A Road Too Short for the Long Journey


Book Description

The inevitability of death in our broken world means that grief and mourning are a normal part of the human experience. Too often, though, this normal journey of grief is cut short by a culture intent on pretending bad things don’t really happen. In A Road Too Short for the Long Journey, readers are invited to consider how we might travel this road of mourning with those who grieve and how we might join them as partners in a reorientation of the world experienced through loss.




The Silk Road


Book Description

A spellbinding novel about transience and mortality, by one of the most original voices in American literature The Silk Road begins on a mat in yoga class, deep within a labyrinth on a settlement somewhere in the icy north, under the canny guidance of Jee Moon. When someone fails to arise from corpse pose, the Astronomer, the Archivist, the Botanist, the Keeper, the Topologist, the Geographer, the Iceman, and the Cook remember the paths that brought them there—paths on which they still seem to be traveling. The Silk Road also begins in rivalrous skirmishing for favor, in the protected Eden of childhood, and it ends in the harrowing democracy of mortality, in sickness and loss and death. Kathryn Davis’s sleight of hand brings the past, present, and future forward into brilliant coexistence; in an endlessly shifting landscape, her characters make their way through ruptures, grief, and apocalypse, from existence to nonexistence, from embodiment to pure spirit. Since the beginning of her extraordinary career, Davis has been fascinated by journeys. Her books have been shaped around road trips, walking tours, hegiras, exiles: and now, in this triumphant novel, a pilgrimage. The Silk Road is her most explicitly allegorical novel and also her most profound vehicle; supple and mesmerizing, the journey here is not undertaken by a single protagonist but by a community of separate souls—a family, a yoga class, a generation. Its revelations are ravishing and desolating.




Life is too short


Book Description

Life is too short is a narrative of the different faces of life, love and living.




The Long Way to a Small, Angry Planet


Book Description

LONGLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION 'A quietly profound, humane tour de force' Guardian The beloved debut novel that will restore your faith in humanity #SmallAngryPlanet When Rosemary Harper joins the crew of the Wayfarer, she isn't expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past. But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix, the friendly reptillian pilot, to Kizzy and Jenks, the constantly sparring engineers who keep the ship running. Life on board is chaotic, but more or less peaceful - exactly what Rosemary wants. Until the crew are offered the job of a lifetime: the chance to build a hyperspace tunnel to a distant planet. They'll earn enough money to live comfortably for years... if they survive the long trip through war-torn interstellar space without endangering any of the fragile alliances that keep the galaxy peaceful. But Rosemary isn't the only person on board with secrets to hide, and the crew will soon discover that space may be vast, but spaceships are very small indeed. PRAISE FOR THE WAYFARERS 'Never less than deeply involving' DAILY MAIL 'Explores the quieter side of sci-fi while still wowing us with daring leaps of imagination' iBOOKS 'So much fun to read' HEAT 'Chambers is simply an exceptional talent, quietly and beautifully redefining the space opera' TOR.COM 'The most fun that I've had with a novel in a long, long time' iO9




Broken Road


Book Description

Once upon a time, I viewed the Air Force as my personal entertainment and dating service. I was a hard-charging, well-paid, impeccably-educated, high-functioning, award-winning anesthetist and clinical instructor of anesthesia as well as an Air Force captain on my way to becoming a colonel in record time. Beyond that, I worked in a highly specialized area of the military, dabbling in the shadowy world behind the scenes in places some have never heard of, in situations that rarely make the nightly news. Known by important people, I was a guy who could "get 'er done" no matter what the order or mission at hand. On call twenty-four hours a day, I never knew when my next mission would be called. One moment in the operating room in San Antonio, the next on a plane bound for some unnamed location for reasons I wasn't privy to. Leaving my strict Baptist upbringing behind, I was living my dream of becoming a "hero," while fueling my ever burgeoning need for newness and more, sleeping my way around the world with no rules and no conscience.One woman, my childhood image of the "girl next door," changed all that. We met in the back anesthesia hallway at Wilford Hall U.S. Air Force Medical Center. She, a mere first year anesthesiology resident. Me, a superstar staff nurse anesthetist. Despite her lowly position, she was clearly the kindest and sexiest woman I'd ever met. Within a month of our first date, I chose to forego my aspirations of military glory and "settle down." However, soon after Joan and I married, I felt trapped. Trapped by what I recognized as the mundane life of my parents. Trapped by Joan's desire to bear a child. Trapped to the point that I began fantasizing about her death. Then came the call. Twenty-five weeks into her pregnancy, Joan was diagnosed with leukemia. In the blink of an eye, I was transformed from my own personal cynosure to the husband of the pregnant lady with cancer, caretaker, guardian of my wife and daughter's lives, and reluctant chief decision maker on how to reconcile my desperate desire for her to live with her disdain for life support measures. This story depicts not only the battle against cancer faced by Joan and our unborn child, but also my own attempt to move past earlier misdeeds, desperately praying for a miracle, hoping that, despite my sins, God would deign to save the woman and child I loved. Written from the perspective of a former military true believer who turned his back on dreams of glory, chose love, and became a (hesitant) husband, then single father, Broken Road: A Widower' is similar to Nadia Bolz-Weber's Accidental Saints and Anne Lamott's Small Victories: Spotting Improbable Moments of Grace. It seeks to find goodness in the most unlikely of places and characters - me.







A Road Running Southward


Book Description

"Engaging hybrid - part lyrical travelogue, part investigative journalism and part jeremiad, all shot through with droll humor." --The Atlanta Journal Constitution In 1867, John Muir set out on foot to explore the botanical wonders of the South, from Kentucky to Florida. One hundred and fifty years later, veteran Atlanta reporter Dan Chapman recreated Muir's journey to see for himself how nature has fared since Muir's time. He uses humor, keen observation, and a deep love of place to celebrate the South's natural riches. But he laments the long-simmering struggles over misused resources and seeks to discover how Southerners might balance surging population growth with protecting the natural beauty Muir found so special. A Road Running Southward is part travelogue, part environmental cri de coeur--a passionate appeal to save one of the loveliest and most biodiverse regions of the world by understanding what we have to lose if we do nothing.




Roadkill on the Highway to Heaven


Book Description

When life's left you flatter than a steamrolled possum, turn here for a little hope, humor, honesty, and encouragement from the Bible. It's the best of Chonda Pierce's celebrated Roadkill Reports to her fans, plus lots of new material, and it's perfect for reinflating your outlook--anytime, anywhere! Postcard from Chonda: "I tell jokes for a living. It's adventurous. But to do that, I have to fly for hours. I have to take a bus for days. I have to walk up steep stairs in skinny heels. In short, I sometimes take a beating like roadkill on a country highway! Life really is one long journey to heaven. My travel journal is filled with what I've learned along the way--the hurts, the laughter, the victories, the failings, the crowds and the loneliness, and mostly, the times I've seen God at work." --Chonda




The Carriage Journal


Book Description

FEATURES The 1996 Annual Conference: Callaway 3 The Selection of Iron for Carriage Fittings 8 Good Show! Doing Your Best in the Ring 11 Vanderbilt's Road Coach Venture 12 How to Measure Shafts 19 The Mail Coaches of Switzerland 21 The Museums Carriage Reference Library 25 A Dutch Coaching Rally 27 A Smooth Ride 28 Buff and Mary-Lou Rutherford 30 DEPARTMENTS The View from the Box 2 Name That Carriage 7 Memories-Mostly Horsy 16 Questions and Answers 29 The Carriage Trade 32




The Open Road


Book Description

A nomad and a swindler embark on an eccentric road trip in this picaresque, philosophical novel by the author of The Man Who Planted Trees. The south of France, 1950: A solitary vagabond walks through the villages, towns, valleys, and foothills of the region between northern Provence and the Alps. He picks up work along the way and spends the winter as the custodian of a walnut-oil mill. He also picks up a problematic companion: a cardsharp and con man, whom he calls “the Artist.” The action moves from place to place, and episode to episode, in truly picaresque fashion. Everything is told in the first person, present tense, by the vagabond narrator, who goes unnamed. He himself is a curious combination of qualities—poetic, resentful, cynical, compassionate, flirtatious, and self-absorbed. While The Open Road can be read as loosely strung entertainment, interspersed with caustic reflections, it can also be interpreted as a projection of the relationship of author, art, and audience. But it is ultimately an exploration of the tensions and boundaries between affection and commitment, and of the competing needs for solitude, independence, and human bonds. As always in Jean Giono, the language is rich in natural imagery and as ruggedly idiomatic as it is lyrical.