The Theatre in Early Kentucky


Book Description

This comprehensive study shows that the stage was active in Kentucky long before the first professional troupe toured in 1815. During the period covered, 1790–1820, Lexington, Frankfort, and Louisville became the major theatrical centers in the West. Performances on Kentucky stages far outnumbered those in Pittsburgh, Cincinnati, St. Louis, Nashville, or New Orleans. Drawing upon accounts in contemporary newspapers, West T. Hill Jr. demonstrates that drama had developed west of the mountains a full quarter century prior to the date given in theatre histories. The Theatre in Early Kentucky, 1790–1820 captures the full flavor and color of the promoters, managers, professional strollers, and actors, many of whom performed dual roles as actors and managers. Working under primitive conditions, the groups often put on a melodrama, a musical comedy or farce, and several acts of singing, dancing, and recitation in the same performance. Appreciative audiences responded enthusiastically to the overworked and predictable plots of mistaken identity, revenge, and domestic difficulty. This delightful, informative book includes and appendix containing the production data available for 1790–1820. It is illustrated with reproductions of charming newspaper theatrical announcements and with portraits of leading stage figures.







Women on Southern Stages, 1800-1865


Book Description

Women played an integral role in the theater of the Antebellum and Civil War South. Yet their contributions have largely been overlooked by history. Southern actresses were important public figures who helped mold gender identity through their theatrical performances. Although cast in parts written by men, they subverted the norms of femininity in their public personas and in their personal lives. Educated and often wealthy but never accepted by the landed elite, women distinguished themselves by carving out an in-between class status, and many proved to be sophisticated entrepreneurs. Southern actresses also helped shape racial perceptions and regional politics as the South entered the Civil War.




Theater in the Ante Bellum South, 1815-1861


Book Description

This study describes the development of theater, amateur and professional, in the South during the forty-five-year period preceding the Civil War. Dormon establishes the nature of southern theatrical activity as reflected in programing, production, and audience composition and behavior. Originally published in 1967. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.




American Regional Theatre History to 1900


Book Description

Excludes New York City.




Forgotten Leading Ladies of the American Theatre


Book Description

These eight women made remarkable contributions: Laura Keene challenged tradition in 1858 by heading her own dramatic troupe; her career was ruined by Lincoln's assassination. Mrs. John Drew, a star at 7 who toured until she was 76, was the matriarch of the Barrymore dynasty. Anna Cora Mowatt eloped at 15 with a lawyer more than twice her age, and went on the stage when he lost his fortune. She wrote a play, Fashion, that is still performed 140 years later. Five other women also have fascinating stories of courage and talent: Susanna Haswell Rowson, Sophia Turner, Charlotte Cushman, Fanny Kemble and Minnie Madern Fiske.




The Bard in the Bluegrass


Book Description

"Lexington's theatrical history provides a template for what so many mid-American towns experienced"--Provided by publisher.




The Players Magazine


Book Description