A Universal History of Infamy


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A Universal History of Iniquity


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Borges reveals his delight in sharing colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge.




A Universal History of Infamy


Book Description

A Universal History of Infamy' was a multi-pronged exhibition that opened across three different art spaces in Los Angeles County, with the support of the Getty Foundation, under Pacific Standard Time: LA/LA. The ?A? in the title announces the shortcomings of any ?universal history? or comprehensive exhibition survey, which is particularly relevant considering the varied interests and experiences of US Latino and Latin American artists. The artists included upend any notion of absoluteness, whether it be in relationship to what defines Latin America, the art associated with it, or the methods of approaching its complex history. In addition to curatorial essays???all different in format and scope???this publication offers a look into the different perspectives, approaches, and scales highlighted at each of the show?s venues: an encyclopedic museum (LACMA), a school (Charles White Elementary School), and an artist residency complex (18th Street Arts Center).00Exhibition: Los Angeles County Museum of Art, Los Angeles, USA (20.08.2017 - 19.02.2018) / Charles White Elementary School, Los Angeles, USA (09.12.2017 - 06.10.2018) / 18th Street Arts Center, Santa Monica, USA (09.09.2017 - 15.12.2017).




Reading Borges after Benjamin


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This book explores the relationship between time, life, and history in the work of Jorge Luis Borges and examines his work in relation to his contemporary, Walter Benjamin. By focusing on texts from the margins of the Borges canon—including the early poems on Buenos Aires, his biography of Argentina's minstrel poet Evaristo Carriego, the stories and translations from A Universal History of Infamy, as well as some of his renowned stories and essays—Kate Jenckes argues that Borges's writing performs an allegorical representation of history. Interspersed among the readings of Borges are careful and original readings of some of Benjamin's finest essays on the relationship between life, language, and history. Reading Borges in relationship to Benjamin draws out ethical and political implications from Borges's works that have been largely overlooked by his critics.




A New Universal History of Infamy


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"If not for my indefinite sojourn in the Garden of the Forking Paths, I would have time to tell you how delighted I am that a certain intrepid Welshman has decided to continue my work. In his aping of my Universal History, this Welshman has come to find his own mischievious truth." - Jorge Luis Borges From 1933 to 1934, Jorge Luis Borges, the master of fiction whose work would change the literary world, published a series of "falsifications and distortions" in the Buenos Aires newspaper Critica. These "falsifications" used as their starting point the lives of real villains and desperados. Borges then elaborated using all of the anecdotes and myths about these historical characters, creating what amounted to "nonfictional fictions." The entire series was then published in book form as A Universal History of Infamy. Now Rhys Hughes, a Welshman of some infamy himself, has summoned his vast storytelling powers to create A New Universal History of Infamy, with all-new historical characters as the focus of his nonfiction fictions. Come along on a wild ride with unsavory types of every description. Entertaining and erudite at the same time, Hughes' book also includes some of the literary parodies Borges himself delighted in creating. With an introduction by noted critic John Clute and an afterword by Michael Simanoff.




Imaginary Lives


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A Personal Anthology


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Handpicked works from the greatest Argentinian writer of the twentieth century. “Without Borges the modern Latin American novel simply would not exist” (Carlos Fuentes, author and diplomat). After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his work—short stories, essays, poems, and brief mordant “sketches,” which, in Borges’s hands, take on the dimensions of a genre unique in modern letters. In this anthology, the author has put together those pieces on which he would like his reputation to rest; they are not arranged chronologically, but with an eye to their “sympathies and differences.” A Personal Anthology, therefore, is not merely a collection, but a new composition. “An important work, by far the best yet available to the reader . . . who seeks a representative sampling of the great Argentine writer . . . the standard introduction to Borges in England and the United States.” —Saturday Review




Pearl Harbor


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“A valuable reexamination” (Booklist, starred review) of the event that changed twentieth-century America—Pearl Harbor—based on years of research and new information uncovered by a New York Times bestselling author. The America we live in today was born, not on July 4, 1776, but on December 7, 1941, when an armada of 354 Japanese warplanes supported by aircraft carriers, destroyers, and midget submarines suddenly and savagely attacked the United States, killing 2,403 men—and forced America’s entry into World War II. Pearl Harbor: From Infamy to Greatness follows the sailors, soldiers, pilots, diplomats, admirals, generals, emperor, and president as they engineer, fight, and react to this stunningly dramatic moment in world history. Beginning in 1914, bestselling author Craig Nelson maps the road to war, when Franklin D. Roosevelt, then the Assistant Secretary of the Navy, attended the laying of the keel of the USS Arizona at the Brooklyn Navy Yard. Writing with vivid intimacy, Nelson traces Japan’s leaders as they lurch into ultranationalist fascism, which culminates in their scheme to terrify America with one of the boldest attacks ever waged. Within seconds, the country would never be the same. Backed by a research team’s five years of work, as well as Nelson’s thorough re-examination of the original evidence assembled by federal investigators, this page-turning and definitive work “weaves archival research, interviews, and personal experiences from both sides into a blow-by-blow narrative of destruction liberally sprinkled with individual heroism, bizarre escapes, and equally bizarre tragedies” (Kirkus Reviews). Nelson delivers all the terror, chaos, violence, tragedy, and heroism of the attack in stunning detail, and offers surprising conclusions about the tragedy’s unforeseen and resonant consequences that linger even today.




Seven Nights


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The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges' erudition on the following topics: Dante's The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The Kabbalah, and Blindness.