Publisher :
Page : 660 pages
File Size : 41,39 MB
Release : 1886
Category :
ISBN :
Author : D. Worrall
Publisher : Springer
Page : 273 pages
File Size : 21,43 MB
Release : 2007-04-12
Category : Performing Arts
ISBN : 0230801412
This book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene.
Author : British Library (London)
Publisher :
Page : 552 pages
File Size : 22,21 MB
Release : 1981
Category : Reference
ISBN :
Author : Harvard University. Library. Widener Collection
Publisher :
Page : 304 pages
File Size : 24,88 MB
Release : 1918
Category : Illustrated books
ISBN :
Author :
Publisher :
Page : 712 pages
File Size : 24,68 MB
Release : 1975
Category : Union catalogs
ISBN :
Author : William Thomas Moncrieff
Publisher :
Page : 562 pages
File Size : 15,40 MB
Release : 1851
Category :
ISBN :
Author : Julie Coleman
Publisher : OUP Oxford
Page : 515 pages
File Size : 20,21 MB
Release : 2008-10-23
Category : Language Arts & Disciplines
ISBN : 0191563587
This book continues Julie Coleman's acclaimed history of dictionaries of English slang and cant. It describes the increasingly systematic and scholarly way in which such terms were recorded and classified in the UK, the USA, Australia, and elsewhere, and the huge growth in the publication of and public appetite for dictionaries, glossaries, and guides to the distinctive vocabularies of different social groups, classes, districts, regions, and nations. Dr Coleman describes the origins of words and phrases and explores their history. By copious example she shows how they cast light on everyday life across the globe - from settlers in Canada and Australia and cockneys in London to gang-members in New York and soldiers fighting in the Boer and First World Wars - as well as on the operations of the narcotics trade and the entertainment business and the lives of those attending American colleges and British public schools. The slang lexicographers were a colourful bunch. Those featured in this book include spiritualists, aristocrats, socialists, journalists, psychiatrists, school-boys, criminals, hoboes, police officers, and a serial bigamist. One provided the inspiration for Robert Lewis Stevenson's Long John Silver. Another was allegedly killed by a pork pie. Julie Coleman's account will interest historians of language, crime, poverty, sexuality, and the criminal underworld.
Author :
Publisher :
Page : 778 pages
File Size : 36,39 MB
Release : 1984
Category : Books
ISBN :
Author : Mary L. Shannon
Publisher : Yale University Press
Page : 398 pages
File Size : 48,46 MB
Release : 2024-06-11
Category : Biography & Autobiography
ISBN : 0300277709
The story of William Waters, Black street performer in Regency London, and how his huge celebrity took on a life of its own Every child in Regency London knew Billy Waters, the celebrated “King of the Beggars.” Likely born into enslavement in 1770s New York, he became a Royal Navy sailor. After losing his leg in a fall from the rigging, the talented and irrepressible Waters became London’s most famous street performer. His extravagantly costumed image blazed across the stage and in print to an unprecedented degree. For all his contemporary renown, Waters died destitute in 1823—but his legend would live on for decades. Mary L. Shannon’s biography draws together surviving traces of Waters’ life to bring us closer to the historical figure underlying them. Considering Waters’ influence on the London stage and his echoing resonances in visual art, and writing by Douglass, Dickens, and Thackeray, Shannon asks us to reconsider Black presences in nineteenth-century popular culture. This is a vital attempt to recover a life from historical obscurity—and a fascinating account of what it meant to find fame in the Regency metropolis.