A Vindication of the Rights of Brutes (1792) (Classic Reprint)


Book Description

Excerpt from A Vindication of the Rights of Brutes (1792) Mary Wollstonecraft as a guest in Taylor's home had called his study the abode of peace. He was not in sympathy with her radical ideas or those of Paine; he was not an advocate of an egal itarian world, but if they insisted upon agitation for this, he could show them how much farther they must carry their theories. His Vindication of the Rights of Brutes (london, 1792; Boston, Massachusetts, 1795) endeavors to demonstrate that who has said A must say B; and that B leads on to an unforeseen Z. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










Romantic Adaptations


Book Description

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between ’romanticism’ and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.




A Vindication of the Rights of Woman


Book Description

A manifesto for women's rights stresses the need for the education of women, defines the female character, and applies the egalitarian principles of the era to women.




Romantic Outlaws


Book Description

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SEATTLE TIMES This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book—until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein—two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society’s expectations for women came to an end. But another was just beginning. Wollstonecraft’s daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. “Brave, passionate, and visionary, they broke almost every rule there was to break,” Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era. Praise for Romantic Outlaws “[An] impassioned dual biography . . . Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe




Guide to Reprints


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The Routledge Guidebook to Wollstonecraft's A Vindication of the Rights of Woman


Book Description

Mary Wollstonecraft was one of the greatest philosophers and writers of the Eighteenth century. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Her most celebrated and widely-read work is A Vindication of the Rights of Woman. This Guidebook introduces: Wollstonecraft’s life and the background to A Vindication of the Rights of Woman The ideas and text of A Vindication of the Rights of Woman Wollstonecraft’s enduring influence in philosophy and our contemporary intellectual life It is ideal for anyone coming to Wollstonecraft’s classic text for the first time and anyone interested in the origins of feminist thought.




Imagining Nature


Book Description

In Imagining Nature Kevin Hutchings combines insights garnered from literary history, poststructuralist theory, and the emerging field of ecological literary studies. He considers William Blake's illuminated poetry in the context of the eighteenth-century model of "nature's economy,' a conceptual paradigm that prefigured modern-day ecological insights, describing all earthly entities as integrated parts of a dynamic, interactive system. Hutchings details Blake's sympathy for – and important suspicions concerning – the burgeoning contemporary fascination with such things as environmental ethics, animal rights, and the various fields of scientific naturalism. By focusing on Blake's concern for the relationship between nature and ideology (including the politics of class, gender, and religion) Hutchings avoids the sentimentalism and misanthropic pitfalls all too often associated with environmental commentary. He articulates a distinctively Blakean perspective on current debates in literary theory and eco-criticism and argues that while Blake's peculiar humanism and profound emphasis upon spiritual concerns have led the majority of his readers to regard his work as patently anti-natural, such a view distorts the central political and aesthetic concerns of Blake's corpus. By showing that Blake's apparent hostility toward the natural world is actually a key aspect of his famous critique of institutionalized authority, Hutchings presents Blake's work as an example of "green Romanticism" in its most sophisticated and socially responsive form.




Witness Against the Beast


Book Description

First paperback edition of one of E. P. Thompson's best and most deeply felt works.