The Thief Who Stole My Heart


Book Description

The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.










Kalyana Mitra: Volume 4


Book Description

Epigraphy and NumismaticsDescriptionVolume IV, Epigraphy and Numismatics: The Volume contains 34 articles in which there are 23 articles on Epigraphy and 11 articles on Numismatics. The epigraphy section covers studies on almost all the dynasties ruled over the Indian sub-continent and through valuable light on Political, social, economic, religious and other aspects of Indian history. The second section of the book covers important aspects of Coinage found from various regions of India right from the pre-Mauryan times to late medieval times. These articles shed light on the coinage on a Pan Indian context right from the Punch marked coins, Satavahana, Roman, Kshatrapa, Pandyas and Sultanate and also symbols on the coins which opens new vistas in the Numismatics study.This volume serves as a valuable source book for the students, research scholars and teachers as well in the fields. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitation Volume is brought out in a series of 12 independent books covering a total of 460 articles. Every volume contains two sections. The first section contains the biographical sketch of Prof.P.Chenna Reddy, his achievements and contribution to archaeology, history and Society. The second section of each volume is subject specific.




Accessions List, South Asia


Book Description




Nagapattinam to Suvarnadwipa


Book Description

The expansion of the Cholas from their base in the Kaveri Delta saw this growing power subdue the kingdoms of southern India, as well as occupy Sri Lanka and the Maldives, by the early eleventh century. It was also during this period that the Cholas initiated links with Song China. Concurrently, the Southeast Asian polity of Sriwijaya had, through its Sumatran and Malayan ports, come to occupy a key position in East-West maritime trade, requiring engagement with both Song China to the north and the Chola kingdom to its west. The apparently friendly relations pursued were, however, to be disrupted in 1025 by Chola naval expeditions against fourteen key port cities in Southeast Asia. This volume examines the background, course and effects of these expeditions, as well as the regional context of the events. It brings to light many aspects of this key period in Asian history. Unprecedented in the degree of detail assigned to the story of the Chola expeditions, this volume is also unique in that it includes translations of the contemporary Tamil and Sanskrit inscriptions relating to Southeast Asia and of the Song dynasty Chinese texts relating to the Chola Kingdom.




The Early Chōḷas History, Art, and Culture


Book Description

The period of Early Cholas (850 A.D – 970 A.D) forms an important epoch in the history of Tamilnadu. Starting from a scratch the Early Chola rulers exerted to establish a vast empire by their conquests. Rulers like Vijayalaya I, Aditya I and Parantaka I were great warriors who built the Chola empire inch by inch. Vijayalaya conquered Tanjavur, Aditya I annexed Tondai-mandalam and Parantaka I occupied Madurai. During the reign of Parantaka I his empire extended up to Nellore in the north to Kanyakumari in the south. Though the Takkolam battle put a poke into the expansion of the Cholas, it did not exhaust the vitality of the Chola empire. The Cholas recovered remarkably from the disaster and emerged like a phoenix and rebuilt the empire quickly. The early Cholas are best remembered for their signal contribution in the sphere of local administration. The rules relating to the mode of local administration best averred in the celebrated Uttaramerur inscriptions were conceived during the reign of Parantaka Chola I. The Early Cholas also left their imprints on art, architecture and sculpture.