Reading Religion and Spirituality in Jamaican Reggae Dancehall Dance


Book Description

This book explores the genealogy of Jamaican dancehall while questioning whether dancehall has a spiritual underscoring, foregrounding dance, and cultural expression. This study identifies the performance and performative (behavioural actions) that may be considered as representing spiritual ritual practices within the reggae/dancehall dance phenomenon. It does so by juxtaposing reggae/dancehall against Jamaican African/neo-African spiritual practices such as Jonkonnu masquerade, Revivalism and Kumina, alongside Christianity and post-modern holistic spiritual approaches. This book will be of great interest to students and scholars in performance studies, popular culture, music, theology, cultural studies, Jamaican/Caribbean culture, and dance specialists.




Words of Our Mouth, Meditations of Our Heart


Book Description

Celebrating the legendary studio musicians of Jamaican popular music through personal photographs and interviews This is the first book devoted to the studio musicians who were central to Jamaica's popular-music explosion. With color portraits and interview excerpts, over 100 musical pioneers—such as Prince Buster, Robbie Shakespeare, Sly Dunbar, Lee "Scratch" Perry, and many of Bob Marley's early musical collaborators—provide new insights into the birth of Jamaican popular music in the recording studios of Kingston, Jamaica, in the 1950s, 1960s, and 1970s. Includes a listening guide of selected songs.




African Musicians in the Atlantic World


Book Description

Music, that fundamental form of human expression, is one of the most powerful cultural continuities fostered by enslaved Africans and their descendants throughout the Americas. The roots of so much of the music beloved around the world today are drawn directly from the men and women carried across the Atlantic in chains, from the west coast of Africa to the shores of the so-called New World. This important new book bridges African diaspora studies, music studies, and transatlantic and colonial American literature to trace the lineage of African and African diasporic musical life in the early modern period. Mary Caton Lingold meticulously analyzes surviving sources, especially European travelogues, to recover the lives of African performers, the sounds they created, and the meaning their musical creations held in Africa and later for enslaved communities in the Caribbean and throughout the plantation Americas. The book provides a rich history of early African sound and a revelatory analysis of the many ways that music shaped enslavement and colonization in the Americas.




Rude Citizenship


Book Description

In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.




Routledge Handbook of Afro-Latin American Studies


Book Description

This Handbook provides a comprehensive roadmap to the burgeoning area of Afro-Latin American Studies. Afro-Latins as a civilization developed during the period of slavery, obtaining cultural contributions from Indigenous and European worlds, while today they are enriched by new social configurations derived from contemporary migrations from Africa. The essays collected in this volume speak to scientific production that has been promoted in the region from the humanities and social sciences with the aim of understanding the phenomenon of the African diaspora as a specific civilizing element. With contributions from world-leading figures in their fields overseen by an eminent international editorial board, this Handbook features original, authoritative articles organized in four coherent parts: • Disciplinary Studies; • Problem Focused Fields; • Regional and Country Approaches; • Pioneers of Afro-Latin American Studies. The Routledge Handbook of Afro-Latin American Studies will not only serve as the major reference text in the area of Afro-Latin American Studies but will also provide the agenda for future new research.




Education, Colonial Sickness


Book Description




Sonic Bodies


Book Description

The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyping up the crowd. Julian Henriques proposes that these dancehall "vibes" are taken literally as the periodic motion of vibrations. He offers an analysis of how a sound system operates - at auditory, corporeal and sociocultural frequencies. Sonic Bodies formulates a fascinating critique of visual dominance and the dualities inherent in ideas of image, text or discourse. This innovative book questions the assumptions that reason resides only in a disembodied mind, that communication is an exchange of information, and that meaning is only ever representation.




Arts and Religions of Haiti


Book Description

it awakens an appreciation for the imagination and creativity of the Haitian artists even in those whose provincialism would limit their preferences to the Western artistic tradition. Professor Leslie Desmangles Professor of Religion and International Studies Trinity University Modern Haitian art has for decades enthralled aficionados and general art lovers alike. In Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness, Haitian Scholar, LeGrace Benson presents a rich examination of the artists and arts of Haiti, and the complex history and religious practices of the Haitian people through the creative productions of its craftsmen, painters and sculptors. In departing from the usual Haitian Art or Haitian Religion books, Benson explains the relationship of Haitian art to the culture and uniquely describes the intersection, interrelation and influence of Judaism and Christianity as well as Taino and Islamic traces and the effects of both Masonic and Rosicrucian orders in shaping Vodou s belief system and rituals. In the face of mainstream media s titillating depictions of an imagined Voodoo, Benson presents Haiti s deeply spiritual artists bringing forth energetic visions of healing, liberation and tranquillity through fascinating art works which manifest the creativity and undaunted hope of this complex nation. Heralded by scholars as an important addition to Haitian Studies, Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness is the culmination of years of research and field study. It opens new areas of study and scholarly research and is a remarkable source of information on Haitian culture and religion but also an invaluable resource for art historians, anthropologists, historians and sociologists interested in Caribbean and African religions. "




A New Perspective on Poverty in the Caribbean


Book Description

A New Perspective on Poverty in the Caribbean reflects on the current approaches to the challenge of poverty reduction in the context of the findings of the qualitative and quantitative analyses and identifies some critical ingredients for successful poverty-reduction interventions around which a regional consensus could be built. The role and nature of participation, the policy environment for social services delivery are considered along with specific poverty reduction interventions and the general approach to poverty reduction in the Caribbean.