Prelude for a Lord


Book Description

An unconventional young woman. A haunted young man. A forbidden instrument. Can their love of music bring them together . . . or will it tear them apart? Bath, England 1810 At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician. In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief ’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument … with the help of the dark, brooding Lord Dommick. Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . . Praise for Prelude for a Lord: “A vibrant, page-turning romance sure to delight fans of the Regency Era.” – Sarah E. Ladd, award-winning author of The Headmistress of Rosemere Sweet, full-length Regency romance Will appeal to fans of Bridgerton and Poldark Stand-alone novel




More Than Mere Light


Book Description

Poetry. Asian & Asian American Studies. "No one has written a finer, stranger, more enjoyably various and intelligent long poem than Jason's Koo's 'No Longer See,' the central poem in his splendid new book, MORE THAN MERE LIGHT. Schuyler and Knausgaard, Proust and Ashbery, to name just a few, meld into a poetic performance that is joyfully bent, and as gloriously funny as it is self-castigating. Underscoring all this is a sorrowing sense of self that can't shake free of time--time as it drags or stops or flies during romance and sex and the passage from domestic happiness to failure, and as it marks off the progress of a poetry and a life coming into its full, vital strength. With a cool-eyed detachment from his own drama, Koo has written a book that is unforgettable in its candor, its disabused self-knowledge, and its generosity of spirit."--Tom Sleigh "This book is about falling, a lot. There are good falls and uncomfortable falls and quiet falls and in-between falls and falling in and out of love with other people and yourself--as Koo aptly writes, 'That was a falling.' Koo is brilliant at mastering the often anxious way we talk to ourselves in our heads, as a way to recall moments and construct memories, justify behavior to oneself, and explore the roles of gender dynamics and sexuality within a world full of distractions in an often strange modern technological landscape. Throughout the collection, Koo is wonderfully narrative, bringing us into the speaker's world, full of jazz and biking and Brooklyn and girlfriends and students and conversations with both an overload of self-consciousness and a lack of it all at the same time ('What's okay, okay?'). The speaker's unabashed ability to be excessive while also having the reader rely on silence, on what isn't told, creates a captivating world for the reader to explore--and most importantly, see themselves fully immersed in as they navigate their own bizarre lives and landscapes. Read it over and over and over again, so you can, as Koo says, drop back 'against the light.'"--Joanna C. Valente




Piano Pronto


Book Description




Prelude to Bruise


Book Description

Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.




Songs & Ballads


Book Description

Poetry. "Lindsay Turner's ravishing SONGS & BALLADS takes account of colors, architectures, skies, and the many ways the world is speculatively used and re-used for short-term ends. When to refrain? Refrain now, hold back from harm now, hold on to the world now and now, these elegiac, mysteriously worldy poems sing."--Catherine Wagner "'The sunlight was prettier for its uneven distribution,' observes Lindsay Turner, alerting us to the collectivist imperative subtending perception itself. 'Oh share it, share it.' SONGS & BALLADS re-imagines historical poetics--'what's the ragged quatrain's job?'--as a critique of our unsustainable political economies. Employing recursive forms from the Medieval ballad to Modernism's differential repetitions, Turner's contemporary stanzas in meditation remediate 'a range of arrangements / demanding attention' for the continuous present. Whether it be 'the pentagons of space in the chainlink' or 'what the animals we saw never knew,' we find, in this work, a world on the verge: 'all systems go and some places broken.'"--Srikanth Reddy "Witty, mordant, despairing, yet peculiarly refreshing poems: Lindsay Turner has done the thing few can do--she has made lyric critical; she makes thought sing. 'Tuesday and I want an image / of the ecological condition / these raindrops just aren't normal." These are incantations of and against a seeping duress--with weird skies, ugly offices, bank holidays, ominous weather, bad feelings and wrong life. Her antennae quiver in this mood of disaster, as her poems become a 'keeper of our collective distress.' Songs, ballads, ditties, fractured meditations: these poems offer a countermeasure, a countersong against the modern regime of blighting calculation. With their beguiling and wrong-footing music, these poems keep time and keep our time; they are insistent, seductive, surprising. The ocean, love, a day's measure: are they 'nothing to us'? Are we 'good for nothing'? Keenly intelligent poems of dispossession and divestiture, they crack a smart whip in their ludic and paradoxically soulful deadpan."--Maureen N. McLane




A Prelude to Quantum Field Theory


Book Description

"A Prelude to Quantum Field Theory offers a short introduction to quantum field theory (QFT), a powerful framework for understanding particle behavior that is an essential tool across many subfields of physics. A subject that is typically taught at the graduate level in most physics departments, quantum field theory is a unification of standard quantum theories and special relativity, which depicts all particles as "excitations" that arise in underlying fields. It extends quantum mechanics, the modern theory of one or few particles, in a way that is useful for the analysis of many-particle systems in the real world. As it requires a different style of thinking from quantum mechanics, which is typically the undergraduate physics student's first encounter with the quantum world, many beginners struggle with the transition to quantum field theory, especially when working with traditional textbooks. Existing books on the subject often tend to be large, sophisticated, and complete; and an overwhelming wealth of information and technical detail makes it difficult for the novice to discern what is most important. This book is a concise, friendly entrée for QFT-beginners, guiding the reader from the style of quantum mechanical thinking to that of QFT, and distilling the key ideas without a welter of unnecessary detail. In contrast with standard texts, which are predominantly particle physics-centric, this book is designed to be "subfield-neutral" - usable by students of any background and interest, and easily adaptable in a course setting according to instructors' preferences. The authors' conviction is that QFT is a core element of physics that should be understood by all PhD physicists-but that developing an appreciation for it does not require digesting a large, encyclopedic volume"--




The Portable Man


Book Description

Poetry. 'We are a strange people, ' writes Armando Jaramillo Garcia in his much-anticipated debut, THE PORTABLE MAN, whose poems assert their human oddity with rightful confidence and a maestro's finesse. Lucid, loopy, and committed to giving voice to the 'persecuted princes and imperious imps' in all of us, this is a stunning and distinctive collection that pushes back against--and thrives under--the threat of homogeneity and oppression. --Timothy Donnelly THE PORTABLE MAN moves with a kind of forensic exposure of the inner-makings of the world. Guided by a restlessness that projects the possibility of cosmic intervention, these individual poems collide to create something grander, akin to a weather system. --Paige Taggart Jaramillo Garcia's THE PORTABLE MAN is a pool of life-substance. When confronted with the mechanics of nature, text can be paramount; to declare scapegoats, to atone acts of ill-will. With lines lush but not overgrown you ask, how many souls to a body? Converts are okay, but beware of the fanatics. Here we are 'at the end of movies / at the end of books / at the end...' --Eric Amling







The Prelude and Other Poems


Book Description

“Though absent long, These forms of beauty have not been to me, As is a landscape to a blind man's eye: But oft, in lonely rooms, and mid the din Of towns in cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart” William Wordsworth's verse was the embodiment of the Romantic age, with its evocation of a unifying spirit running through all things. This collection brings together a rich and diverse selection of his works, from the epic autobiographical masterpiece The Prelude to much-loved shorter poems such as 'I Wandered Lonely as a Cloud' and 'She Was a Phantom of Delight'. Alongside his more personal and introspective compositions, poems such as 'Lines Written a Few Miles above Tintern Abbey', 'She Dwelt among the Untrodden Ways' and 'The Idiot Boy' demonstrate, in an era of political and social ferment, the manner in which Wordsworth, together with Samuel Taylor Coleridge, forged a revolutionary new poetic style through the publication of Lyrical Ballads – one that embraced the vernacular and subjects previously deemed unworthy of poetry – and thus changed the literary landscape of England for ever.




Programming Languages: Concepts and Implementation


Book Description

Programming Languages: Concepts and Implementation teaches language concepts from two complementary perspectives: implementation and paradigms. It covers the implementation of concepts through the incremental construction of a progressive series of interpreters in Python, and Racket Scheme, for purposes of its combined simplicity and power, and assessing the differences in the resulting languages.