Above the Battle


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Above the Battle


Book Description

A collection of articles and letters by the French author from the early years of WWI translated and with an introduction by C K Ogden, editor of The Cambridge Magazine.




Romain Rolland and the Politics of the Intellectual Engagement


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This intellectual portrait of Romain Rolland (1866-1944)--French novelist, musicologist, dramatist, and Nobel prizewinner in 1915--focuses on his experiments with political commitment against the backdrop of European history between the two world wars. Best known as a biographer of Beethoven and for his novel, Jean-Christophe, Rolland was one of those nonconforming writers who perceived a crisis of bourgeois society in Europe before the Great War, and who consciously worked to discredit and reshape that society in the interwar period. Analyzing Rolland's itinerary of engaged stands, David James Fisher clarifies aspects of European cultural history and helps decipher the ambiguities at the heart of all forms of intellectual engagement.Moving from text to context, Fisher organizes the book around a series of debates--Rolland's public and private collisions over specific committed stands--introducing the reader to the polemical style of French intellectual discourse and offering insight into what it means to be a responsible intellectual. Fisher presents Rolland's private ruminations, extensive research, and reexamination of the function and style of the French man of letters. He observes that Rolland experimented with five styles of commitment: oceanic mysticism linked to progressive, democratic politics; free thinking linked to antiwar dissent; pacifism and, ultimately, Gandhism; antifacism linked to anti-imperialism, antiracism, and all-out political resistance to fascism; and, most controversially, fellow traveling as a form of socialist humanism and the positive side of antifascism. Fisher views Rolland's engagement historically and critically, showing that engaged intellectuals of that time were neither naive propagandists nor dupes of political parties.David James Fisher makes a case for the committed writer and hopes to re-ignite the debate about commitment. For him, Romain Rolland sums up engagement in a striking, dialectical formula:




Delphi Collected Works of Romain Rolland (Illustrated)


Book Description

Romain Rolland was an early twentieth century French novelist, dramatist and essayist. Throughout his life he was a fervent idealist, deeply involved with pacifism, the fight against fascism, the search for world peace and the analysis of artistic genius, which was a recurring theme of his works. In 1915 he was awarded the Nobel Prize for Literature as “a tribute to the lofty idealism of his literary production and to the sympathy and love of truth with which he has described different types of human beings”. This comprehensive eBook presents Rolland’s collected works, with numerous illustrations, rare translations appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Rolland’s life and works * Concise introductions to the novels and other texts * 15 novels, with individual contents tables * The complete 10-volume novel cycle ‘Jean-Christophe’, translated by Gilbert Cannan * The first two volumes of Rolland’s other novel cycle, ‘The Soul Enchanted’, appearing here for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes rare non-fiction works, including Rolland’s classical music criticism * Features a bonus biography by the noted Austrian author Stefan Zweig – discover Rolland’s literary life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: Jean-Christophe (tr. Gilbert Cannan) Dawn (1904) Morning (1904) Youth (1904) Revolt (1905) The Marketplace (1908) Antoinette (1908) The House (1908) Love and Friendship (1910) The Burning Bush (1911) The New Dawn (1912) The Soul Enchanted Annette and Sylvie (1922) (tr. Ben Ray Redman) Summer (1924) (tr. Eleanor Stimson and Van Wyck Brooks) Other Fiction Colas Breugnon (1919) (tr. Katherine Miller) Clérambault (1920) (tr. Katherine Miller) Pierre and Luce (1920) (tr. Charles de Kay) The Plays Georges Danton (1899) The Fourteenth of July (1902) The Non-Fiction François-Millet (1902) Beethoven (1903) Life of Michelangelo (1907) Musicians of To-Day (1908) Musicians of Former Days (1908) Handel (1910) Tolstoy (1911) The Forerunners (1919) A Musical Tour through the Land of the Past (1922) Mahatma Gandhi (1924) The Biography Romain Rolland (1921) by Stefan Zweig (tr. Eden and Cedar Paul) Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks







Patterns for America


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In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and "primitive" peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American "culture." She also shows the connections between this new view of "culture" and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.




Romain Rolland


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The Nation


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