Pope Joan


Book Description

“Pope Joan has all the elements one wants in a historical drama—love, sex, violence, duplicity, and long-buried secrets. Cross has written an engaging book.”—Los Angeles Times Book Review In this international bestseller and basis for the 2009 movie of the same name, Donna Woolfolk Cross brings the Dark Ages to life in all their brutal splendor and shares the dramatic story of a woman whose strength of vision led her to defy the social restrictions of her day. For a thousand years her existence has been denied. She is the legend that will not die—Pope Joan, the ninth-century woman who disguised herself as a man and rose to become the only female ever to sit on the throne of St. Peter. Now in this riveting novel, Cross paints a sweeping portrait of an unforgettable heroine who struggles against restrictions her soul cannot accept. Brilliant and talented, young Joan rebels against medieval social strictures forbidding women to learn. When her brother is brutally killed during a Viking attack, Joan takes up his cloak—and his identity—and enters the monastery of Fulda. As Brother John Anglicus, Joan distinguishes herself as a great scholar and healer. Eventually, she is drawn to Rome, where she becomes enmeshed in a dangerous web of love, passion, and politics. Triumphing over appalling odds, she finally attains the highest office in Christendom—wielding a power greater than any woman before or since. But such power always comes at a price . . . “Brings the savage ninth century vividly to life in all its alien richness. An enthralling, scholarly historical novel.”—Rebecca Fraser, author of The Brontës




Ancient, Curious, and Famous Wills


Book Description

DigiCat Publishing presents to you this special edition of "Ancient, Curious, and Famous Wills" by Virgil M. Harris. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.







Managing Death Investigations


Book Description







Savage Fortune


Book Description

"The eighty-three documents presented here, varied in length and character, are not all concerned with Suffolk, but they are all connected with the eventful lives of Sir Thomas (later Viscount) Savage and his wife Elizabeth Savage (later Countress Rivers), who married in 1602 and whose homes included Melford Hall." "Thomas and Elizabeth both inherited considerable estates in Suffolk, Essex and Cheshire. Within a tight circle of aristocratic Catholics, they became prominent servants of the royal family during the reigns of James I and Charles I. After Thomas's death in 1635, Elizabeth remained an intimate of the queen, but her two houses of St. Osyth's and Melford Hall were sacked in 1642, and she remained chronically short of money up to her death in 1651." "The central document is a remarkable inventory of 1635-6, taken after Thomas died, listing the contents of Melford Hall in Suffolk, Rocksavage in Cheshire and a town house on Tower Hill in London."--BOOK JACKET.




Aemilia Lanyer


Book Description

Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems. Using standard genres to address distinctly feminine concerns, Lanyer's work is varied, subtle, provocative, and witty. Her religious poem "Salve Deus Rex Judaeorum" repeatedly projects a female subject for a female reader and casts the Passion in terms of gender conflict. Lanyer also carried this concern with gender into the very structure of the poem; whereas a work of praise usually held up the superiority of its patrons, the good women in Lanyer's poem exemplify worth women in general. The essays in this volume establish the facts of Lanyer's life and use her poetry to interrogate that of her male contemporaries, Donne, Jonson, and Shakespeare. Lanyer's work sheds light on views of gender and class identities in early modern society. By using Lanyer to look at the larger issues of women writers working within a patriarchal system, the authors go beyond the explication of Lanyer's writing to address the dynamics of canonization and the construction of literary history.