Multicultural and Marginalized Voices of Postcolonial Literature


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Women and the word marginalization have never remained oxymoronic – the cross-cultural texts and Engels interest on subjugation make a perfect recipe for this incongruity. Multicultural and Marginalized Voices of Postcolonial Literature traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections. The fourteen chapters relate key literary and cultural texts and cover a broad spectrum of historical, linguistic and theoretical issues. There are three sections in the book – section I has four chapters, dealing specifically theoretical constructions and representations. Section II consists of four chapters that offer varied spectrum of discourses on world literature, intersecting with the frameworks of literary theories. Section III comprises six chapters that explore the mind of dalits, subalterns, colonial women and gender issues of a variety of Indian English Writers and draw varied perspectives of it.




Indian Political Novel in English


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Bhabani Bhattachacharya : His Vision And Themes


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Bhabani Bhatacharya Is Unquestionably One Of The Celebrated Indo English Fiction Writers. Notwithstanding His Rather Scanty Literary Output, He Has Caught The Fancy Of Quite A Large Reading Public And Academics Both At Home And Abroad. No Wonder, Then, If His Latest Novel, Shadow From Ladakh, Has Won For Him The Much Coveted Sahitya Akademi Award For 1967. Besides, He Is A Much-Translated Indian Novelist Writing In English. His Books Have Been Translated Into Twenty-Six Languages Including Fourteen European Languages. In Spite Of The Global Fame That Has Come To Him Spontaneously, He Has Not Yet Been Explored And Evaluated Thoroughly Well With The Empathy Of A Scholar. Only Two Full Length Studies And A Few Articles In Journals And Books Have Appeared On Him, And These, Too, Are Just An Introduction To His Writings, And Do Not Examine Comprehensively Either The Thematic Or The Technical Side Of His Fiction. Hence The Need And Justification For A Book Such As This. The Present Book Undertakes To Make A Thorough And Objective Study Of Bhabani Bhattacharya S Vision, His Dominant Themes And His Concept Of A Creative Writer S Concern With Social Reality. It Has Been My Sincere Endeavour To Make This Study Really Useful And Interesting For Scholars In General And For University Students In Particular. Since There Is A Paucity Of Critical Works On The Contemporary Indian Novelists Writing In English, The Book, It Is Hoped, Will Surely Help The Reader To Understand, And Develop Genuine Interest In, Bhabani Bhattacharya As Well As The Indo English Fiction Of The Recent Decades.




Indian English Novel


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Socialist India


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A Companion to Indian Fiction in English


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After The Pioneer Works By Scholars Such As Naik, Narasimhaiah And Mukherjee, And The Thirty Years Of Silence Which Followed Their Ground-Breaking Achievements, The Companion Appears On The Scene Striving To Reinvigorate The Tradition Of Panoramic Studies Of Indian Literature In English. In The Intervening Period, Indian Fiction In English Has Become Of Paramount Importance In The Wide Context Of Postcolonial Studies: An Emergent Crop Of Novelists Belonging To The So-Called New Generation Has Colourfully Paved The Way Towards New Artistic Horizons, Re-Interpreting Western-Derived Literary Models With Inventive Approaches. Complementary To Their Role There Is The Articulate Presence Of A Host Of Indian Scholars Who In Recent Years Have Significantly Influenced The Course Of This Analysis And Have Vitally Contributed To Enlarging Its Scope Well Beyond The Original Boundaries Of Studies In Literary Criticism.The Companion, Therefore, Addresses The Exigencies Of Critics, Teachers And Students Alike All Those Who Need To Find Quick Points Of Reference In This Wide Field Of Studies By Relying On A Team Of Authoritative Collaborators And Specialists From All Over The World. Great Care Was Taken Not Only In Selecting Collaborators On The Basis Of Their Specialisation But Also Taking Into Account Their Cultural Background In Relation To The Author They Were To Discuss. The Book In Fact Has Been Organised To Have What Have Been Deemed To Be The Most Representative Authors In Indian Fiction Discussed In An Essay-Long Chapter Each, Structured To Highlight Crucial Points Such As Biographical Details, Novels And Critical Reception. Each Chapter Includes A Final Bibliography Complete With Primary And Secondary Sources, Enabling The Scholar To Have Immediate Orientation On Various Specific Topics. Finally, The Book Has An Innovative Section, With Synopses Of Novels, Planned To Allow Our Readers To Immediately Place The Authors Analysed Within The Panorama Of Indian Fiction In English. The Over 400 Synopses Included Principally Introduce Works Written By The Novelists Discussed At Length In The Previous Chapters But, Along With Them, It Is Also Possible To Find Summaries Of Works By Authors Who, Although Contributing In A Significant Way To The Development Of Forms And Techniques, Do Not Feature In The First Part.




The British Raj Novels


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This book is about a brief resum of the major critical responses received by Scott and proves the fact that he still needs a wider critical attention to have a deeper insight of his novels. At the moment, his Raj quartet is the only work that has received extensive critical attention. The generally accepted verdict that the Raj quartet is Scotts greatest achievement is confirmed by the fact that it has aroused considerable interest among critics since its publication. Its position of acknowledged greatness, therefore, certainly demands a reference to various critical responses to it. John Mellors, for instance, considers it important because by evoking the final episode in the long and passionate affaire between British and India, it contains something of all the issues Scott wants to raise: justice, responsibility, political expediency, law and order, sex and race, pride and prejudice, love and loyalty.




Symbolism in Anita Desai's Novels


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