A Richard Rohmer Omnibus


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Three of Rohmers fast-paced, best-selling novels in one volume: Ultimatum, Exxoneration, and Periscope Red.




Sir John A.'s Crusade and Seward's Magnificent Folly


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Secret deals, romance, and international intrigue all figure in this rousing tale of historical speculation focused on Sir John A. Macdonald and set on the eve of Canada's birth in both London, England, and Highclere Castle, now widely known as the real-life location for the popular television series Downton Abbey.




Generally Speaking


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Lieutenant-General Richard Rohmer is arguably Canada’s most decorated citizen. A commander of the Order of Military Merit and an Officer of the Order of Canada, his career began in World War II where he earned the reputation as one of Canada’s top Mustang reconnaissance pilots. For his service, which includes flying over the beaches of Normandy on D-Day, he received the Distinguished Flying Cross. A lawyer, litigator, journalist and best-selling author of 28 fiction and non-fiction books, Rohmer has met with such public figure as Queen Elizabeth, General George Patton, "Intrepid" Sir William Stephenson, Presidents Eisenhower, Regan, and Clinton, and has flown with John F. Kennedy. He is currently a member of the board of directors of Hollinger Inc. Recently, he chaired the 60th anniversary of the D-Day Advisory Committee to the Minister of Veterans Affairs. His autobiography, Generally Speaking: The Memoirs of Richard Rohmer, is written with Rohmer’s characteristic frankness and insight.




Ultimatum 2


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In this action-packed saga, the American president, fed up with paying Russia to clean up its nuclear waste, plans to build an international nuclear waste disposal site in Canada.




War Is Here


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Canada did not fight in the Vietnam War, but the conflict seized the Canadian imagination with an energy that has persisted. In War Is Here Robert McGill explains how the war contributed to a golden age for writing in Canada. As authors addressed the conflict, they helped to construct an enduring myth of Canada as liberal, hospitable, and humanitarian. For many writers, the war was one that Canadians could and should fight against, if not in person, then on the page. In this pioneering account of war-related Canadian literature McGill observes how celebrated books of the era channel Vietnam, sometimes in subtle but pervasive ways. He examines authors’ attempts to educate their readers about American imperialism and Canadian complicity, and he discusses how writers repeatedly used language evoking militarism and violence – from the figure of the United States as a rapist to the notion of Canada as a “peaceable kingdom” – in order to make Canadians feel more intensely about their country. McGill also addresses the recent spate of prize-winning Canadian novels about the war that have renewed Vietnam’s resonance in the wake of twenty-first century conflicts involving America. War Is Here vividly revisits a galvanizing time in world history and Canadian life, offering vital insights into the Vietnam War’s influence on how people think about Canada, its place in the world, and the power of the written word to make a difference.




Popular Postcolonialisms


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Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.







Dundurn Spring/Summer 2006 Cat


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The Dundurn Group


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Books In Print 2004-2005


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