Laurence Sterne and the Visual Imagination


Book Description

The first full-length and comprehensive study of the illustrations of Sterne's work, this book explores the ability of Sterne's texts to inspire the visual imagination. It helps to explain why scores of editions of his fiction have been illustrated, some profusely: to fulfill the reader's desire, as well as the artist's compulsion, to visualize Sterne's words. Gerard places his subject in a clear and innovative theoretical framework which opens the field to general word and image studies. The author begins by examining the distinct varieties of pictorialism in Sterne's texts. The remainder of the study takes into account three remarkable series of illustrations-representing Trim reading the sermon, didactic sentimentalism in A Sentimental Journey and Henry Mackenzie's Man of Feeling, and the many and diverse portrayals of 'poor Maria' - to demonstrate the ways in which culture projects these texts differently through the various artists.







Studies in Eighteenth-Century Culture


Book Description

With this well-illustrated new volume, the SECC continues its tradition of publishing innovative interdisciplinary scholarship on the interpretive edge. Essays include: Misty Anderson, Our Purpose is the Same: Whitefield, Foote, and the Theatricality of MethodismTili Boon Cuillé, La Vraisemblance du merveilleux: Operatic Aesthetics in Cazotte's Fantastic FictionSimon Dickie, Joseph Andrews and the Great Laughter Debate: The Roasting of AdamsLynn Festa, Cosmetic Differences: The Changing Faces of England and FranceBlake Gerard, All that the heart wishes: Changing Views toward Sentimentality Reflected in Visualizations of Sterne's Maria, 1773-1888Jennifer Keith, The Sins of Sensibility and the Challenge of Antislavery PoetryMary Helen McMurran, Aphra Behn from Both Sides: Translation in the Atlantic WorldLeslie Richardson, Leaving her Father's House: Locke, Astell, and Clarissa's Body PoliticSandra Sherman, The Wealth of Nations in the 1790sAlan Sikes, Snip Snip Here, Snip Snip There, and a Couple of Tra La Las: The Rise and Fall of the Castrato SingerRivka Swenson, Representing Modernity in Jane Barker's Galesia Trilogy: Jacobite Allegory and the Aesthetics of the Patch-Work Subject







Annual Report


Book Description




Heteronormativity in Eighteenth-Century Literature and Culture


Book Description

The resurgence of marriage as a transnational institution, same-sex or otherwise, draws upon as much as it departs from enlightenment ideologies of sex, gender, and sexuality which this collection aims to investigate, interrogate, and conceptualize anew. Coming to terms with heteronormativity is imperative for appreciating the literature and culture of the eighteenth century writ large, as well as the myriad imaginaries of sex and sexuality that the period bequeaths to the present. This collection foregrounds British, European, and, to a lesser extent, transatlantic heteronormativities in order to pose vital if vexing questions about the degree of continuity subsisting between heteronormativities of the past and present, questions compounded by the aura of transhistoricity lying at the heart of heteronormativity as an ideology. Contributors attend to the fissures and failures of heteronormativity even as they stress the resilience of its hegemony: reconfiguring our sense of how gender and sexuality came to be mapped onto space; how public and private spheres were carved up, or gendered and sexual bodies socially sanctioned; and finally how literary traditions, scholarly criticisms, and pedagogical practices have served to buttress or contest the legacy of heteronormativity.