A Treasury of English Sonnets


Book Description

Reprint of the original, first published in 1881.




The Oxford Book of Sonnets


Book Description

An anthology of more than three hundred sonnets, arranged by the birth date of the poets, features the work of Shakespeare, Donne, Milton, Wordsworth, the Brownings, Christina Rossetti, Frost, Millay, Walcott, Heaney, and others.




Love Sonnets


Book Description

Originating in 12th-century Italy, the sonnet had its first flowering in the work of Dante and Petrarch, and was later embraced all over Europe as poets discovered that its brevity and musicality gave impact to the expression of emotion.




Palgrave's Golden Treasury of Songs and Lyrics ... - Primary Source Edition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Great Sonnets


Book Description

Treasury of over 170 English and American sonnets by more than 70 poets, from the Renaissance to the 20th century. Masterpieces by Shakespeare, Milton, Wordsworth, Keats, Shelley, Blake, Swinburne, Yeats, Frost, Poe, many more.
















Sonnet Sequences and Social Distinction in Renaissance England


Book Description

Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed. The tensions inherent in the genre - between lyric and narrative, between sonnet and sequence - offered writers a means of reconceptualizing the relation between individuals and society, a way to try to come to grips with the broad social transformations taking place at the end of the sixteenth century. By stressing the struggle over social classification, the book revises studies that have tied the influence of sonnet sequences to either courtly love or to Renaissance individualism. Drawing on Marxist aesthetic theory, it offers detailed examinations of sequences by Lok, Sidney, Spenser, Shakespeare and Milton. It will be valuable to readers interested in Renaissance and genre studies, and post-Marxist theories of class.