Rethinking Atlantic Empire


Book Description

In recent years, the historiography of nineteenth-century Spain and Latin America has been invigorated by interdisciplinary engagement with scholars working on topics such as empire, slavery, abolition, race, identity, and captivity. No scholar better exemplified these developments than Christopher Schmidt-Nowara, a specialist on Spain and its Caribbean colonies in Cuba and Puerto Rico. A brilliant career was cut short in 2015 when he died at the age of 48. Rethinking Atlantic Empire takes Schmidt-Nowara’s work as a point of departure, charting scholarly paths that move past reductive national narratives and embrace transnational approaches to the entangled empires of the Atlantic world.




A Spanish Prisoner in the Ruins of Napoleon's Empire


Book Description

A Spanish Prisoner in the Ruins of Napoleon’s Empire offers a rare primary document from an important moment in history: the Spanish War of Independence, which culminated in the expulsion of France from the Iberian Peninsula in 1814. Fernando Blanco White, a Spaniard whose family made its fortune in trade in Seville —historically Spain’s vital link to its American empire—experienced the turmoil of this time period, both as a prisoner of war and as a free man. Blanco White’s diary offers personal insights into how people in Europe and across its global empires coped with these profound transformations. Taken prisoner by the French in 1809, Blanco White finally fled from captivity in 1814. Along with other Spanish escapees, he crossed Switzerland, the Rhineland, and the Netherlands before finally setting sail for England. Unlike most of his countrymen, who were quickly whisked back to Spain, Blanco White stayed in England for two years, during which time he composed his account of his flight across Europe. His diary offers gripping, witty, and sometimes cranky accounts of this time, as he records rich descriptions of places he passed through, his companions and fellow Spaniards, and his many encounters with soldiers and civilians. He writes vividly about his imprisonment, his fear of recapture, his renewed exercise of autonomy, and the inverse, his “slavery”—a term he employs in evocative fashion to describe both his captivity at the hands of the French and the condition of Spaniards more generally under the absolutist Bourbon monarchy. Now available in paperback, Blanco White’s diary tracks firsthand the Spanish experience of war, captivity, and flight during the War of Independence.




Painting Words


Book Description

Painting Words: Aesthetics and the Relationship between Image and Text addresses the importance of dialogue between art and literature, text and image in our image-saturated era. In a globalized world, isolation and compartmentalization hinder us back, whereas the Romantic idea of belonging urges us to look beyond and to build bridges. Bearing this Romantic spirit in mind, rather than focusing on a traditional paragonal approach, this book puts forward the benefits of alliance by offering an interdisciplinary and transdisciplinary perspective. Illustrations are included to guide the reader into comparativism and intermedial encounters, while providing an inspiring overview of the literary and visual department both in Europe and America from the Renaissance to the twentieth century. The different essays lead us through an aesthetic exploratory journey by the hand of Cervantes, Shakespeare, Felicia Hemans, Emily Eden, William Wordsworth, Edgar A. Poe, Flannery O’Connor, N. Scott Momaday, José Joaquín de Mora, Wallace Stevens and José Ángel Valente, among others. Editors, Beatriz González Moreno and Fernando González Moreno have brought together an international group of scholars around the idea of "painting words," which they define as the pictorial ability of language to stir the reader’s imagination and the way illustrators have "read" literary works over the course of centuries. Many traditional comparative studies examine literature belonging to specific time periods or movements, far less frequently do they bridge visual culture with text-- Painting Words: Aesthetics and the Relationship between Image and Text aims to do just that.




The Conquest of Ruins


Book Description

The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.







The American Catalogue


Book Description

American national trade bibliography.










From the Ruins of Empire


Book Description

The Victorian period, viewed in the West as a time of self-confident progress, was experienced by Asians as a catastrophe. As the British gunned down the last heirs to the Mughal Empire, burned down the Summer Palace in Beijing, or humiliated the bankrupt rulers of the Ottoman Empire, it was clear that for Asia to recover a vast intellectual effort would be required. Pankaj Mishra's fascinating, highly entertaining new book tells the story of a remarkable group of men from across the continent who met the challenge of the West. Incessantly travelling, questioning and agonising, they both hated the West and recognised that an Asian renaissance needed to be fuelled in part by engagement with the enemy. Through many setbacks and wrong turns, a powerful, contradictory and ultimately unstoppable series of ideas were created that now lie behind everything from the Chinese Communist Party to Al Qaeda, from Indian nationalism to the Muslim Brotherhood. Mishra allows the reader to see the events of two centuries anew, through the eyes of the journalists, poets, radicals and charismatics who criss-crossed Europe and Asia and created the ideas which lie behind the powerful Asian nations of the twenty-first century.