A Song For A Lost City


Book Description

Ashera clutched her worn lute against her chest, her weathered knuckles white against the smooth wood. Rain hammered on the thatched roof of the tavern, its rhythm blending with the raucous laughter and clinking mugs inside. Around her, faces blurred under the dim oil lamps, a tapestry of weathered fishermen, braggart hunters, and merchants with eyes sharp as their knives. But even the merriment couldn't drown out the gnawing emptiness in Ashera's heart.




Old Time String Band Songbook


Book Description

Classic old-time tunes as played by the New Lost City Ramblers. Hundreds of rare photographs, annotations and discographies.




Keeper of the Lost Cities


Book Description

A New York Times bestselling series A USA TODAY bestselling series A California Young Reader Medal–winning series In this riveting series opener, a telepathic girl must figure out why she is the key to her brand-new world before the wrong person finds the answer first. Twelve-year-old Sophie has never quite fit into her life. She’s skipped multiple grades and doesn’t really connect with the older kids at school, but she’s not comfortable with her family, either. The reason? Sophie’s a Telepath, someone who can read minds. No one knows her secret—at least, that’s what she thinks… But the day Sophie meets Fitz, a mysterious (and adorable) boy, she learns she’s not alone. He’s a Telepath too, and it turns out the reason she has never felt at home is that, well…she isn’t. Fitz opens Sophie’s eyes to a shocking truth, and she is forced to leave behind her family for a new life in a place that is vastly different from what she has ever known. But Sophie still has secrets, and they’re buried deep in her memory for good reason: The answers are dangerous and in high-demand. What is her true identity, and why was she hidden among humans? The truth could mean life or death—and time is running out.




The Lost Words


Book Description

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.




The Lost City


Book Description

Amanda Hocking, the New York Times bestselling author of The Kanin Chronicles, returns to the magical world of the Trylle Trilogy with The Lost City, the first novel in The Omte Origins—and the final story arc in her beloved series. The storm and the orphan Twenty years ago, a woman sought safety from the spinning ice and darkness that descended upon a small village. She was given shelter for the night by the local innkeepers but in the morning, she disappeared—leaving behind an infant. Now nineteen, Ulla Tulin is ready to find who abandoned her as a baby or why. The institution and the quest Ulla knows the answers to her identity and heritage may be found at the Mimirin where scholars dedicate themselves to chronicling troll history. Granted an internship translating old documents, Ulla starts researching her own family lineage with help from her handsome and charming colleague Pan Soriano. The runaway and the mystery But then Ulla meets Eliana, a young girl who no memory of who she is but who possesses otherworldly abilities. When Eliana is pursued and captured by bounty hunters, Ulla and Pan find themselves wrapped up in a dangerous game where folklore and myth become very real and very deadly—but one that could lead Ulla to the answers she’s been looking for.




Song for a Lost Kingdom


Book Description

"Embedded in my soul forever." A time-travel adventure powered by the mysterious musical forces that connect two women across time through their cello. The two gifted composers are transposed into each other's world and find their souls have somehow intertwined. In 2018, an aspiring young cellist dreams of joining the National Arts Centre Orchestra in Ottawa. But after a crushing rejection, a new hope emerges in the form of a long lost music score from her dying grandmother in Scotland. In Book I of the Song for a Lost Kingdom series, Adeena Stuart plays this music on the oldest surviving cello made in the United Kingdom, and she's connected to another woman from the past, Katharine Carnegie. Katharine living in 18th century Scotland is also a cellist and a composer. Their connection is augmented by the love of the same man doomed to die after the Battle of Culloden in 1746. In Book II, James Drummond fights alongside Prince Charles Edward Stuart in the 1746 Jacobite uprising. Though their cause is doomed, and James is destined to die shortly after the Battle of Culloden, Adeena's determination to save him never wavers. Left behind in the present, Adeena's friends and families are equally determined to return her to 2019 before the expanding growth in her head becomes fatal. But even they are deceived by the truth of what is about to unfold. In Book III, the final instalment of the series, Adeena and Katharine Carnegie search for the music that neither can complete on their own. Finding themselves living three centuries apart and each assuming the identity of the other, they must overcome their own unique challenges, all the while hiding the truth of who they really are from those around them. The box set is specially priced and also includes the Prequel to the series plus bonus goodies such as the sheet music and lyrics to three original songs featured in the books. (Song for a Lost Kingdom, The Heart Beats in Time and A Foolish Man). Other bonus features include character profiles and a forward by series editor Lara Clouden. The Song for a Lost Kingdom boxset includes: Book I: Music is Not Bound by Time Book II: Love Never Surrenders Book III: The Heart Beats in Time The Prequel: A Kingdom is Lost, A Song is Born. Get swept away in this historical time-slip fantasy-adventure powered by classical music that refuses to be bound by time - and an impossible love that defies the tragic fate already determined by history.




Dan Zanes' House Party!


Book Description

In Dan Zanes' House Party!, the Grammy Award-winning children's artist presents a huge collection of folk songs along with inspiration to start your own family band. Too often, new parents eager to share their love of music with their young children feel their options are limited to cuddly singing dinosaurs and well-meaning humans whose understanding of children’s music starts with “Kumbaya” and ends with “Puff the Magic Dragon.” For many sane adults, these choices are more abrasive than the most aggro noise-rock of their college years. Dan Zanes has spent the past 20 years creating a truly compelling body of children's music that music-loving parents can also get behind. A former 1980s indie rocker, Zanes' 13 children's albums have gained wide praise for their authentic arrangements and preservation of America's folk traditions. In Dan Zanes' House Party!, the Grammy Award–winning Zanes has curated a rich selection of folk songs that comprise an essential musical cross-section of the American experience and its multicultural, immigrant underpinnings. The selections include the standard songs we all know and love, along with folk classics. Each song is accompanied by a brief narrative on its historical context, followed by lyrics, notation, and chords. Among the songs you'll learn to play: "Erie Canal," "Pay Me My Money Down," "Titanic," "Waltzing Matilda," "The Farmer Is the One," "Wabash Cannonball," "Sloop John B.," "Old Joe Clark," "Skip to My Lou," "King Kong Kitchie," and "We Shall Not Be Moved." Dan Zanes' House Party! also includes informational sidebars throughout to give families the basics needed to pick up instruments and learn to more fully enjoy music as a family band. And in the back of the book, you'll find chord charts for guitar, ukele, and mandolin. More than just a collection of songs, Dan Zanes’ House Party! is part music book, part history lesson, and a work that all families can enjoy—together.




Folklife Center News


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Catalog of Copyright Entries


Book Description




Jazzing


Book Description

How do we speak about jazz? In this provocative study based on the author's deep immersion in the New York City jazz scene, Tom Greenland turns from the usual emphasis on artists and their music to focus on non-performing participants, describing them as active performers in their own right who witness and thus collaborate in a happening made one-of-a-kind by improvisation, mood, and moment. Jazzing shines a spotlight on the constituency of proprietors, booking agents, photographers, critics, publicists, painters, amateur musicians, fans, friends, and tourists that makes up New York City's contemporary jazz scene. Drawn from deep ethnographic research, interviews, and long term participant observation, Jazzing charts the ways New York's distinctive physical and social-cultural environment affects and is affected by jazz. Throughout, Greenland offers a passionate argument in favor of a radically inclusive conception of music-making, one in which individuals collectively improvise across social contexts to co-create community and musical meaning. An odyssey through the clubs and other performance spaces on and off the beaten track, Jazzing is an insider's view of a vibrant urban art world.