Tale of a Tub


Book Description




A Tale of a Tub


Book Description

A Tale of a Tub Written for the Universal Improvement of Mankind was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. The Tale is a prose parody divided into sections each delving into the morals and ethics of the English. Composed between 1694 and 1697, it was eventually published in 1704. A satire on the Roman Catholic and Anglican churches and English Dissenters, it was famously attacked for its profanity and irreligion, starting with William Wotton, who wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom [the author's] contemptible Opinion of every Thing which is called Christianity."[1] The work continued to be regarded as an attack on religion well into the nineteenth century




A Tale of a Tub and Other Works


Book Description

A Tale of a Tub is the masterpiece of Swift's earlier years. It is presented here with The Battle of the Books, The Mechanical Operation of the Spirit, and the Additions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.







Ellipsis in English Literature


Book Description

Anne Toner provides an original account of the history of ellipsis marks - dots, dashes and asterisks - in English literary writing. Highlighting ever-renewing interest in these forms of non-completion in literature, Toner demonstrates how writers have striven to get closer to the hesitancies and interruptions of spoken language, the indeterminacies of thought, and the successive or fragmented nature of experience by means of these textual symbols. While such punctuation marks may seem routine today, this book describes their emergence in early modern drama and examines the relationship between authors, printers and grammarians in advancing or obstructing the standardisation of the marks. Their development is explored through close study of the works of major English writers, including Jonson, Shakespeare, Richardson, Sterne, Meredith and Woolf, along with visual illustrations of their usage. In particular, Toner traces the evolution of ellipsis marks in the novel, a form highly receptive to elliptical punctuation.