Bernard de Mandeville's Tropology of Paradoxes


Book Description

This book integrates studies on the thought of Bernard de Mandeville and other philosophers and historians of Modern Thought. The chapters reflect a rethinking of Mandeville’s legacy and, together, present a comprehensive approach to Mandeville’s work. The book is published on the occasion of the 300 years that have passed since the publication of the Fable of the Bees. Bernard de Mandeville disassembled the dichotomies of traditional moral thinking to show that the outcomes of the social action emerge as new, non-intentional effects from the combination of moral opposites, vice and virtue, in such a form that they lose their moral significance. The work of this great writer, philosopher and physician is interwoven with an awareness of the paradoxical nature of modern society and the challenges that this recognition brings to an adequate perspective on the historical world of modernity.







The Nature of the Book


Book Description

In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement




Perilous Chastity


Book Description

Bearing such titles as The Doctor's Visit or The Lovesick Maiden, certain seventeenth-century Dutch paintings are familiar to museum browsers: an attractive young woman—well dressed, but pale and listless—reclines in a chair, languishes in bed, or falls to the floor in a faint. Weathered crones or impish boys leer suggestively in the background. These paintings traditionally have been viewed as commentary on quack doctors or unmarried pregnant women. The first book to examine images of women and illness in the light of medical history, Perilous Chastity reveals a surprising new interpretation. In an engaging analysis enhanced by abundant illustrations-including eight pages of color plates—Laurinda S. Dixon shows how paintings reflect changing medical theories concerning women. While she illuminates a tradition stretching from antiquity to the present, she concentrates on art from the thirteenth through the eighteenth centuries, and particularly on paintings from seventeenth-century Leiden. Dixon suggests how the assumptions of a predominantly male medical establishment have influenced prevailing notions of women's social place. She traces the evolution of the belief that women's illnesses were caused by "hysteria," so named in ancient Greece after the notion that the uterus had a tendency to wander in the body. All women were considered prone to hysteria-strong emotions, idleness, intellectual activity, or unladylike pursuits could cause it—but it was most commonly diagnosed among celibates. Analyzing paintings of women's sickrooms by Jan Steen, Dirck Hals, Gabriel Metsu, Jacob Ochtervelt, Godfried Schalcken, Samuel van Hoogstraten, and Franz van Mieris, Dixon perceives metaphoric identifications of the womb as the source of illness. She also documents changing fashions in cures for hysteria and discusses allusions to the debilitating effects of women's passions not only in paintings, but also in madrigals by John Dowland and Henry Purcell. In conclusion, Dixon argues that her study has strong ramifications of attitudes towards women and illness today. She takes up images in twentieth-century culture as well and calls attention to a resurgence of female "hysteria" after World War II.




Foundations of Consultation-Liaison Psychiatry


Book Description

Foundations of Consultation-Liaison Psychiatry: The Bumpy Road to Specialization documents the development of Consultation-Liaison Psychiatry from its inception to the present. The book draws on contributions from philosophy, physiology, psychoanalysis, epidemiology and other disciplines to define the broad scope of the field. Distinctions and similarities between Consultation-Liaison Psychiatry and Psychosomatic Medicine will be of interest to psychiatrists, social workers, and health psychologists, as well as students, residents, and fellows pursuing careers in these disciplines.




Free Thoughts on Religion, the Church, and National Happiness


Book Description

Bernard Mandeville was best known for The Fable of the Bees, in which he demolishes the supposed moral basis of society by a Hobbesian demonstration that civilization depends on vice. Today Mandeville is seen as a trenchant satirist of the manners and foibles of his age. He is also seen as a precursor of some of Adam Smith's doctrines, a forerunner in the field of sociology. A prescient analyst of the dynamics of our modern consumer society, Mandeville is author of a striking naturalistic account of the gradual evolution of modern society from its primitive antecedents. His literary signature, in a manner of speaking, is his famous paradox, "private vices, public benefits." This new edition of Free Thoughts is prefaced by a lengthy and informative introduction by Irwin Primer, who recreates not only the literary, political, and religious atmosphere surrounding Mandeville, but also the controversies that surrounded his writing in mid-eighteenth-century England. Primer includes textual notes on the first and second editions of this classic work. To understand Mandeville's Free Thoughts, one needs to situate it within the context of the religious and political controversies, ongoing subversion, fear and dormant warfare of his times. Those would eventually erupt again and for the last time in the bloody Jacobite rebellion of 1745-46. The first five chapters of the book explore religious and theological issues including the nature of belief and knowledge, the significance of rites and ceremonies, and controversies about Christian mysteries such as the Trinity and free will and predestination. The next five chapters explore controversial issues of church politics, including persecution and toleration across the centuries, the basis of Mandeville's anticlericalism. In the eleventh chapter, he turns aside from matters of religion to review the balance of powers in Britain's government, a mixed or limited monarchy. The final chapter is essentially a repetition of Mandeville's pleas for civil and religious peace through mutual toleration by opposing religious parties. Mandeville's work is of continuing interest to students of culture and history, religion and theology, and political science. Irwin Primer is professor emeritus at Rutgers University who has written widely on Mandeville and the Scottish tradition in philosophy.