A Manual of Counterpoint Based on Sixteenth-century Practice, for Use in Music XB I
Author :
Publisher :
Page : pages
File Size : 45,42 MB
Release : 1946
Category : Counterpoint
ISBN :
Author :
Publisher :
Page : pages
File Size : 45,42 MB
Release : 1946
Category : Counterpoint
ISBN :
Author : David D. Boyden
Publisher :
Page : pages
File Size : 18,66 MB
Release : 1951
Category :
ISBN :
Author : David Dodge Boyden
Publisher :
Page : 112 pages
File Size : 27,88 MB
Release : 1953
Category : Counterpoint
ISBN :
Author : DAVID D AUTOR BOYDEN
Publisher : Carl Fischer, L.L.C.
Page : 110 pages
File Size : 23,74 MB
Release : 1994
Category :
ISBN : 9780825827648
Author : David Dodge Boyden
Publisher :
Page : pages
File Size : 21,50 MB
Release : 1944
Category : Counterpoint
ISBN :
Author : David Dodge Boyden
Publisher :
Page : 48 pages
File Size : 10,15 MB
Release : 1944
Category : Counterpoint
ISBN :
Author : David Dodge Boyden
Publisher :
Page : pages
File Size : 46,14 MB
Release : 1944
Category : Counterpoint
ISBN :
Author : David Dodge Boyden
Publisher :
Page : 56 pages
File Size : 30,23 MB
Release : 1942
Category : Counterpoint
ISBN :
Author : Arthur Tillman Merritt
Publisher : Read Books Ltd
Page : 233 pages
File Size : 42,7 MB
Release : 2013-05-31
Category : Music
ISBN : 1473386861
A. Tillman Merritt graduated from the University of Missouri in 1924 and was the first recipient of a new degree, Bachelor of Fine Arts, in 1926. That autumn he came to Harvard as a graduate student in music; recognition of his unusual talent was immediate. In February, 1927, he was asked to be Walter Piston's teaching assistant in music theory. This book is intended to be an introduction and guide to the early study of counterpoint, and deals with the construction of the single line and with the combination of two lines, three lines, and four lines.
Author : Knud Jeppesen
Publisher : Courier Corporation
Page : 322 pages
File Size : 20,91 MB
Release : 2013-04-15
Category : Music
ISBN : 0486318877
First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.