A Vision for London, 1889-1914


Book Description

The London County Council was a the world's largest municipal government and a laboratory for social experimentation before the Great War. It sought to master the problems of metropolitan amelioration, political economy and public culture. Pennybacker's social history tests the vision of London Progressivism against its practitioners' accomplishments. She argues that the historical memory of the hopes inspired by LCC achievement and the disillusions spawned by failure, are potent forces in today's deeply ambivalent responses to metropolitan politics in London. The `new women', bohemian London, scandal in the building industry, midwifery, lodging houses, children's provision and the music hall were all provocative issues in LCC work. Their story richly evokes life in the turn-of-the-century metropolis and illustrates the complexities of `municipal socialism'.




Saint Thomas More of London


Book Description

Raised in London, the son of a school master, Thomas More became a great scholar, Oxford graduate and lawyer. He served King Henry VIII becoming one of his trusted advisors. Sir Thomas refused to acknowledge Henry VII as the head of the Church in England and was arrested for high treason. He was beheaded and became a Martyr for the Church. [adapted from back cover.




Tunnel Vision


Book Description

Andy must travel through every tube station in London in a single day to retrieve the Eurostar tickets he needs to get to his wedding in Paris.




Vision


Book Description

The second half of the twentieth century has seen British artists, architects, and designers assuming a central role on the world stage. Starting in the years of reconstruction after the war, the young began to challenge accepted artistic values, looking at popular culture for their inspiration; the iconoclasm of the Pop movement has continued to be one of the most vital ingredients of the British art scene. In the year-by-year record that this book provides, the work of newcomers making their first impact is seen alongside that of outstanding artists in their maturity, with connections and contradictions across the entire visual scene-from architecture, interior design, furniture, and the decorative arts to painting, sculpture, and graphic art.




Poetry and Vision in Early Modern England


Book Description

This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.




Indigenous London


Book Description

An imaginative retelling of London’s history, framed through the experiences of Indigenous travelers who came to the city over the course of more than five centuries London is famed both as the ancient center of a former empire and as a modern metropolis of bewildering complexity and diversity. In Indigenous London, historian Coll Thrush offers an imaginative vision of the city's past crafted from an almost entirely new perspective: that of Indigenous children, women, and men who traveled there, willingly or otherwise, from territories that became Canada, New Zealand, Australia, and the United States, beginning in the sixteenth century. They included captives and diplomats, missionaries and shamans, poets and performers. Some, like the Powhatan noblewoman Pocahontas, are familiar; others, like an Odawa boy held as a prisoner of war, have almost been lost to history. In drawing together their stories and their diverse experiences with a changing urban culture, Thrush also illustrates how London learned to be a global, imperial city and how Indigenous people were central to that process.




The Making of Yeats's A Vision


Book Description

According to Yeats, his wife surprised him on 24 October 1917, four days after their marriage, "by attempting automatic writing." Excited, he offered to spend the remainder of his life organizing and explaining the "scattered sentences." Over a period of approximately 30 months they collaborated in 450 sittings, he asking questions, she responding to fill a total of more than 3,600 pages. Quoting copiously from the Script, Harper has traced in two volumes these incredible experiments day by day as the Yeatses moved about England, Ireland, and America. He has also cited hundreds of parallel explanatory passages from many workbooks, notebooks, and the concordance arranged like a card index in which Yeats codified the System he projected in A Vision and numerous poems and plays. Harper also has examined the extensive personal revelations that were excluded from A Vision and carefully concealed in many passages of "personal Script." As Professor Harper demonstrates, Yeats had these often oblique, highly allusive passages in mind when he admitted "To Vestigia" that he had "not even dealt with the whole of my subject, perhaps not even with what is most important, writing nothing about the Beatific Vision, little of sexual love."







Yeats and Joyce


Book Description

While postcolonial studies has contributed much to our understanding of Irish modernism, it has also encouraged less-than-accurate portrayals of Joyce and Yeats as polar opposites: Yeats as the inventor of Irish mystique and Joyce as its relentless demythologiser. Alistair Cormack's complex study provides a corrective to these misleading characterisations by analysing the tools Yeats and Joyce themselves used to challenge representation in the postcolonial era. Despite their very different histories, Cormack suggests, these two writers can be seen as allies in their insistence on the heresy of the imagination. Reinvigorating and politicising the history of ideas as a powerful medium for studying literature, he shows that Joyce and Yeats independently challenged a linearity and materialism they identified with empire. Both celebrated Ireland as destabilising the accepted forms of thought and the accepted means of narrating the nation. Thus, 'unreadable' modernist works such as Finnegans Wake and A Vision must be understood as attempts to reconceptualise history in a literally postcolonial period.




Yeats Annual No 4


Book Description