A Lecture on Some of the Most Characteristic Features of Illuminated Manuscripts, from the VIII. to the XVIII. Century ; By Richard THomson, Librarian of the London Institution. As Delivered in the Theatre of the London Institution, on Wednesday, January 21st, 1857, by William Tite, Esq. M.P., F.R.S., F.S.A. Honorary Secretary. To Which is Added A Second Lecture on The Materials and Practice of Illuminators: with Biographical and Literary Notices Illustrative of the Art of Illumination


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The Sounds of Early Cinema


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The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.




Preaching and Preachers


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In Preaching and Preachers, the author states unapologetically his attitudes about his role in the church and explains his methodology, all the while addressing various problems and questions that have been put to him.




Freedom Dreams


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The 20th-anniversary edition of Kelley’s influential history of 20th-century Black radicalism, with new reflections on current movements and their impact on the author, and a foreword by poet Aja Monet First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve. Focusing on the insights of activists, from the Revolutionary Action Movement to the insurgent poetics of Aimé and Suzanne Césaire, Kelley chronicles the quest for a homeland, the hope that communism offered, the politics of surrealism, the transformative potential of Black feminism, and the long dream of reparations for slavery and Jim Crow. In this edition, Kelley includes a new introduction reflecting on how movements of the past 20 years have expanded his own vision of freedom to include mutual care, disability justice, abolition, and decolonization, and a new epilogue exploring the visionary organizing of today’s freedom dreamers. This classic history of the power of the Black radical imagination is as timely as when it was first published.




The Library of Alexandria


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The Library of Alexandria was one of the greatest cultural adornments of the late ancient world, containing thousands of scrolls of Greek, Hebrew and Mesopotamian literature and art and artefacts of ancient Egypt. This book demonstrates that Alexandria became - through the contemporary reputation of its library - a point of confluence for Greek, Roman, Jewish and Syrian culture that drew scholars and statesmen from throughout the ancient world. It also explores the histories of Alexander the Great and of Alexandria itself, the greatest city of the ancient world. This new paperback edition offers general readers an accessible introduction to the history of this magnificent yet still mysterious institution from the time of its foundation up to its tragic destruction.




All about Battersea


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Autobiography


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The Representation of Business in English Literature


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In The Representation of Business in English Literature, five scholars of different periods of English literature produce original essays on how business and businesspeople have been portrayed by novelists, starting in the eighteenth century and continuing to the end of the twentieth century. The contributors to Representation help readers understand the partiality of the various writers and, in so doing, explore the issue of what determines public opinion about business. Arthur Pollard (1922-2001) was Professor Emeritus of English at the University of Hull in Hull, East Yorkshire, England. John Blundell is General Director of the Institute of Economic Affairs, London. Please note: This title is available as an ebook for purchase on Amazon, Barnes and Noble, and iTunes.