A New Theory of Old English Meter


Book Description

A New Theory of Old English Meter sets out a simple new theory of Old English meter that is based on a bare minimum of initial assumptions and metrical principles, and supported by rigorous arguments and by evidence from a computer-assisted analysis of Beowulf and The Battle of Maldon. The new theory is revolutionary in concluding that alliteration rather than stress is the most important feature of the meter, and in rejecting the traditional assumptions of two lifts and four metrical positions per verse. It provides improved solutions for many of the perennial problems of Old English meter, makes possible an elegant logical explanation for the kinds of verses that occur and those which do not occur, and prepares the way for the most radical conclusion of the book: that Old English meter is not based on rhythm.




Old English Metre


Book Description

Old English Metre offers an essential framework for the critical analysis of metrical structures and interpretations in Old English literature. Jun Terasawa's comprehensive introductory text covers the basics of Old English metre and reviews the current research in the field, emphasizing the interaction between Old English metre and components such as word-formation, word-choice, and grammar. He also covers the metre-related problems of dating, authorship, and the distinction between prose and verse. Each chapter includes exercises and suggestions for further reading. Appendices provide possible answers to the exercises, tips for scanning half-lines, and brief definitions of metrical terms used. Examples in Old English are provided with literal modern English translations, with glosses added in the first three chapters to help beginners. The result is a comprehensive guide that makes important text-critical skills much more readily available to Old English specialists and beginners alike.




A History of Old English Meter


Book Description

In A History of Old English Meter, R. D. Fulk offers a wide-ranging reference on Anglo-Saxon meter. Fulk examines the evidence for chronological and regional variation in the meter of Old English verse, studying such linguistic variables as the treatment of West Germanic parasite vowels, contracted vowels, and short syllables under secondary and tertiary stress, as well as a variety of supposed dialect features. Fulk's study of such variables points the way to a revised understanding of the role of syllable length in the construction of early Germanic meters and furnishes criteria for distinguishing dialectal from poetic features in the language of the major Old English poetic codices. On this basis, it is possible to draw conclusions about the probable dialect origins of much verse, to delineate the characteristics of at least four discrete periods in the development of Old English meter, and with some probability to assign to them many of the longer poems, such as Genesis A, Beowulf, and the works of Cynewulf. A History of Old English Meter will be of interest to scholars of Anglo-Saxon, historians of the English language, Germanic philologists, and historical linguists.




Meter in Poetry


Book Description

Many of the great works of world literature are composed in metrical verse, that is, in lines which are measured and patterned. Meter in Poetry: A New Theory is the first book to present a single simple account of all known types of metrical verse, which is illustrated with detailed analyses of poems in many languages, including English, Spanish, Italian, French, classical Greek and Latin, Sanskrit, classical Arabic, Chinese, Vietnamese, and Latvian. This outstanding contribution to the study of meter is aimed both at students and scholars of literature and languages, as well as anyone interested in knowing how metrical verse is made.




Early English Metre


Book Description

Thomas A. Bredehoft's Early English Metre is a reassessment of the metrical rules for English poetry from Beowulf to Layamon. Bredehoft offers a new account of many of the most puzzling features of Old English poetry - anacrusis, alliteration patterns, rhyme, and hypermetric verses - and further offers a clear account of late Old English verse as it descended from the classical verse as observed in Beowulf. He makes the surprising and controversial discovery that Ælfric's alliterative works are formally indistinguishable from late verse. Discussing the early Middle English verse-forms of Layamon's Brut, Bredehoft not only demonstrates that they can be understood as developing from late Old English, but that Layamon seems to have known, and quoted from, the poems of the Anglo-Saxon Chronicle. Early English Metre presents a new perspective on early English verse and a new perspective on much of early English literary history. It is an essential addition to the literature on Old and Middle English and will be widely discussed amongst scholars in the field.




The Cambridge Companion to Old English Literature


Book Description

Ideal for students, this collection of fifteen specially commissioned essays covers all aspects of Anglo-Saxon literature from 600-1066.




Papers from the 5th International Conference on English Historical Linguistics


Book Description

This volume is a collection of articles based on papers presented at the 5th International Conference on English Historical Linguistics at Cambridge in 1987. It draws together important state-of-the-art' studies in the syntax, phonology, morphology and semantics of Old, Middle and Modern English by prominent figures in the field into a single volume. Core theoretical areas are well represented and there are also major papers in dialectology, stylistics, metrics, socio-historical linguistics and the history of English linguistics.The volume is dedicated to the memory of Professor James P. Thorne, whose last conference paper is included in the collection.




Classic and Contemporary


Book Description

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks, as well as studies that provide new insights by approaching language from an interdisciplinary perspective. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing. To discuss your book idea or submit a proposal, please contact Birgit Sievert.




Beowulf and Old Germanic Metre


Book Description

This 1998 book is a clear account of early Germanic alliterative verse and how it was treated by the Beowulf poet.




Reconstructing Alliterative Verse


Book Description

The poetry we call 'alliterative' is recorded in English from the seventh century until the sixteenth, and includes Caedmon's 'Hymn', Beowulf, Sir Gawain and the Green Knight, and Piers Plowman. These are some of the most admired works of medieval English literature, and also among the most enigmatic. The formal practice of alliterative poets exceeded the conceptual grasp of medieval literary theory; theorists are still playing catch-up today. This book explains the distinctive nature of alliterative meter, explores its differences from subsequent accentual-syllabic forms, and advances a reformed understanding of medieval English literary history. The startling formal variety of Piers Plowman and other Middle English alliterative poems comes into sharper focus when viewed in diachronic perspective: the meter was in transition; to understand it, we need to know where it came from and where it was headed at the moment it died out.