Abroad at Home
Author : Julian Street
Publisher :
Page : 812 pages
File Size : 18,43 MB
Release : 1915
Category : United States
ISBN :
Author : Julian Street
Publisher :
Page : 812 pages
File Size : 18,43 MB
Release : 1915
Category : United States
ISBN :
Author : Biblioteca Nacional (Brazil)
Publisher :
Page : 934 pages
File Size : 30,12 MB
Release : 1919
Category : Brazil
ISBN :
Author : Biblioteca Nacional (Brazil).
Publisher :
Page : 940 pages
File Size : 41,37 MB
Release : 1919
Category : Brazil
ISBN :
Author : Biblioteca Nacional (Brazil)
Publisher :
Page : 574 pages
File Size : 15,62 MB
Release : 1919
Category : Brazilian literature
ISBN :
Author :
Publisher :
Page : 1314 pages
File Size : 34,15 MB
Release : 1918
Category : Brazil
ISBN :
Author :
Publisher :
Page : 704 pages
File Size : 36,6 MB
Release : 1914
Category : Architecture, Domestic
ISBN :
Author :
Publisher :
Page : 2130 pages
File Size : 33,82 MB
Release : 1914
Category : American literature
ISBN :
Author : Alfred Emile Cornebise
Publisher : Texas A&M University Press
Page : 174 pages
File Size : 28,27 MB
Release : 2014-10-01
Category : History
ISBN : 1623492033
Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the U.S. Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the U.S. Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not. Unsure of what to do with these official artists, AEF leadership in France issues passes that allowed them relative freedom to move about, sketching as they went and finding supplies and lodgings where they could. But the bureaucratic confusion over the artists’ mission soon created controversy in Washington. The army brass there was dismayed at the slow trickle of art coming in and at some of the bucolic, behind-the-lines scenes, which held little promise as dramatic magazine illustrations or propaganda. The Armistice came only a matter of months after the American Artists arrived in France, and they marched into the Rhineland with the American occupation forces, sketching along the way. Soon returning to France the artists went into separate studios to finish their works, but the army hurriedly discharged them and they were civilian artists once more. The author conducted research for this book in the World War I army records in the National Archives, as well as the collections of the Smithsonian Institution, and others throughout the country. The sixty-six black-and-white pictures reproduced here are some of the approximately five hundred pieces of official AEF combat art, which shortly after the war were turned over to the Smithsonian Institution, where most of them remain.
Author : John A. Jakle
Publisher : University of Illinois Press
Page : 235 pages
File Size : 36,89 MB
Release : 2012-09-15
Category : History
ISBN : 0252093941
The American picture postcard debuted around the start of the twentieth century, creating an enthusiasm for sending and collecting postcard art that continued for decades. As a form of popular culture, scenic postcards strongly influenced how Americans conceptualized both faraway and nearby places through portrayals of landscapes, buildings, and historic sites. In this gloriously illustrated history of the picture postcard in Illinois, John A. Jakle and Keith A. Sculle study a rich and diverse set of images that chronicle what Illinoisans considered attractive, intriguing, and memorable. They also discuss how messages written on postcards reveal the sender's personal interpretation of local geography and scenery. The most popularly depicted destination was Chicago, America's great boomtown.Its portraits are especially varied, showing off its high-rise architecture, its teeming avenues, and the vitality of its marketplaces and even slaughterhouses. Postcards featuring downstate locales, however, elaborated and reinforced stereotypes that divided the state, portraying the rest of Illinois as the counterpoint to Chicago's urban bustle. Scores of cards from Springfield, Peoria, Bloomington-Normal, Urbana-Champaign, Quincy, and Vandalia emphasize wide-open prairies, modest civic edifices, and folksy charm. The sense of dichotomy between Chicago and the rest of Illinois was, of course, a substantial fallacy, since the city's very prosperity depended upon the entire state's fertile farmlands, natural resources, and small industries. Jakle and Sculle follow this dialogue between urban Chicago and rural downstate as it is illustrated on two hundred vintage postcards, observing both their common conventions and their variety. They also discuss the advances in printing technology in the early 1900s that made mass appeal possible. Providing rich historical and geographical context, Picturing Illinois: Twentieth-Century Postcard Art from Chicago to Cairo illustrates the picture postcard's significance in American popular culture and the unique ways in which Illinoisans pictured their world.
Author : Eric Gordon
Publisher : UPNE
Page : 242 pages
File Size : 45,47 MB
Release : 2010
Category : Photography
ISBN : 1584658037
How conceptions of the American city changed in response to new media technologies